A SARTORIAL HISTORY OF CINEMA'S BEST-DRESSED SPY

From Tailors with Love tells the story of the celluloid Bond's clothing and the talents behind the wardrobes through the people who worked on the films, the fashions of the eras and the meaning the clothes have within the films. The book provides fresh insights through exclusive interviews with Bond-series costume designers Lindy Hemming, Jany Temime, Jodie Tillen and Emma Porteous, the late celebrity shirtmaker to the Bond series Frank Foster, Bond film director John Glen, menswear mogul Umberto Angeloni, keeper of the Bond brands David Mason and many others.

A SARTORIAL HISTORY OF CINEMA'S BEST-DRESSED SPY

From Tailors with Love tells the story of the celluloid Bond's clothing and the talents behind the wardrobes through the people who worked on the films, the fashions of the eras and the meaning the clothes have within the films. The book provides fresh insights through exclusive interviews with Bond-series costume designers Lindy Hemming, Jany Temime, Jodie Tillen and Emma Porteous, the late celebrity shirtmaker to the Bond series Frank Foster, Bond film director John Glen, menswear mogul Umberto Angeloni, keeper of the Bond brands David Mason and many others.

The Glossary of Literary and Cultural Theory provides researchers and students with an up-to-date guide through the vibrant and changing debates in Literary and Cultural Studies. In a field where meanings are frequently complex and ambiguous, this text is remarkable for its clarity and usefulness. This third edition includes 17 entirely new entries and updates to more than a dozen others which address key concepts and contemporary positions in both literary and cultural theory. New entries include:

- Actor Network Theory

- Anthropocene

- Ecocriticism

- Digital Humanities

- Postcapitalism

- World Literature

The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right.

First published in 1988, this books argues with received accounts to reclaim Brecht's emphasis on his self-described 'dialectical theatre', re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht's poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht's career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht's political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht's changed circumstances in the years of war-time exile and in post-war East Germany.

This introduction to practicing literary theory is a reader consisting of extracts from critical analyses, largely by 20th century Anglo-American literary critics, set around major literary texts that undergraduate students are known to be familiar with. It is specifically targeted to present literary criticism through practical examples of essays by literary theorists themselves, on texts both within and outside the literary canon. Four example essays are included for each author/text presented.

The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right.

This introduction to practicing literary theory is a reader consisting of extracts from critical analyses, largely by 20th century Anglo-American literary critics, set around major literary texts that undergraduate students are known to be familiar with. It is specifically targeted to present literary criticism through practical examples of essays by literary theorists themselves, on texts both within and outside the literary canon. Four example essays are included for each author/text presented.

In this original study, Peter Brooker takes issue with the simplified opposition of postmodernism to modernism in accounts of the modern period. Instead, he follows the course of modernity in the spectacular example of New York, to reveal the complexities of both modernist and postmodern responses to the city. Brooker's study refers us to the fiction of Doctorow, Don DeLillo and Toni Morrison and especially to the new urban ethnic' writing. Here the voice of creative dissent and cultural hybridity expresses the best in a tradition of Amerian newness; this Peter Brooker calls the new modern'. The text is an important contribution to contemporary debates on modernism and postmodernism, providing a thorough interdisciplinary study of new American writing within the socio-economic context of New York City and will be of great interest to students of American Studies, Cultural Studies and Literature.

The Glossary of Literary and Cultural Theory provides researchers and students with an up-to-date guide through the vibrant and changing debates in Literary and Cultural Studies. In a field where meanings are frequently complex and ambiguous, this text is remarkable for its clarity and usefulness. This third edition includes 17 entirely new entries and updates to more than a dozen others which address key concepts and contemporary positions in both literary and cultural theory. New entries include:

- Actor Network Theory

- Anthropocene

- Ecocriticism

- Digital Humanities

- Postcapitalism

- World Literature

In this original study, Peter Brooker takes issue with the simplified opposition of postmodernism to modernism in accounts of the modern period. Instead, he follows the course of modernity in the spectacular example of New York, to reveal the complexities of both modernist and postmodern responses to the city. Brooker's study refers us to the fiction of Doctorow, Don DeLillo and Toni Morrison and especially to the new urban ethnic' writing. Here the voice of creative dissent and cultural hybridity expresses the best in a tradition of Amerian newness; this Peter Brooker calls the new modern'. The text is an important contribution to contemporary debates on modernism and postmodernism, providing a thorough interdisciplinary study of new American writing within the socio-economic context of New York City and will be of great interest to students of American Studies, Cultural Studies and Literature.

First published in 1988, this books argues with received accounts to reclaim Brecht's emphasis on his self-described 'dialectical theatre', re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht's poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht's career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht's political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht's changed circumstances in the years of war-time exile and in post-war East Germany.