Italo Calvino's beloved, intricately crafted novel about an Emperor's travels--a brilliant journey across far-off places and distant memory.

Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else. In a garden sit the aged Kublai Khan and the young Marco Polo--Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.

You are about to begin reading Italo Calvino's new novel...Relax. Concentrate. Dispel every other thought. Let the world around you fade. --from If On A Winter's Night a Traveler

Italo Calvino's stunning classic imagines a novel capable of endless possibilities in an intricately crafted, spellbinding story about writing and reading.

If on a Winter's Night a Traveler is a feat of striking ingenuity and intelligence, exploring how our reading choices can shape and transform our lives. Originally published in 1979, Italo Calvino's singular novel crafted a postmodern narrative like never seen before--offering not one novel but ten, each with a different plot, style, ambience, and author, and each interrupted at a moment of suspense. Together, the stories form a labyrinth of literature known and unknown, alive and extinct, through which two readers pursue the story lines that intrigue them and try to read each other. Deeply profound and surprisingly romantic, this classic is a beautiful meditation on the transformative power of reading and the ways we make meaning in our lives.

Calvino is a wizard...There is no halting [this book's] metamorphoses. --New York Times Review of Books

The most joyful reading experience of your life. --Salman Rushdie

The beloved and enchanting classic story collection: Italo Calvino's profound and phenomenally funny and account of the universe as a cosmic joke

Naturally, we were all there, old Qfwfq said, where else could we have been? Nobody knew then that there could be space. Or time either: what use did we have for time, packed in there like sardines?

Travelers jump between the Earth and the moon. The last living dinosaur struggles to exist amid the rise of new mammals. A game of marbles is played using Hydrogen atoms. Italo Calvino's beloved cosmicomics cross planets and traverse galaxies, speed up time or slow it down to the particles of an instant. Through the eyes of an ageless guide named Qfwfq, Calvino uses a set of scientific theory and facts to tell the story of the origins of the universe. Poignant, fantastical, and wise, these thirty-four dazzling stories--collected here in one definitive anthology--relate complex scientific and mathematical concepts to our everyday world. They are an indelible and unfailingly delightful literary achievement.

Nimble and often hilarious . . . Trying to describe such a diverse and entertaining mix, I have to admit, just as Calvino does so often, that my words fail here, too. There's no way I -- or anyone, really -- can muster enough of them to quite capture the magic of these stories . . . Read this book, please. -- NPR

Calvino's classic fable about independence, following a boy who climbs up a tree to spend the rest of his life in an arboreal kingdom, translated by acclaimed translator Ann Goldstein

Cosimo di Rondó, a young Italian nobleman of the eighteenth century, rebels against his parents by climbing into the trees and remaining there for the rest of his life. He adapts efficiently to an existence in the forest canopy--he hunts, sows crops, plays games with earth-bound friends, fights forest fires, solves engineering problems, and even manages to have love affairs. From his perch in the trees, Cosimo sees the Age of Enlightenment pass by and a new century dawn. The Baron in the Trees exemplifies Calvino's peerless ability to weave tales that sparkle with enchantment.

The Baron in the Trees one of the most haunting images of rebellion, of determined nay-saying, that exists in the literature of this rebellious century....I can think of no finer writer to have beside me while the world ends. --Salman Rushdie

A tour de force in Calvino's oeuvre. --Martin McLaughlin

A shamelessly original work of art. --New York Times

A brilliant, deeply inventive story in which a group of travelers' powers of speech are magically taken from them and only have tarot cards with which to tell their stories

A group of road-weary travelers convene first in a castle, then a tavern. After passing through a forest on their journey, their powers of speech are mysteriously taken from them. As each traveler attempts to tell the story of how they got here, they must relay on tarot cards instead of words. What follows is an exquisite interlinking of narratives, and a fantastic, surreal and chaotic history of all human consciousness. The Castle of Crossed Destinies is a bold and singular work, a stunning exploration of the visual and the verbal, from one of the most celebrated experimental authors of all time.

Featuring reproductions of fifteenth-century tarot cards

Filled with kings and peasants, saints and ogres--as well as some quite extraordinary plants and animals--these two hundred tales bring to life Italy's folklore, sometimes with earthy humor, sometimes with noble mystery, and sometimes with the playfulness of sheer nonsense.

Selected and retold by one of the country's greatest literary icons, this collection stands with the finest folktale collections anywhere (The New York Times Book Review).

