A 50th-anniversary Deluxe Edition of the incomparable 20th-century masterpiece of satire and fantasy, in a newly revised version of the acclaimed Pevear and Volokhonsky translation

Nothing in the whole of literature compares with The Master and Margarita. One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts: one set in contemporary Moscow, the other in ancient Jerusalem. Each part is brimming with historical, imaginary, frightful, and wonderful characters. Written during the darkest days of Stalin's reign, and finally published in 1966 and 1967, The Master and Margarita became a literary phenomenon, signaling artistic and spiritual freedom for Russians everywhere.

This newly revised translation, by the award-winning team of Pevear and Volokhonsky, is made from the complete and unabridged Russian text.

This is the acclaimed, bestselling translation of Mikhail Bulgakov's masterwork, an undisputed classic of Russian and world literature. A soaring, dazzling novel. (New York Times)

A novel of inexhaustible energy, humor, and philosophical depth, The Master and Margarita is an audacious revision of the stories of Faust and Pontius Pilate and is recognized as one of the essential classics of modern literature.

This edition's superb English translation by Diana Burgin and Katherine Tiernan O'Connor's, along with an afterword and extensive commentary by Ellendea Proffer Teasley, heighten the pleasure of exploring this classic.

The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.

One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan.

But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing to literally go to hell for him.

A masterful translation of one of the great novels of the 20th century

Nothing in the whole of literature compares with The Master and Margarita. Full of pungency and wit, this luminous work is Bulgakov's crowning achievement, skilfully blending magical and realistic elements, grotesque situations and major ethical concerns. Written during the darkest period of Stalin's repressive reign and a devastating satire of Soviet life, it combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with incident and with historical, imaginary, frightful and wonderful characters. Although completed in 1940, The Master and Margarita was not published until 1966 when the first section appeared in the monthly magazine Moskva. Russians everywhere responded enthusiastically to the novel's artistic and spiritual freedom and it was an immediate and enduring success. This new translation has been made from the complete and unabridged Russian text.

A soaring, dazzling novel (The New York Times), Mirra Ginsburg's critically-acclaimed translation of one of the most important and best-loved modern classics in world literature

The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin's time in power but suppressed in the Soviet Union for decades, Bulgakov's masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love.

In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged brilliant by Publishers Weekly.

I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their ancestors and their ongoing lives. Bulgakov taught me to hear something in those stories that I had not yet clearly heard. One could call it, in terms that would soon thereafter gain wide currency, magical realism. The deadpan mix of the fantastic and the realistic was at the heart of the Vietnamese mythos. It is at the heart of the present zeitgeist. And it was not invented by Gabriel Garcia Marquez, as wonderful as his One Hundred Years of Solitude is. Garcia Marquez's landmark work of magical realism was predated by nearly three decades by Bulgakov's brilliant masterpiece of a novel. That summer in Saigon a vodka-swilling, talking black cat, a coven of beautiful naked witches, Pontius Pilate, and a whole cast of benighted writers of Stalinist Moscow and Satan himself all took up permanent residence in my creative unconscious. Their presence, perhaps more than anything else from the realm of literature, has helped shape the work I am most proud of. I'm often asked for a list of favorite authors. Here is my advice. Read Bulgakov. Look around you at the new century. He will show you things you need to see.

The underground masterpiece of twentieth-century Russian fiction, Mikhail Bulgakov's THE MASTER AND MARGARITA was written during Stalin's regime and could not be published until many years after its author's death.

When the devil arrives in 1930s Moscow, consorting with a retinue of odd associates--including a talking black cat, an assassin, and a beautiful naked witch--his antics wreak havoc among the literary elite of the world capital of atheism. Meanwhile, the Master, author of an unpublished novel about Jesus and Pontius Pilate, languishes in despair in a pyschiatric hospital, while his devoted lover, Margarita, decides to sell her soul to save him. As Bulgakov's dazzlingly exuberant narrative weaves back and forth between Moscow and ancient Jerusalem, studded with scenes ranging from a giddy Satanic ball to the murder of Judas in Gethsemane, Margarita's enduring love for the Master joins the strands of plot across space and time.

Bulgakov's brilliant novel, first published in 1925, portrays his beloved city of Kiev as it is torn apart during a few crucial weeks in 1918, seen through the eyes of a family fleeing the Russian revolution.

