One of The Atlantic's Great American Novels of the Past 100 Years

A dying millionaire hires private eye Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, and Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.

Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious. --The New York Times Book Review

In noir master Raymond Chandler's The Long Goodbye, Philip Marlowe befriends a down on his luck war veteran with the scars to prove it. Then he finds out that Terry Lennox has a very wealthy nymphomaniac wife, whom he divorced and remarried and who ends up dead. And now Lennox is on the lam and the cops and a crazy gangster are after Marlowe.

Los Angeles, 1930s. A rich old man who knows trouble when he sees it hires a detective agency to scare off a young woman who seems to be making his adopted son hemorrhage cash. Fortunately for the detective, a hard drinking man named Philip Marlowe, trouble is his business.

The young woman, Harriet, has an agenda all her own and aspirations beyond being a shill for a gambler. She's nobody's fool. Nor is the old man, for his part. He's got serious muscle--a chauffer with a degree from Dartmouth, the only Black student from his class, who knows his way around a gun and isn't afraid to use it.

Right in the middle of it all is a big pile of money. And when the bodies begin to drop, only Philip Marlowe can sort out which of these suspects is pulling the trigger.

Philip Marlowe's about to give up on a completely routine case when he finds himself in the wrong place at the right time to get caught up in a murder that leads to a ring of jewel thieves, another murder, a fortune-teller, a couple more murders, and more corruption than your average graveyard.

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In The Lady in the Lake, hardboiled crime fiction master Raymond Chandler brings us the story of a couple of missing wives--one a rich man's and one a poor man's--who have become the objects of Philip Marlowe's investigation. One of them may have gotten a Mexican divorce and married a gigolo and the other may be dead. Marlowe's not sure he cares about either one, but he's not paid to care.

A dying millionaire hires private eye Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, and Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.

A Vintage Crime/Black Lizard Special Edition.

The only complete edition of stories by the undisputed master of detective literature, collected here for the first time in one volume, including some stories that have been unavailable for decades.

When Raymond Chandler turned to writing at the age of forty-five, he began by publishing stories in pulp magazines such as Black Mask before later writing his famous novels. These stories are where Chandler honed his art and developed his uniquely vivid underworld, peopled with good cops and bad cops, informers and extortionists, lethally predatory blondes and redheads, and crime, sex, gambling, and alcohol in abundance. In addition to his classic hard-boiled stories-in which his signature atmosphere of depravity and violence swirls around the cool, intuitive loners whose type culminated in the famous detective Philip Marlowe-Chandler also turned his hand to fantasy and even a gothic romance.

This rich treasury of twenty-five stories shows Chandler developing the terse, laconic, understated style that would serve him so well in his later masterpieces, and immerses the reader in the richly realized fictional universe that has become an enduring part of our literary landscape

A wealthy Pasadena widow with a mean streak, a missing daughter-in-law with a past, and a gold coin worth a small fortune--the elements don't quite add up until Marlowe discovers evidence of murder, rape, blackmail, and the worst kind of human exploitation.

Raymond Chandler is a star of the first magnitude. Erle Stanley Gardner

Raymond Chandler has given us a detective who is hard-boiled enough to be convincing . . . and that is no mean achievement. --The New York Times

The Lady in the Lake moves Marlowe out of his usual habitat of city streets and into the mountains outside of Los Angeles in his strange search for a missing woman. The Little Sister takes Marlowe to Hollywood, where he tries to find a sweet young thing's missing brother, uncovering on the way a little blackmail, a lot of drugs, and more than enough murder. In The Long Goodbye, a case involving a war-scarred drunk and his nymphomaniac wife has Marlowe constantly on the move: a psychotic gangster's on his trail, he's in trouble with the cops, and more and more corpses keep turning up. Playback features a well-endowed redhead who leads Marlowe to the California coast to solve a tale of big money and, of course, murder.

Throughout these masterpieces, Marlowe's wry humor and existential sense of his job prove yet again why he has become one of the most recognized and imitated characters in fiction.

Featuring the iconic character that inspired the forthcoming film Marlowe, starring Liam Neeson.

