Since the Industrial Revolution, fossil fuels have dominated global advancement, bringing about a significant change in how machines work, how cars move, and how people get their light. This is all due to the strength of fossil fuels.
According to the US Energy Information Administration, fossil fuels currently account for 80% of both domestic energy production and consumption in the US. This package book's straightforward and practical approach to instruction, in contrast to the unrealistic, overly technical solar panel books now on the market, makes it easier for beginners and, of course, experts to understand the following key topics:
Building a solar system requires understanding of electrical concepts such as amps, volts, and watts.
a list of electrical and solar tools, along with descriptions of each
In the thorough Solar Book 1, you will also find:
direct links for purchasing solar equipment and checking local licenses.
Pros and downsides of various solar powered system types, as well as advice on selecting the best one.
A beginner-friendly guide to the fundamental circuits and rules of electricity.
tools for installing solar energy.
the operation of photovoltaic solar cells and panels.
Your electricity needs and power consumption can be determined using a simplified formula for grid-connected and off-grid solar power.
How to determine the appropriate roof size for both grid-tied and off-grid solar power system components.
How to build your own solar panels and mount and connect solar rails.
How to size your grid-connected or off-grid power system and choose the right charge controller.
How lithium ion, lead acid, and DIY lithium batteries function as well as how to size a battery for off-grid survival.
How inverters work as well as a simple method for choosing the best grid-tied and off-grid solar inverter.
Simple advice on how to utilize the right connectors, wire sizes, and safety equipment.
How to steer clear of typical solar errors recommendations for maintaining your system.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects. In recent years, puppets, masks, and objects have been the focus of Broadway musicals, postmodernist theory, political spectacle, performance art, and new academic programs, for example, at the California Institute of the Arts.This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. The topics include Stephen Kaplin's new theory of puppet theater based on distance and ratio, a historical overview of mechanical and electrical performing objects, a Yiddish puppet theater of the 1920s and 1930s, an account of the Bread and Puppet Theater's Domestic Resurrection Circus and a manifesto by its founder, Peter Schumann, and interviews with director Julie Taymor and Peruvian mask-maker Gustavo Boada. The book also includes the first English translation of Pyotr Bogatyrev's influential 1923 essay on Czech and Russian puppet and folk theaters.
Contributors
John Bell, Pyotr Bogatyrev, Stephen Kaplin, Edward Portnoy, Richard Schechner, Peter Schumann, Salil Singh, Theodora Skipitares, Mark Sussman, Steve Tilllis