In 1946, Eva leaves behind the rubble of Berlin for the streets of New York City, stepping from the fiery aftermath of one war into another, far colder one, where power is more important than principles, and lies are more plentiful than the truth. Eva holds the key to a deadly secret: Project Bluebird -- a horrific experiment of the concentration camps, capable of tipping the balance of world power. Both the Americans and the Soviets want Bluebird, and it is something that neither should ever be allowed to possess.

But Eva hasn't come to America for secrets or power. She hasn't even come for a new life. She has come to America for one thing: Justice. And the Nazi that has escaped its net.

Critically acclaimed author of The Light in Hidden Places, Sharon Cameron, weaves a taut and affecting thriller ripe with intrigue and romance in this alternately chilling and poignant portrait of the personal betrayals, terrifying injustices, and deadly secrets that seethe beneath the surface in the aftermath of World War II.

One knock at the door, and Stefania has a choice to make...

It is 1943, and for four years, sixteen-year-old Stefania has been working for the Diamant family in their grocery store in Przemysl, Poland, singing her way into their lives and hearts. She has even made a promise to one of their sons, Izio -- a betrothal they must keep secret since she is Catholic and the Diamants are Jewish.

But everything changes when the German army invades Przemysl. The Diamants are forced into the ghetto, and Stefania is alone in an occupied city, the only one left to care for Helena, her six-year-old sister. And then comes the knock at the door. Izio's brother Max has jumped from the train headed to a death camp. Stefania and Helena make the extraordinary decision to hide Max, and eventually twelve more Jews. Then they must wait, every day, for the next knock at the door, the one that will mean death. When the knock finally comes, it is two Nazi officers, requisitioning Stefania's house for the German army.

With two Nazis below, thirteen hidden Jews above, and a little sister by her side, Stefania has one more excruciating choice to make.

This remarkable tale of courage and humanity, based on a true story, is now a Reese's Book Club YA Pick!

A dramatic story of duplicity and resistance, betrayal and loyalty, set against the backdrop of World War II, by the #1 New York Times bestselling author of The Light in Hidden Places.

Isa de Smit was raised in the vibrant, glittering world of her parents' small art gallery in Amsterdam, a hub of beauty, creativity, and expression, until the Nazi occupation wiped the color from her city's palette. The degenerate art of the Gallery de Smit is confiscated, the artists in hiding or deported, her best friend, Truus, fled to join the shadowy Dutch resistance. And masterpiece by masterpiece, the Nazis are buying and stealing her country's heritage, feeding the Third Reich's ravenous appetite for culture and art.

So when the unpaid taxes threaten her beloved but empty gallery, Isa decides to make the Nazis pay. She sells them a fake--a Rembrandt copy drawn by her talented father--a sale that sets Isa perilously close to the second most hated class of people in Amsterdam: the collaborators. Isa sells her beautiful forgery to none other than Hitler himself, and on the way to the auction, discovers that Truus is part of a resistance ring to smuggle Jewish babies out of Amsterdam.

But Truus cannot save more children without money. A lot of money. And Isa thinks she knows how to get it. One more forgery, a copy of an exquisite Vermeer, and the Nazis will pay for the rescue of the very children they are trying annihilate. To make the sale, though, Isa will need to learn the art of a master forger, before the children can be deported, and before she can be outed as a collaborator. And she finds an unlikely source to help her do it: the young Nazi soldier, a blackmailer and thief of Dutch art, who now says he wants to desert the German army.

Yet, worth is not always seen from the surface, and a fake can be difficult to spot. Both in art, and in people. Based on the true stories of Han Van Meegeren, a master art forger who sold fakes to Hermann Goering, and Johann van Hulst, credited with saving 600 Jewish children from death in Amsterdam, Sharon Cameron weaves a gorgeously evocative thriller, simmering with twists, that looks for the forgotten color of beauty, even in an ugly world.

War, resistance, and art are Cameron's canvas; her palette is a balance of trust and perfidy, beauty and defiance, new life and old. Artifice is a vibrantly-hued and many-layered story, exploring our very human inability to spot a fake when we long to believe that the object of all our desire is the real thing. -- Elizabeth Wein, New York Times bestselling author of Code Name Verity

* Painterly prose...filled with rich intrigue depicts constantly shifting issues of trust in this complex, absorbing tale. -- Publishers Weekly, starred review

A dramatic story of duplicity and resistance, betrayal and loyalty, set against the backdrop of World War II, by the #1 New York Times bestselling author of The Light in Hidden Places.