For readers of any age . . . A masterwork. --The Wall Street Journal

A magic book, and a classic to boot. --Time

The quirkiness and the grace of the writing, the originality of the imagination at work, the incandescence of vision, make this collection well worth reading. --Margaret Atwood

A dazzling early story collection from Italo Calvino about love and the difficulty of communication

In Difficult Loves, Italy's master storyteller weaves tales in which cherished deceptions and illusions of love--including self-love--are swept away in magical instants of recognition. A soldier is reduced to quivering fear by the presence of a full-figured woman in his train compartment; a young clerk leaves a lady's bed at dawn; a young woman is isolated from bathers on a beach by the loss of her bikini bottom. Each of them discovers hidden truths beneath the surface of everyday life. Translated by the acclaimed Ann Goldstein (translator of Elena Ferrante's The Neapolitan Quartet) this collection displays Calvino at the start of his prolific career, the groundwork for the

Introduction by Peter Washington; Translation by William Weaver

Italo Calvino's masterpiece combines a love story and a detective story into an exhilarating allegory of reading, in which the reader of the book becomes the book's central character.

Based on a witty analogy between the reader's desire to finish the story and the lover's desire to consummate his or her passion, IF ON A WINTER'S NIGHT A TRAVELER is the tale of two bemused readers whose attempts to reach the end of the same book--IF ON A WINTER'S NIGHT A TRAVELER, by Italo Calvino, of course--are constantly and comically frustrated. In between chasing missing chapters of the book, the hapless readers tangle with an international conspiracy, a rogue translator, an elusive novelist, a disintegrating publishing house, and several oppressive governments. The result is a literary labyrinth of storylines that interrupt one another--an Arabian Nights of the postmodern age.

Classics, according to Italo Calvino, are not only works of enduring cultural value, but also something much more personal: talismans, touchstones, books through which we understand our world and ourselves. In Why Read the Classics?, Calvino shares over thirty of his classics in essays of warmth, humor, and striking insight. He ranges from Homer to Jorge Luis Borges, from the Persian folklorist Nezami to Charles Dickens. Whether tracing the links between Ovid's Metamorphoses and Alain Robbe-Grillet's objectivity, discovering the origins of science fiction in the writings of Cyrano de Bergerac, or convincing us that the Italian novelist Carlo Emilio Gadda's works are like artichokes, Calvino offers a new perspective on beloved favorites and introduces us to hidden gems.

This book serves as a welcome reminder that the great works are great because they can mean so much to readers, and Calvino is a most knowledgeable guide to all the best destinations. --San Francisco Chronicle

In a battle against the Turks, Viscount Medardo of Terralba is bisected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. When the two halves become rivals for the love of the same woman, there's no telling the lengths each will go to win.Now available in an independent volume for the first time, this deliciously bizarre novella is Calvino at his most devious and winning.

Blending reality and illusion with elegance and precision, the stories in this collection--one of Calvino's earliest--take place in a World War II-era and postwar Italy tinged with the visionary and fablelike qualities that would come to define this master storyteller's later style. A trio of gluttonous burglars invade a pastry shop; two children trespass upon a forbidden garden; a wealthy family invites a rustic goatherd to lunch, only to mock him. In the title story, a compact masterpiece of shifting perspectives, a panicked soldier tries to keep his wits--and his life--when he faces off against a young partisan with a loaded rifle and miraculous aim. Throughout, Calvino delights in discovering hidden truths beneath the surface of everyday life.

Stories from Last Comes the Raven have been published in translation, but the collection as a whole has never appeared in English. This volume, including several stories newly translated by Ann Goldstein, is an important addition to Calvino's legacy.

An empty suit of armor is the hero in this witty novella, a picaresque gem--now available in an independent volume for the first time--that brilliantly parodies medieval knighthood.

Set in the time of Charlemagne and narrated by a nun with her own secrets to keep, The Nonexistent Knight tells the story of Agilulf, a gleaming white suit of armor with nothing inside it. A challenge to his honor sends Agilulf on a search through France, England, and North Africa to confirm the chastity of a virgin he saved from rape years earlier. In the end, after many surprising turns of plot, a closing confession draws this sparkling novella to a perfect finish.

Wonderful... Calvino's prose is sparkling as ever, and he approaches ideas with wit and an open mind, always ready to challenge a stale point of view. This anthology will delight Calvino fans old and new. --Publishers Weekly

A rich collection of essays offering an extraordinary global view of Calvino's approach to writing, reading, and interpreting literature.

An extraordinary collection of essays, forewords, articles, and interviews, The Written World and the Unwritten World displays the remarkable intelligence and razor-sharp wit of prolific Italian writer Italo Calvino as he explores the meaning of literature in a rapidly changing world. From classics to contemporary literature, from tradition to the avant-garde, Calvino masterfully explores reading, writing, and translating through careful and illuminating discussion of the works of Bakhtin, Brecht, Cortázar, Thomas Mann, Octavio Paz, Georges Perec, Salman Rushdie, Gore Vidal, and more. Drawn from Mondo scritto e mondo non scritto (2002), Sulla fiaba (1988), and other uncollected essays, this volume of previously untranslated work--now rendered in English by acclaimed translator Ann Goldstein--is a major statement in literary criticism.