An Irish-American family comes to life through the eyes of a 12-year-old boy in this debut novel by actor-filmmaker Ed Burns.

Immigrants and storytellers, lilting voices and Long Island moxie are all part of this colorful Irish-Catholic community in 1970s New York.

Our twelve-year-old narrator, an aspiring writer, is at a wake. He takes in the death of his beloved grandfather, Pop, a larger-than-life figure. The overflowing crowd--a sign of a life well lived--comprises sandhogs in their muddy work boots, Irish grandmothers in black dresses, cops in uniform, members of the family deep in mourning. He watches it all, not yet realizing how this Irish American world defines who he is and who he will become. His older brother Tommy has no patience for rules and domesticities, his father is emotionally elsewhere. This boy knows he's the best thing his mother's got, though her sadness envelops them both.

In A Kid from Marlboro Road, past and present intermingle as family stories are told and retold. The narrative careens between the prior generation's colorful sojourns in the Bronx and Hell's Kitchen and the softer world of Gibson, the town on Long Island where they live now. There are scenes in the Rockaways, at Belmont racetrack, and in Montauk.

Edward Burns's buoyant first novel is a bildungsroman. Out of one boy's story a collective warmth emerges, a certain kind of American tale, raucous and joyous.

With eight pages of photographs of some of the people and historical locations that inspired characters and scenes in the novel.

Acclaimed independent filmmaker Ed Burns shares the story of his remarkable career and offers a candid, instructive account of the ins-and-outs of making great movies without the backing of Hollywood.

As the second of three children from a working-class Long Island family, Ed Burns thought a career in filmmaking was a pipe dream. When his first film, The Brothers McMullen, won the Grand Jury Prize at the Sundance Film Festival, he proved himself to be one of the most distinctive and tenacious filmmakers of our time. Since then he has gone on to star in major Hollywood films while remaining dedicated to his true passion: making small films that he believes in.

Sharing the lengths he's gone to in order to write, direct, cast, produce, shoot, and edit films on a shoestring budget, Burns uses stories from his life and career to illustrate what it takes to make it as an indie filmmaker. His extreme focus and drive prove that passion and hard work can pay off, and he urges students and aspiring filmmakers to embrace and learn from their failures--and continue to pursue their goals. A gripping, inspirational story about forging your own path, Independent Ed is a must-read for casual movie fans, serious film students, and any creative person searching for a bit of inspiration.

Sure, she can be a little overbearing sometimes, but baby-faced Johnny Rizzo loves his fianc e Claire, and he made her a promise: by the time he's 25-years-old, he'll trade his current dream job as a local sports talk radio host (even if it is the 2 a.m. slot) for something that'll pay bigger bucks. And Johnny's nothing, if not a man of his word. Now he's flying to New York to interview for some snoozeville job that Claire's well-to-do father set up. Enter Uncle Terry, who lives in New York, a rascally womanizer bent on turning a day in the Hamptons into a final fling for his nephew. Nice guy Johnny's not interested, of course, but then he meets the lovely Brooke.... A master of the modern relationship dramedy, Edward Burns is once again in top form as a writer, director, and actor. His swaggering bartender Terry is the perfect foil to baby-faced Matt Bush's (Adventureland) Johnny, and together they're great at trading Burns' characteristically sharp dialogue. More contrasts are mined with Anna Wood's image-conscious Claire and Kerry Bische's (Scrubs) Brooke, a blonde-haired and bright-eyed free spirit. Burns wraps a summery tone around Johnny's real crisis: follow through with your promises, or follow your heart?

An Irish-American family comes to life through the eyes of a 12-year-old boy in this debut novel by actor-filmmaker Ed Burns.

Immigrants and storytellers, lilting voices and Long Island moxie are all part of this colorful Irish-Catholic community in 1970s New York.

Our twelve-year-old narrator, an aspiring writer, is at a wake. He takes in the death of his beloved grandfather, Pop, a larger-than-life figure. The overflowing crowd--a sign of a life well lived--comprises sandhogs in their muddy work boots, Irish grandmothers in black dresses, cops in uniform, members of the family deep in mourning. He watches it all, not yet realizing how this Irish American world defines who he is and who he will become. His older brother Tommy has no patience for rules and domesticities, his father is emotionally elsewhere. This boy knows he's the best thing his mother's got, though her sadness envelops them both.

In A Kid from Marlboro Road, past and present intermingle as family stories are told and retold. The narrative careens between the prior generation's colorful sojourns in the Bronx and Hell's Kitchen and the softer world of Gibson, the town on Long Island where they live now. There are scenes in the Rockaways, at Belmont racetrack, and in Montauk.

Edward Burns's buoyant first novel is a bildungsroman. Out of one boy's story a collective warmth emerges, a certain kind of American tale, raucous and joyous.

With eight pages of photographs of some of the people and historical locations that inspired characters and scenes in the novel.

What is Restoration comedy? What pleasure does it offer its audience, and what significance does it find in exploring that pleasure? Edward Burns here provides a new account of the origins and nature of Restoration comedy as a distinct genre. The book enlarges the usual focus with a wider range of writers than the conventional ossified canon taking in a revaluation of many rarely studied dramatists, a reconsideration of pastoral, and the instatement of women writers as major contributors to the culture of the age. It offers a substantial and original interpretation of one of the most intriguing of seventeenth-century literature forms.

Richard III has the status of a monster, in British culture, and the continuous popularity of Shakespeare's play has done much to foster this. Deformity and distortion
operate through this myth on many levels. This study is an essay in five 'distortions', tracking the way the play manipulates and explores fundamental human concerns;
the body, history, theatre, childhood and family and the mirrors and shadows of individual identity and self-knowledge.

The purpose of this book is to focus on how the mental retardation/intellectual disability category is used to stigmatize and deprive children of educational opportunity, many of whom are black, and then to deny adults, many of whom are also black, lesser culpability for capital crimes as mandated by the Supreme Court in Atkins v. Virginia in 2002. For many black children the mental retardation/intellectual disability category has been a ready solution, incorrect as it is, to explain the effects of segregation and discrimination. Likewise for adults, States routinely re-interpret and contort the definition of intellectual disability so that the task for identifying offenders who warrant lesser culpability is very much discretionary, haphazard, and discriminatory (Furman v. Georgia, 408 U.S. 238, 1972).The determination of mild Intellectual disability and the death penalty is ripe with racism. This has been the case for children denied the opportunity of an education...made available to all on equal terms as promised in Brown and for adults seeking Atkins relief. Hopefully, this book will provide some insight into the relationship between mild intellectual disability for children, and the many factors that should be considered when determining whether an adult offender is entitled to lesser culpability when a State seeks the death penalty.

The coinage of Scotland is an unchanged, high-quality reprint of the original edition of 1887. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.