Isa de Smit was raised in the vibrant, glittering world of her parents' small art gallery in Amsterdam, a hub of beauty, creativity, and expression, until the Nazi occupation wiped the color from her city's palette. The degenerate art of the Gallery de Smit is confiscated, the artists in hiding or deported, her best friend, Truus, fled to join the shadowy Dutch resistance. And masterpiece by masterpiece, the Nazis are buying and stealing her country's heritage, feeding the Third Reich's ravenous appetite for culture and art.

So when the unpaid taxes threaten her beloved but empty gallery, Isa decides to make the Nazis pay. She sells them a fake--a Rembrandt copy drawn by her talented father--a sale that sets Isa perilously close to the second most hated class of people in Amsterdam: the collaborators. Isa sells her beautiful forgery to none other than Hitler himself, and on the way to the auction, discovers that Truus is part of a resistance ring to smuggle Jewish babies out of Amsterdam.

But Truus cannot save more children without money. A lot of money. And Isa thinks she knows how to get it. One more forgery, a copy of an exquisite Vermeer, and the Nazis will pay for the rescue of the very children they are trying annihilate. To make the sale, though, Isa will need to learn the art of a master forger, before the children can be deported, and before she can be outed as a collaborator. And she finds an unlikely source to help her do it: the young Nazi soldier, a blackmailer and thief of Dutch art, who now says he wants to desert the German army.

Yet, worth is not always seen from the surface, and a fake can be difficult to spot. Both in art, and in people. Based on the true stories of Han Van Meegeren, a master art forger who sold fakes to Hermann Goering, and Johann van Hulst, credited with saving 600 Jewish children from death in Amsterdam, Sharon Cameron weaves a gorgeously evocative thriller, simmering with twists, that looks for the forgotten color of beauty, even in an ugly world.

War, resistance, and art are Cameron's canvas; her palette is a balance of trust and perfidy, beauty and defiance, new life and old. Artifice is a vibrantly-hued and many-layered story, exploring our very human inability to spot a fake when we long to believe that the object of all our desire is the real thing. -- Elizabeth Wein, New York Times bestselling author of Code Name Verity

* Painterly prose...filled with rich intrigue depicts constantly shifting issues of trust in this complex, absorbing tale. -- Publishers Weekly, starred review

One knock at the door, and Stefania has a choice to make...

It is 1943, and for four years, sixteen-year-old Stefania has been working for the Diamant family in their grocery store in Przemysl, Poland, singing her way into their lives and hearts. She has even made a promise to one of their sons, Izio -- a betrothal they must keep secret since she is Catholic and the Diamants are Jewish.

But everything changes when the German army invades Przemysl. The Diamants are forced into the ghetto, and Stefania is alone in an occupied city, the only one left to care for Helena, her six-year-old sister. And then comes the knock at the door. Izio's brother Max has jumped from the train headed to a death camp. Stefania and Helena make the extraordinary decision to hide Max, and eventually twelve more Jews. Then they must wait, every day, for the next knock at the door, the one that will mean death. When the knock finally comes, it is two Nazi officers, requisitioning Stefania's house for the German army.

With two Nazis below, thirteen hidden Jews above, and a little sister by her side, Stefania has one more excruciating choice to make.

This remarkable tale of courage and humanity, based on a true story, is now a Reese's Book Club YA Pick!

In 1946, Eva leaves behind the rubble of Berlin for the streets of New York City, stepping from the fiery aftermath of one war into another, far colder one, where power is more important than principles, and lies are more plentiful than the truth. Eva holds the key to a deadly secret: Project Bluebird -- a horrific experiment of the concentration camps, capable of tipping the balance of world power. Both the Americans and the Soviets want Bluebird, and it is something that neither should ever be allowed to possess.

But Eva hasn't come to America for secrets or power. She hasn't even come for a new life. She has come to America for one thing: justice. And the Nazi that has escaped its net.

Critically acclaimed author of The Light in Hidden Places Sharon Cameron weaves a taut and affecting thriller ripe with intrigue and romance in this alternately chilling and poignant portrait of the personal betrayals, terrifying injustices, and deadly secrets that seethe beneath the surface in the aftermath of World War II.

In Sharon Cameron's essays, a magnetic constellation gathers works of Emerson, Whitman, Dickinson, Cather, and Stevens--each manifesting in its own terms the likeness of things unlike--to form a loose commonality in a strain of American writing in which incommensurable elements can't be integrated and can't be separated. The Likeness of Things Unlike is concerned with discordant elements of an aesthetic work and argues that these elements refigure the aesthetic wholes whose integrity they apparently violate. These intertwined, subversive elements are challenges to literary systems and are essentially philosophical in their rethinking of categories, and thus go beyond the aesthetic particulars that exemplify them.

