Organized chronologically and covering every short film, television episode, and classic film that the Master of Suspense directed over the course of his illustrious, 60-year career, Alfred Hitchcock All the Films draws upon years of research to tell the behind the scenes stories of how each project was conceived, cast, and produced, down to the creation of the costumes, the search for perfect locations, and of course, the direction of some of cinema's most memorable scenes.

Spanning more than six decades, and including stories of work with longtime collaborators like costume designer Edith Head, title designer Saul Bass, and composer Bernard Herrmann, this book details the creative processes that resulted in numerous classic films like Vertigo, The Birds, Psycho, Rear Window, North By Northwest, andTo Catch a Thief (to name a few).

The director's classic TV series are also covered extensively along with original release dates, lesser-known short films, box office totals, surreptitious casting details, and other insider scoops that will keep fans and students alike turning pages. Featuring hundreds of vivid photographs that celebrate one of cinema's most iconic artists, Alfred Hitchcock All the Films is a visual feast that's perfect for the movie fan in your life.

First published in 1997, this volume demonstrates that through his activities as a composer, historian, lecturer and administrator, Sir Hubert Parry (1848-1918) played a significant role in British music during the latter half of the nineteenth century. Yet despite his achievements, this century has for the most part neglected both Parry's writings and his compositions; his name is remembered by the general public for one work alone - Jerusalem. In this collection of essays, Bernard Benoliel examines some of the reasons for this neglect and reassesses some of Parry's most important works.

These essays show that it was due to the large number and diversity of his public engagements (both social and work related) that Parry's musical achievements did not often reach the heights of creative genius of which he might otherwise have been capable.

By examining Parry's personal relationships with his family, and in particular with his wife, Maude, Benoliel reveals an immensely complex personality; a man whose private and public selves were very much shaped by the society in which he lived.

The book concludes with a selection of Parry's own published writings, with introductions by the author.

First published in 1997, this volume demonstrates that through his activities as a composer, historian, lecturer and administrator, Sir Hubert Parry (1848-1918) played a significant role in British music during the latter half of the nineteenth century. Yet despite his achievements, this century has for the most part neglected both Parry's writings and his compositions; his name is remembered by the general public for one work alone - Jerusalem. In this collection of essays, Bernard Benoliel examines some of the reasons for this neglect and reassesses some of Parry's most important works.

These essays show that it was due to the large number and diversity of his public engagements (both social and work related) that Parry's musical achievements did not often reach the heights of creative genius of which he might otherwise have been capable.

By examining Parry's personal relationships with his family, and in particular with his wife, Maude, Benoliel reveals an immensely complex personality; a man whose private and public selves were very much shaped by the society in which he lived.

The book concludes with a selection of Parry's own published writings, with introductions by the author.