Bush Studies, written during the 1890s, presents a bleak and uncompromising image of life in the Australian bush. These are not the stories of mates gathered around a fire, but of the dark loneliness of women. Not only are there fences to be built and a living to be coaxed from the land, but babies to be born - or buried - and the dangers of profound isolation to be endured, as well as the cruelties, or plain disappointments, of men.
She drew out the saw, spat on her hands, and with the axe began weakening the inclining side of the tree. Long and steadily and in secret the worm had been busy in the heart. Suddenly the ace blade sank softly, the tree's wounded edges closed on it like a vice.
Classic stories of pioneering Australia introduced by Elizabeth Webby
Bush Studies (1902) is a collection of short stories that explore the dark side of the Australian bush experience: loneliness, isolation and danger. The stories, often depicting female suffering, are grimly realistic, in contrast to the masculine romantic notions of the outback as represented by Henry Lawson and Banjo Paterson. All six stories in Bush Studies deal with the great themes of birth and death, although only 'Bush Church' renders its theme as comedy, with its disorderly scenes of a church service and multiple christenings gone awry.
This new edition of Bush Studies, with an introduction by Susan Sheridan, is a part of the Australian Classics Library series, which is intended to make classic texts of Australian literature more widely available for secondary school and undergraduate university classrooms, and for the general reader. The series is co-edited by Emeritus Professor Bruce Bennett of the University of New South Wales and Robert Dixon, Professor of Australian Literature at the University of Sydney, in conjunction with SETIS, Sydney University Press, AustLit and the Copyright Agency Limited.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.