To read Bloom's insights here is to bask in the emanation of genius. As entertaining and erudite as his choices of the works he most loves are, the book's overriding strength is the guidance it gives, in context and comprehension. -Baltimore Sun

This comprehensive anthology offers renowned critic Harold Bloom's choice of the best of six centuries of great British and American poetry, selected in accordance with his three absolute criteria: aesthetic splendor, intellectual power, and wisdom. In Bloom's introductory essay The Art of Reading Poetry, he presents his critical reflections of more than half a century devoted to reading, teaching, and writing about great verse, the literary achievement he loves most. Throughout this volume, Bloom includes extensive introductions to each poet and to many of the individual poems. More than any other anthology, this book provides readers who desire the pleasures of sublime art with nearly everything they need in a single volume.

A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare.

Preeminent literary critic-and ultimate authority on the western literary tradition, Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

The work of great poetry is to aid us to become free artists of ourselves. -Harold Bloom

In The Art of Reading Poetry, Harold Bloom gives us his critical reflections on more than a half century devoted to reading, teaching, and writing about great verse, the literary achievements he loves most, and conveys his passionate concern for how a poem should be interpreted and appreciated. By illuminating such subjects as poetic voice, metaphor and allusion, and the nature of poetic value itself, Bloom presents an invaluable learning tool as a key to artistic expression.

No critic has better understood the ways writers influence one another--how literary traditions are made--and no writer has helped readers understand this better, than Harold Bloom. Over the course of a remarkable sixty-year career, in such bestselling books as The Western Canon, Shakespeare: The Invention of the Human, and How to Read and Why, Bloom brought enormous insight and infectious enthusiasm to the great writers of the Western tradition, from Shakespeare and Cervantes to the British Romantics and the Russian masters. Now, for the first time, comes a collection of his brilliant writings about the American tradition, the ultimate guide to our nation's literature.

Assembled with David Mikics (Slow Reading in a Hurried Age), this unprecedented collection gathers five decades' worth of Bloom's writings-- much of it hard to find and long unavailable--including essays, occasional pieces, and introductions as well as excerpts from his books. It offers deep readings of 47 essential American writers, reflecting on the surprising ways they have influenced each other across more than two centuries. The story it tells, of American literature as a recurring artistic struggle for selfhood, speaks to the passion and power of the American spirit.

All of the visionary American writers who have long preoccupied Bloom―Emerson and Whitman, Hawthorne and Melville, and Dickinson, Faulkner, Crane, Frost, Stevens, and Bishop―make their appearance in The American Canon, along with Hemingway, James, O'Connor, Ellison, Hurston, Le Guin, Ashbery and many others. Bloom's passion for these classic writers is contagious, and he reminds readers how they have shaped our sense of who we are, and how they can summon us to be better versions of ourselves. Bloom, Mikics writes, is still our most inspirational critic, still the man who can enlighten us by telling us to read as if our lives depended on it: Because, he insists, they do.

For readers who want to deepen their appreciation of American literature, there's no better place to start than The American Canon.

Passionate. . . . Perhaps Bloom's most personal work, this is a fitting last testament to one of America's leading twentieth-century literary minds.--Publishers Weekly

An extraordinary testimony to a long life spent in the company of poetry and an affecting last declaration of [Bloom's] passionate and deeply unfashionable faith in the capacity of the imagination to make the world feel habitable--Seamus Perry, Literary Review

Reading, this stirring collection testifies, 'helps in staying alive.'--Kirkus Reviews, starred review

This dazzling celebration of the power of poetry to sublimate death--completed weeks before Harold Bloom died--shows how literature renews life amid what Milton called a universe of death. Bloom reads as a way of taking arms against the sea of life's troubles, taking readers on a grand tour of the poetic voices that have haunted him through a lifetime of reading. High literature, he writes, is a saving lie against time, loss of individuality, premature death. In passages of breathtaking intimacy, we see him awake late at night, reciting lines from Dante, Shakespeare, Milton, Montaigne, Blake, Wordsworth, Hart Crane, Jay Wright, and many others. He feels himself edged by nothingness, uncomprehending, but still sustained by reading. Generous and clear-eyed, this is among Harold Bloom's most ambitious and most moving books.

A gathering of last poems by great poets from W.H. Auden to Walt Whitman with extensive commentary by esteemed literary critic Harold Bloom, hailed by Booklist as a collection of surpassing splendor and resonance.

In this charming anthology, Harold Bloom collects the last poems of history's most important and celebrated poets. As with his immensely popular Best Poems of the English Language, Bloom has carefully curated and annotated the final works of one hundred poets in Till I End My Song, with selections from John Keats, T.S. Eliot, Elizabeth Bishop, Emily Dickinson, Dylan Thomas, Robert Frost, D.H. Lawrence, W.H. Auden, John Milton, Herman Melville, Emily Bront , and others. Written with the same wise and discerning commentary of earlier books--including his acclaimed Shakespeare: The Invention of the Human and The Book of J--Till I End My Song is a moving and provocative meditation on the relationship between art, meaning, and ultimately, death, from the literary titan of our time.

This is a revised and enlarged edition of the most extensive and detailed critical reading of English Romantic poetry ever attempted in a single volume. It is both a valuable introduction to the Romantics and an influential work of literary criticism. The perceptive interpretations of the major poems of Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Beddoes, Clare, and Darley develop the themes of Romantic myth-making and the dialectical relationship between nature and imagination.For this new edition, Harold Bloom has added an introductory essay on the historical backgrounds of English Romantic poetry and an epilogue relating his book to literary trends.

This dazzling book is at once an indispensable guide to Stevens's poetic canon and a significant addition to the literature on the American Romantic movement. It gives authoritative readings of the major long poems and sequences of Stevens and deals at length with the important shorter works as well, showing their complex relations both to one another and to the work of Stevens's precursors, Wordsworth, Shelley, Keats, Emerson, and Whitman. No other book on Stevens is as ambitious or comprehensive as this one: everyone who writes on Stevens will have to take it into account. The product of twenty years of meditating, thinking, and writing about Stevens, this truly remarkable book is a brilliant extension of Bloom's theories of literary interpretation.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays: Henry IV, Parts One and Two, and Henry V. He is companion to Prince Hal (the future Henry V), who loves him, goads, him, teases him, indulges his vast appetites, and commits all sorts of mischief with him--some innocent, some cruel. Falstaff can be lewd, funny, careless of others, a bad creditor, an unreliable friend, and in the end, devastatingly reckless in his presumption of loyalty from the new King.

Award-winning author and esteemed professor Harold Bloom writes about Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal. Just as we encounter one type of Anna Karenina or Jay Gatsby when we are young adults and another when we are middle-aged, Bloom writes about his own shifting understanding of Falstaff over the course of his lifetime. Ultimately we come away with a deeper appreciation of this profoundly complex character, and this poignant work (Publishers Weekly, starred review) as a whole becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity.

Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare's characters make. In this first of five books about Shakespearean personalities, Bloom brings erudition and boundless enthusiasm (Kirkus Reviews, starred review) and his exhilarating Falstaff invites us to look at a character as a flawed human who might live in our world.