Cameron is known for rigorously and brilliantly connecting artistic achievement to radical ways of thinking. Georg Lukcás describes the essayist as one who adapts himself to the essay's 'smallness' of form--the eternal smallness of the most profound work of the intellect in [the] face of life. With The Likeness of Things Unlike Cameron powerfully demonstrates Lukács's remarkable insight.

In Sharon Cameron's essays, a magnetic constellation gathers works of Emerson, Whitman, Dickinson, Cather, and Stevens-each manifesting in its own terms the likeness of things unlike-to form a loose commonality in a strain of American writing in which incommensurable elements can't be integrated and can't be separated. The Likeness of Things Unlike is concerned with discordant elements of an aesthetic work and argues that these elements refigure the aesthetic wholes whose integrity they apparently violate. These intertwined, subversive elements are challenges to literary systems and are essentially philosophical in their rethinking of categories, and thus go beyond the aesthetic particulars that exemplify them.

Cameron is known for rigorously and brilliantly connecting artistic achievement to radical ways of thinking. Georg Lukcás describes the essayist as one who adapts himself to the essay's 'smallness' of form-the eternal smallness of the most profound work of the intellect in [the] face of life. With The Likeness of Things Unlike Cameron powerfully demonstrates Lukács's remarkable insight.

From the #1 New York Times bestselling author of The Light in Hidden Places comes a delicious and twisty tale, filled with spine-tingling intrigue, juicy romance, and dangerous family secrets.

When a rumor that her uncle is squandering away the family fortune surfaces, Katharine Tulman is sent to his estate to have him committed to an asylum. But instead of a lunatic, Katharine discovers a genius inventor with his own set of childlike rules, who is employing a village of nine hundred people rescued from the workhouses of London.

Katharine becomes torn between protecting her own livelihood and preserving the peculiar community she grows to care for deeply -- a conflict made more complicated by her developing feelings for her uncle's handsome apprentice.

As the mysteries of the estate begin to unravel, it is clear that not only is her uncle's world at stake, but also the state of England as Katharine knows it. With twists and turns at every corner, this extraordinary adventure will captivate readers with its thrills and romance.

Lyric Time offers a detailed critical reading of a particularly difficult poet, an analysis of the dominance of temporal structures and concerns in the body of her poetry, and finally, an important original contribution to a theory of the lyric.

Poised between analysis of Emily Dickinson's poetic texts and theoretical inquiry, Lyric Time suggests that the temporal problems of Dickinson's poems are frequently exaggerations of the features that distinguish the lyric as a genre. It is precisely the distance some of Dickinson's poems go toward the far end of coherence, precisely the outlandishness of their extremity, that allows us to see, magnified, the fine workings of more conventional lyrics, writes Sharon Cameron.

Lyric Time is written for the literary audience at large--Dickinsonians, romanticists, theorists, anyone interested in American poetry, or in poetry at all, and especially anyone who admires a risky book that succeeds.

Considering the poems in the context of the fascicles, Cameron argues that an essential refusal of choice pervades all aspects of Dickinson's poetry. Because Dickinson never chose whether she wanted her poems read as single lyrics or in sequence (nor is it clear where any fascicle text ends, or even how, in context, a poem is bounded), not choosing is a textual issue; it is also a formal issue because Dickinson refused to chose among poetic variants; it is a thematic issue; and, finally, it is a philosophical one, since what is produced by not choosing is a radical indifference to difference. Extending the readings of Dickinson offered in her earlier book Lyric Time, Cameron continues to enlarge our understanding of the work of this singular American poet.

To consent to being anonymous, Weil wrote, is to bear witness to the truth. But how is this compatible with social life and its labels? Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibility--from a truth that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve.

With raw honesty, Sharon challenges the common misconception that such issues do not exist among Christians or those who otherwise look together. Instead of masking perfection, Sharon presents herself as an example of someone who is truthful, real, and imperfect. She describes the early days of her disease and how she felt compelled to exercise continuously to keep her perfect figure for gymnastics class.

As her bulimia and anorexia began to manifest itself after her graduation from high school, Sharon began to spiral downward into a maze of guilt, hopelessness, and pain.
Yet despite it all, Sharon clung to her faith, and with the support of friends, family, and the medical community, she started healing. She documents her inpatient treatment, her many relapses and triumphs, and how she continues to persevere.

I'm Gonna Freaking Recover...Am I? provides hope and comfort to those experiencing the secret thoughts, behaviors, treatment, and recovery of eating disorders. You're not alone in your struggle