The real question is not why thousands of women went to Washington on January 6. The real question is why the rest of us did not.

Unlike the women who descended on Washington in 2017 to protest the inauguration of President Trump, the women of January 6 did not come as women. They came as Americans, as patriots, as defenders of the republic. They did not wear pink hats. They wore MAGA hats. Their issues were indistinguishable from those of the men in their lives-the rule of law, free and fair elections, and the preservation of constitutional rights. They brought no laundry list of special needs like, say, reproductive rights, because they understood that no one was challenging their right to reproduce. In fact, many had reproduced abundantly.

There was not a single celebrity in their midst-no Ashley Judds, no Gloria Steinems, no Madonnas threatening to blow up the White House. These were Hillary's deplorables in the flesh, a whole heaping basket of them, irredeemable to the last woman. On January 6, the very presence of these intrepid women at the Capitol so offended the natural order of things that many would be gassed and beaten. Two would never return home.

If resistance to government oppression has a face, it is that of Air Force veteran Ashli Babbitt, a determined patriot and an enduring martyr. This is her story, and that of the other gallant women of January 6.

TWA Flight 800 crashed into the Atlantic shortly after takeoff from JFK airport on July 17, 1996, killing all 230 passengers on board. Although initial reports suggested a terrorist attack, FBI and NTSB investigators blamed a fuel tank explosion. But skeptics have long questioned the official story, and new evidence has surfaced that suggests a widespread conspiracy...

In TWA 800, historian Jack Cashill introduces new documents and testimonies that reveal the shocking true chain of events: from the disastrous crash to the high-level decision to create a cover story and the attempts to silence anyone who dared speak the truth.

For the last century, many intellectuals and activists responsible for shaping the way we think about sex, crime, government, and even our very history have been fabricating the facts. And yet they have been published, praised, promoted, and protected by a cultural establishment that has its agendas advanced by disinformation, half-truths, and lies.

As a student of American intellectual history, Cashill has come to see that much of what is taught about the last century is not merely biased but knowingly false. A Ph.D. in American studies from Purdue, and a former Fulbright professor in France, Cashill has taught at several American universities and knows all too well the spin and dissembling of the academic world and public debate.

In this sensational and essential book, Cashill tells the stories behind the fraud and reveals an unsettling pattern of institutional and cultural deception. With wide scope and fine-point scrutiny, Hoodwinked finally and definitively exposes the intellectual elite's trumpery?from unwitting self-deception to conscious manipulation of data, from the merely false to the purely fraudulent?and is the perfect antidote for the corrosive disinformation that has poisoned our society, culture, and understanding of the world at large.

Norm Chomsky is one of America's best known public intellectuals, the nation's self-appointed conscience. And, says Arthur Schlesinger, it has long been impossible to believe anything he says. The bigger problem is that the same?and worse?can be said for much of America's cultural elite, and Jack Cashill exposes them all.

The sexual revolution. Alfred Kinsey encouraged the sexual torture of small boys. Masters and Johnson created an imiainary heterosexual AIDS crisis. Planned Parenthood buried margaret Sanger's plan to sterilize the racially and genetically impure.

Multiculturalism.Mumia is guilty. Alex Haley's Roots was almost pure fraud. Edward Said grew up a wealthy American, not a persecuted palestinian refugee. University of Colorado professor Ward Churchill faked his identity as Native American and much of his scholarship on genocide. And Michael Moore? He faked just about everything.

Marxism. The New York Times' Waltar Duranty won a Pulitzer for denying Stalin's holocaust. Lillian Hellman papered over the communist sabotage of Hollywood with lies. Alger Hiss and the Rosenbergs were guilty as geese.

Radical Naturalism.Rachel Carson's bogus case against DDT has killed millions needlessly. Overpopulation alarmists predicted worldwide famines before 1999 and were honored for their insights. Neo-Darwinians have been faking their proofs for a century in textbooks and getting away with it.

Hoodwinked is a powerful and devastating book that exposes the myriad lies and half-truths that America's progressive elite has used to hijack an entire culture.

In TWA 800, historian Jack Cashill introduces new documents and testimonies that reveal the shocking true chain of events: from the disastrous crash to the high-level decision to create a cover story and the attempts to silence anyone who dared speak the truth.

Tony Acero, a Mexican-American veteran of four combat tours, has a problem on his hands. His undersized thirteen-year-old son Luke is floundering at his new Kansas prep school. To save the young teen from his downward spiral, and to cheer up older brother Matt, Tony proposes to take both sons on a confidence-building elk hunt in Colorado.

