Large language models (LLMs) are revolutionizing the world, promising to automate tasks and solve complex problems. A new generation of software applications are using these models as building blocks to unlock new potential in almost every domain, but reliably accessing these capabilities requires new skills. This book will teach you the art and science of prompt engineering-the key to unlocking the true potential of LLMs.

Industry experts John Berryman and Albert Ziegler share how to communicate effectively with AI, transforming your ideas into a language model-friendly format. By learning both the philosophical foundation and practical techniques, you'll be equipped with the knowledge and confidence to build the next generation of LLM-powered applications.

• Understand LLM architecture and learn how to best interact with it
• Design a complete prompt-crafting strategy for an application
• Gather, triage, and present context elements to make an efficient prompt
• Master specific prompt-crafting techniques like few-shot learning, chain-of-thought prompting, and RAG

The complete Dream Songs--hypnotic, seductive, masterful--as thrilling to read now as they ever were

John Berryman's The Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of beings at odds with the world. He is lustful; he is depressed.

And while Henry is breaking down and cracking up and patching himself together again, Berryman is doing the same thing to the English language, crafting electric verses that defy grammar but resound with an intuitive truth: if he had a hundred years, Henry despairs in Dream Song 29, & more, & weeping, sleepless, in all them time / Henry could not make good.

This volume collects both 77 Dream Songs, which won Berryman the Pulitzer Prize in 1965, and their continuation, His Toy, His Dream, His Rest, which was awarded the National Book Award and the Bollingen Prize in 1969. The Dream Songs are witty and wild, an account of madness shot through with searing insight, winking word play, and moments of pure, soaring elation. This is a brilliantly sustained and profoundly moving performance that has not yet-and may never be-equaled.

A wild, masterful Pulitzer Prize-winning cycle of poems that half a century later still shocks and astounds

John Berryman was hardly unknown when he published 77 Dream Songs, but the volume was, nevertheless, a shock and a revelation. A spooky collection in the words of Robert Lowell-a maddening work of genius.

As Henri Cole notes in his elegant, perceptive introduction, Berryman had discovered a looser style that mixed high and low dictions with a strange syntax. Berryman had also discovered his most enduring alter ego, a paranoid, passionate, depressed, drunk, irrepressible antihero named Henry or, sometimes, Mr. Bones: We touch at certain points, Berryman claimed, of Henry, But I am an actual human being.

Henry may not be real, but he comes alive on the page. And while the most famous of the Dream Songs begins, Life, friends, is boring, these poems never are. Henry lusts: seeing a woman Filling her compact & delicious body / with chicken páprika he can barely restrain himself: only the fact of her husband & four other people / kept me from springing on her. Henry despairs: All the world like a woolen lover / once did seem on Henry's side. / Then came a departure. Henry, afraid of his own violent urges, consoles himself: Nobody is ever missing.

77 Dream Songs won the Pulitzer Prize in 1965, but Berryman's formal and emotional innovations-he cracks the language open, creates a new idiom in which to express eternal feelings-remain as alive and immediate today as ever.

A brilliant and fiercely pitched sonnet cycle about love: at once passionate, forbidden, and doomed

John Berryman was an unconventional poet, but he must have surprised even himself when, in his thirties, he found he was suddenly compelled to write sonnets. It was an unusual choice--even an unpopular one--for a poet in a midcentury American literary scene that was less interested in forms. But it was the right choice, for Berryman found himself in a situation that called for the sonnet: after several years of a happy marriage, he had fallen helplessly, hopelessly in love with the young wife of a colleague.
Passion sought; passion requited; passion delayed; and, finally, passion utterly thwarted this is how the poet April Bernard, in her vivid, intimate introduction, characterizes the sonnet cycle, and it is the cycle that Berryman found himself caught up in. Of course the affair was doomed to end, and end badly. But in the meantime, on the page Berryman performs a spectacular dance of tender, obsessive, impossible love in his characteristic tonal mixture of bravado and lacerating shame-facedness. Here is the poet as lover, genius, and also, in Bernard's words, as nutcase.
In Berryman's Sonnets, the poet draws on the models of Petrarch and Sidney to reanimate and reimagine the love-sonnet sequence. Complex, passionate, filled with verbal fireworks and the emotional strains of joy, terror, guilt, and longing, these poems are ripe for rediscovery by contemporary readers.

This volume brings together all of Berryman's poetry, except for his epic The Dream Songs, ranging from his earliest unpublished poem (1934) to those written in the last months of his life (1972). A definitive edition of one of America's most distinguished poets.

This volume represents the first appearance in paperback of one of America's most outstanding poets, John Berryman. It contains, besides the long title poem, Homage to Mistress Bradstreet, the major portion of Short Poems; a selection from The Dispossessed, which drew on two earlier collections; some poems from His Thought Made Pockets & The Plane Buckt; and one poem from Sonnets.