With cinematic vividness, Bulgakov puts us on the streets of a gracious, historic city as it is successively besieged by invading Germans, Ukrainian nationalists, the Red Guard of the Bolsheviks, and the White Guard loyal to the recently executed tsar. The Turbin siblings, once wealthy and secure in Russia, have fled to Kiev to escape the ongoing civil war, but find themselves surrounded by chaos and danger. As Bulgakov depicts their devotion to a doomed cause and the surreal horrors they face, he provides a view of history that is both grandly panoramic and movingly intimate.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Through surreal, often grotesque humour, Bulgakov gives an ingenious new twist to the Frankenstein parable, in a new translation of one of the most popular satires on the Russian Revolution and on Soviet society

Having been scalded by boiling water earlier that day, and with little chance to survive the severe winter night, a stray dog is left for dead on the streets. Lamenting his fate, he is ill-prepared for the chance arrival of a wealthy professor who befriends him and takes him home. However, it seems the professor's motives are not entirely altruistic--an expert in medical experimentation, he sees his new charge as the potential subject for a bizarre operation, and implants glands from a dead criminal in the dog. The resulting half-man, half-beast is, as to be expected, a monstrosity, yet one that fits in remarkably well with Soviet society.

As the turbulent years following the Russian revolution of 1917 settle down into a new Soviet reality, the brilliant and eccentric zoologist Persikov discovers an amazing ray that drastically increases the size and reproductive rate of living organisms. At the same time, a mysterious plague wipes out all the chickens in the Soviet republics. The government expropriates Persikov's untested invention in order to rebuild the poultry industry, but a horrible mix-up quickly leads to a disaster that could threaten the entire world. This H. G. Wells-inspired novel by the legendary Mikhail Bulgakov is the only one of his larger works to have been published in its entirety during the author's lifetime. A poignant work of social science fiction and a brilliant satire on the Soviet revolution, it can now be enjoyed by English-speaking audiences through this accurate new translation. Includes annotations and afterword.

This edition (Classic Wisdom Reprint) is non-censored, based on a samizdat version and translated in Russia by an unknown translator.

Widely held as one of the best novels of the 20th century the book depicts a story in a story, a manuscript of a Biblical story that the Master cannot publish and locked up in the asylum for.
The story concerns a visit by the devil to the officially atheistic Soviet Union. The Master and Margarita combine supernatural elements with satirical dark comedy and Christian philosophy, defying a singular genre.
Literary critic, assistant professor at the Russian State Institute of Performing Arts Nadezhda Dozhdikova notes that the image of Jesus as a harmless madman presented in ″Master and Margarita″ has its source in the literature of the USSR of the 1920s, which, following the tradition of the demythologization of Jesus in the works Strauss, Renan, Nietzsche, and Binet-Sangl , put forward two main themes - mental illness and deception. The mythological option, namely the denial of the existence of Jesus, only prevailed in the Soviet propaganda at the turn of the 1920s and 1930s.

Heart of a Dog (Sobachye serdtse) is a novella by Russian author Mikhail Bulgakov. A biting satire of Bolshevism, it was written in 1925 at the height of the NEP period, when communism appeared to be relaxing in the Soviet Union. It is generally interpreted as an allegory of the Communist revolution and the revolution's misguided attempt to radically transform mankind. Its publication was initially prohibited in the Soviet Union, but it circulated in samizdat until it was officially released in the country in 1987. It was almost immediately turned into a TV movie, which was aired in late 1988 on First Programme (First Channel) of Soviet Television, gained almost universal acclaim and attracted many readers to the original Bulgakov text. Since then, the novella has become a cultural phenomenon in Russia, known and discussed by people from schoolchildren to politicians. It has become a subject of critical argument, was filmed in Russian and Italian-language versions, and was adapted in English as a play and an opera. (wikipedia.org)

First published in 1925, 'The White Guard' is an engrossing book in which a Kyiv family is caught up in the Ukrainian War of Independence. Written by Mikhail Bulgakov, a Russian writer, medical doctor, and playwright active in the first half of the 20th century.

Reds, Whites, German troops, and Ukrainian nationalists battle for control of the city of Kyiv as the war becomes more cataclysmic in Mikhail Bulgakov's debut novel. Drawing laboriously from the author's own background in Ukraine during the period of the Russian Civil War-he witnessed ten changes of government himself-the novel is told from alternating points of view and takes an unusual angle on the conflict between Russian Whites (with whom the Turbin family identify) and Ukrainian nationalists. It elegantly portrays the disarray of a civil war in which there is no good or evil, only loyalty to one's friends, family, and convictions.

Reissued to tie in with a new production of Flight adapted by Ron Hutchinson and performed at the Olivier, Royal National Theatre

Mikhail Bulgakov was one of the Soviet Union's finest playwrights, whose work was often at odds with the Soviet State. This volume brings together his major dramatic achievements, including The White Guard, Madame Zoyka, Flight, Molière, Adam and Eve and The Last Days.

Bulgakov is a much-studied author by schools, colleges and universities.

El maestro y Margarita, que no vio la luz hasta 1966, es sin duda una de las obras maestras de la literatura del siglo XX .