Meanwhile in Boston, rootless young brothers, Pel and Moom Adams, are plotting a Colorado expedition of their own. Radical anarchists, the brothers have contracted with a trio of hardened Chechen terrorists to carry out a plot that will shake America to the core. They plan to shoot the plane carrying the president out of the sky as it descends into Aspen for a G-8 Summit.

The two parties collide in a remote Colorado valley. The terrorists are determined that Tony and his sons will not leave the valley alive.

During the Obama years, an asymmetrical media war was waged to control the critical first draft of American history. There is no fair way to record that history without first acknowledging the war. The field of battle shaped up as follows: on the right, the alternative conservative media and the responsible right, occasionally working together, often working at odds; on the left, the mainstream media, the social media giants, Hollywood, Broadway, the federal bureaucracies, the national security apparatus, and what Ray Bradbury would call firemen--the virtual book burners, amateur and professional. Rarely at odds, these forces routinely worked together to amplify what Obama adviser Ben Rhodes famously called the White House's messaging campaign. Money, resources, and power overwhelmingly favored the left, but the right had the equalizer on its side--the truth.

How did Barack Obama, a man who had previously written little else, suddenly pen what Time magazine calls the best-written memoir ever produced by an American politician? Here, in Deconstructing Obama, political scholar and author Jack Cashill analyzes and pieces together Obama's statements about his life to get at the truth behind the man.

Cashill's eureka moment came when he realized that the structure of Dreams of My Father loosely mirrors that of Homer's Odyssey. From the moment of that revelation, Cashill researched, read, and examined interviews, writings, and statements about the President's life story, focusing especially on a poem written when Obama was nineteen. According to the facts, in conjunction with Obama's statements and writings, Cashill's conclusion is that the stories don't add up--and for the nearly 2 million people who read and accepted the story about Obama's life--the truth is that it may be more myth than history.

AMIDST THE WRECKAGE OF FINANCIAL RUIN, PEOPLE ARE LEFT PUZZLING ABOUT HOW IT HAPPENED. WHERE DID ALL THE PROBLEMS BEGIN?

For the answer, Jack Cashill, a journalist as shrewd as he is seasoned, looks past the headlines and deep into pages of history and comes back with the goods. From Plato to payday loans, from Aristotle to AIG, from Shakespeare to the Salomon Brothers, from the Medici to Bernie Madoff--in Popes and Bankers Jack Cashill unfurls a fascinating story of credit and debt, usury and the sordid love of gain.

With a dizzying cast of characters, including church officials, gutter loan sharks, and even the Knights Templar, Cashill traces the creative tension between pious restraint and economic ambition through the annals of human history and illuminates both the dark corners of our past and the dusty corners of our billfolds.

When writer and columnist Jack Cashill was skewered along with Kansas (despite the fact that he lives in Missouri) in Thomas Frank's New York Times bestseller What's the Matter with Kansas?, he decided to fight back with a riposte from the heart -- an honest, biting, and wickedly funny look at what's wrong with the purplest of blue states: almighty California itself.

The media moguls, multiculturalists, union bosses, and eco-warriors who run California have abandoned liberalism for total insanity. They have transformed the Golden State from America's future into America's Rome. Spectacularly sybaritic and self-indulgent, overtaxed and overregulated, California lives on past glories, and even Conan the Republican cannot muster the will to defend its borders. Now, finally, Jack Cashill is here to rally the right-thinking citizens of the state (and the nation) and rescue this gorgeous chunk of real estate from its increasingly shaky future.

In his introduction to the world at the 2004 Democratic National Convention, then state senator Barack Obama insisted, There is not a liberal America and a conservative America--there is the United States of America. There is not a Black America and a White America and Latino America and Asian America--there's the United States of America. But as his latest memoir, A Promised Land, makes clear, Obama inhabits a smug, elite liberal America in which conservatives are not welcome. Indeed, from Obama's perspective, their every thought, gesture, and vote is insincere and likely racist.

Although the Obama memoir is obsessed with race, Obama as president and as writer has refused to address the one problem he knew to be at the heart of America's racial divide: the disintegration of the black family. While Obama and his peers have profited from the opportunities America offers, his lack of courage has doomed the black inner city to another generation of crime, drugs, and educational failure. To divert attention from his own failure, Obama has cast the right as the other in his ongoing melodrama--driving a wedge between black and white that will take generations to heal.