It seems to me the most distinguished long poem by an American since The Waste Land. - Edmund Wilson

Young's selection, the first new selection of Berryman's poems in over 30 years, encompasses the formal accomplishments of his early work, epitomized in the masterful Homage to Mistress Bradstreet; the explosive and mesmerizing diction of Dream Songs, and his wrenching religious poems.

At once traditional and radical, Berryman was a master of technique who remade language with gusto. No poet of his time wrote more distinctively or inventively, or with more relentless intensity. With its formal exuberance and its uncompromising, often heartbreaking expressiveness, his poetry continues to surprise and challenge.

About the American Poets Project
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

John Berryman was perhaps the most idiosyncratic American poet of the twentieth century. Best known for the painfully sad and raucously funny cycle of Dream Songs, he wrote passionately: of love and despair, of grief and laughter, of longing for a better world and coming to terms with this one. The paperback edition of The Heart Is Strange has been updated to include a selection from the Dream Songs alongside poems from across his career.

The Heart Is Strange shows Berryman in all his variety: from his earliest poems, which show him learning the craft, to his breakthrough masterpiece, Homage to Mistress Bradstreet; then to his mature verses, which find the poet looking back upon his lovers and youthful passions; and finally to his late poems, in which he battles with sobriety and an increasingly religious sensibility.

The defiant joy and wild genius of Berryman's work has been obscured by his struggles with mental illness and alcohol, his tempestuous relationships with women, and his suicide. This volume celebrates the whole Berryman: tortured poet and teasing father, fiery lover and melancholy scholar. It is a perfect introduction to one of the finest bodies of work yet produced by an American poet.

A thinly-veiled autobiographical novel, Recovery follows Dr. Alan Severance through his emotional journey of Freudian group analysis where he confesses his humiliations, defeats, and delusions in an attempt to purge himself and achieve normality.

77 cantos del sue o, ser adonde le lleva a John Berryman, la b squeda del fantasma de su padre (se suicid cuando Berryman s lo ten a 12 a os) y donde m s obvia sea la presencia del mismo: un alucinado discurso donde el autor aborda el alcoholismo, las pesadillas, la violencia f sica y verbal, el ego smo, las crisis nerviosas, la lujuria, el deseo desmedidos, las infidelidades y un perenne sentimiento de culpa abandono.

Comenzado en 1955, se publicar a en 1964 para al a o siguiente recibir el Premio Pulitzer, situando a Berryman como uno de los poetas m s importantes de la d cada.

A wide-ranging, first-of-its-kind selection of Berryman's correspondence with friends, loved ones, writers, and editors, showcasing the turbulent, fascinating life and mind of one of America's major poets.

The Selected Letters of John Berryman assembles for the first time the poet's voluminous correspondence. Beginning with a letter to his parents in 1925 and concluding with a letter sent a few weeks before his death in 1972, Berryman tells his story in his own words.

Included are more than 600 letters to almost 200 people--editors, family members, students, colleagues, and friends. The exchanges reveal the scope of Berryman's ambitions, as well as the challenges of practicing his art within the confines of the publishing industry and contemporary critical expectations. Correspondence with Ezra Pound, Robert Lowell, Delmore Schwartz, Adrienne Rich, Saul Bellow, and other writers demonstrates Berryman's sustained involvement in the development of literary culture in the postwar United States. We also see Berryman responding in detail to the work of writers such as Carolyn Kizer and William Meredith and encouraging the next generation--Edward Hoagland, Valerie Trueblood, and others. The letters show Berryman to be an energetic and generous interlocutor, but they also make plain his struggles with personal and familial trauma, at every stage of his career.

An introduction by editors Philip Coleman and Calista McRae explains the careful selection of letters and contextualizes the materials within Berryman's career. Reinforcing the critical and creative interconnectedness of Berryman's work and personal life, The Selected Letters confirms his place as one of the most original voices of his generation and opens new horizons for appreciating and interpreting his poems.

The never-before-published poems of one of the greatest American poets, John Berryman.

John Berryman's Dream Songs are arguably the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of being at odds with the world. He is lustful; he is depressed.

The collected Dream Songs consists of 385 discrete poems, combining those from 77 Dream Songs, which was awarded the Pulitzer Prize for Poetry in 1965, and those from His Toy, His Dream, His Rest, which won the National Book Award for Poetry in 1969. But for Berryman, Henry lived on. Over the years, the poet wrote more than a hundred additional songs that didn't make it into the various published editions of the songs. As elucidated by Shane McCrae in the introduction to this edition, Berryman hoped that readers might slot these unpublished poems in among the rest.

Only Sing, which includes both finished poems and drafts, isn't merely the scraps left on a cutting room floor; it is a continuation of the epic cycle, an additional set of poems that crack language open, an extension of Berryman's brilliant account of madness shot through with searing insight.