Mosc , 1930. Sobre la ciudad desciende Sat n bajo la forma de un profesor de ciencias ocultas, y suceden prodigios que trastornan la vida de los moscovitas. Entre los afectados est Margarita, a la que Sat n ofrece, a cambio de su compa a en una fiesta, la liberaci n de su amante, el maestro, que se encuentra en un psiqui trico despu s de la mala acogida de su obra sobre Poncio Pilato (que esconde a la figura de Stalin) y Yehosua.

Rese a:
Una de las grandes novelas del siglo. Un texto lib rrimo, que escapa por todas sus costuras, una rebeli n de la imaginaci n frente al cors estalinista, un desaf o.
Marcos Ord ez, Babelia
ENGLISH DESCRIPTIONNothing in the whole of literature compares with The Master and Margarita. One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow.

Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with historical, imaginary, frightful, and wonderful characters.

Written during the darkest days of Stalin's reign, and finally published in 1966 and 1967, The Master and Margarita became a literary phenomenon, signaling artistic and spiritual freedom for Russians everywhere.

One of the world's great plays about censorship and the oppression of artists is now newly translated by the renowned translators, Richard Pevear and Larissa Volokhonksy (winner of two PEN/Book-Of-The-Month Translation Awards) and the playwright/director, Richard Nelson (Tony Award, Olivier Award).

Put yourselves in our place, ladies and gentlemen...the performance is over.

ACT FOUR, MOLIÈRE OR THE CABAL OF HYPOCRITES

Premiered on February 16, 1936 at the Moscow Art Theater, MOLIÈRE OR THE CABAL OF HYPOCRITES was banned after seven performances.

Invite[s] the theatergoer to see an analogy between the situation of a writer under the dictatorship of the proletariat and the 'tyranny without redress' of Louis XIV.

Chairman of the Committee for the Arts of the Soviet Union

Heart of a Dog (Sobachye serdtse) is a novella by Russian author Mikhail Bulgakov. A biting satire of Bolshevism, it was written in 1925 at the height of the NEP period, when communism appeared to be relaxing in the Soviet Union. It is generally interpreted as an allegory of the Communist revolution and the revolution's misguided attempt to radically transform mankind. Its publication was initially prohibited in the Soviet Union, but it circulated in samizdat until it was officially released in the country in 1987. It was almost immediately turned into a TV movie, which was aired in late 1988 on First Programme (First Channel) of Soviet Television, gained almost universal acclaim and attracted many readers to the original Bulgakov text. Since then, the novella has become a cultural phenomenon in Russia, known and discussed by people from schoolchildren to politicians. It has become a subject of critical argument, was filmed in Russian and Italian-language versions, and was adapted in English as a play and an opera. (wikipedia.org)

A mysterious stranger appears in a Moscow park. Soon he and his retinue have astonished the locals with the magic show to end all magic shows. But why are they really here, and what has it got to do with the beautiful Margarita, or her lover, the Master, a silenced writer? A carnival for the senses and a diabolical extravaganza, this most exuberant of Russian novels was staged in this adaptation at Chichester Festival Theatre.

A new translation of one of the most popular satires on the Russian Revolution and Soviet society

Best known for The Master and Margarita, Mikhail Bulgakov is one of twentieth-century Russia's most prominent novelists. A Dead Man's Memoir is a semi- autobiographical story about a writer who fails to sell his novel, then fails to commit suicide. When the writer's play is taken up for production in a theater, literary success beckons, but he is not prepared to reckon with the grotesquely inflated egos of the actors, directors, and theater managers.

Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English. - James Wood, New Yorker

Best known for his novel The Master and Margarita, Mikhail Bulgakov had a knack for political allegory. Both Moli re, or the Cabal of Hypocrites and Don Quixote were contentious in their time, written as a challenge to Soviet politics of the early twentieth century, especially Stalin's harsh regime. Charged with cultural subtext and controversial intrigue, the plays in this exceptional new volume from TCG's Russian Drama Series are given new light by the foremost translators of Russian classic literature, Richard Pevear and Larissa Volokhonsky, in collaboration with renowned playwright Richard Nelson.

Richard Nelson's many plays include The Apple Family: Scenes from Life in the Country (That Hopey Changey Thing, Sweet and Sad, Sorry, Regular Singing); The Gabriels: Election Year in the Life of One Family (Hungry, What Did You Expect?, Women of a Certain Age); Nikolai and the Others; Goodnight Children Everywhere (Oliver Award for Best Play); Franny's Way; Some Americans Abroad; Frank's Home; Two Shakespearean Actors and James Joyce's The Dead (with Shaun Davey; Tony Award for Best Book of a Musical).

Richard Pevear and Larissa Volokhonsky have translated the works of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, Boris Pasternak, and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the PEN Translation Prize in 1991 and 2002 respectively. Pevear, a native of Boston, and Volokhonsky, of St. Petersburg, are married and live in France.

A bold new adaptation of Bulgakov's epic satire by renowned author Ron Hutchinson.