In noir master Raymond Chandler's The Little Sister, a movie starlet with a gangster boyfriend and a pair of siblings with a shared secret lure private eye Philip Marlowe into the less than glamorous and more than a little dangerous world of Hollywood fame. Chandler's first foray into the industry that dominates the company town that is Los Angeles.

In The Simple Art of Murder, which was prefaced by the famous Atlantic Monthly essay of the same name, noir master Raymond Chandler argues the virtues of the hard-boiled detective novel, and this collection, mostly drawn from stories he wrote for the pulps, demonstrates Chandler's imaginative, entertaining facility with the form. Included are the classic stories Spanish Blood, Pearls Are a Nuisance, and Guns at Cyrano's, among others.

The Big Sleep (1939) is a hardboiled crime novel by Raymond Chandler, the first in his acclaimed series about detective Philip Marlowe. The work has been adapted twice into film, once in 1946 and again in 1978.

The story is noted for its complexity, with many characters double-crossing each other and many secrets being exposed throughout the narrative. The title is a euphemism for death; it refers to a rumination in the book about sleeping the big sleep.

Chandler writes] like a slumming angel and invest s] the sun-blinded streets of Los Angeles with a romantic presence. --Ross MacDonald

Raymond Chandler has given us a detective who is hard-boiled enough to be convincing . . . and that is no mean achievement. --The New York Times

When private detective Philip Marlowe's latest client, Orfamay Quest, hires him to find her missing brother for the paltry sum of twenty dollars, Marlowe discovers that it's far from a simple missing persons case. Not when it involves mobsters, blackmail, beautiful women . . . and murders.

Raymond Chandler's vintage Hollywood thriller The Little Sister was first published in 1949. Now Philip Marlowe comes to life in a first-ever, full-color graphic adapation of this classic noir detective story.

Raymond Chandler's first Philip Marlowe novel, The Big Sleep, was published in 1939. It was followed by Farewell, My Lovely; The High Window; The Lady in the Lake; The Little Sister; The Long Goodbye; and Playback. Chandler died in California in 1959.

Michael Lark, the illustrator for theis volume of The Little Sister, first gained notice for his Airwaves and Taken Under comic book series. His most recent collaboration has been with Dean Motter on Terminal City, a critically acclaimed limited series for DC's Vertigo Comics imprint.

More than just an impressive homage, this is a first-rate detective novel with all of the suspense, action, and human drama that we have come to expect from the best.--Playboy

Philip Marlowe is alive and well and living in Poodle Springs, California. He's married to a wealthy heiress now. But living in the lap of luxury hasn't made a dent in Marlowe's cynicism--or his talent for attracting trouble. Soon he's on a trail of greed, lust, and murder as dark and cunning as any he's ever seen. Philip Marlowe is back in business.

Raymond Chandler fans, throw away your dog-eared copies of The Big Sleep...Philip Marlowe has returned!--Milwaukee Journal

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In noir master Raymond Chandler's Playback, Philip Marlowe is hired by an influential lawyer he's never heard of to tail a gorgeous redhead, but then decides he'd rather help out the redhead. She's been acquitted of her alcoholic husband's murder, but her father-in-law prefers not to take the court's word for it.

Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence: -- Ross Macdonald

This collection by crime fiction master Raymond Chandler features four long stories in which private eye Philip Marlowe is hired to protect a rich old guy from a gold digger, runs afoul of crooked politicos, gets a line on some stolen jewels with a reward attached, and stumbles across a murder victim who may have been an extortionist.

Elegantly designed and packaged in a mix of full color and black and white comics, this trio of graphic novels includes Chandler's classic final Marlowe adventure, The Pencil, adapted from the Raymond Chandler story by award-winning mystery novelist Jerome Charyn and Marvel/DC comics illustrator David Lloyd; Goldfish, adapted by top British designer Ryan Hughes and Trouble is My Business illustrated by Lee Moyer, Alfredo Alcala in a style reminiscent of 30s illustrator J.C. Leyendecker. None of this work has ever been published before and represents the first adaptations of these Chandler stories into comics.

In this series of stories, we not only present Chandler's characters to a new generation, but to a new medium as well. There have been several portrayals of Marlowe in films over the years: Bogart, Powell, Mitchum, and others. And now we'll see some new interpretations of him. Each stylistically different, but all unmistakably Marlowe.