Charles Baxter inaugurates The Art of, a new series on the craft of writing, with the wit and intelligence he brought to his celebrated book Burning Down the House: Essays on Fiction.
Fiction writer and essayist Charles Baxter's The Art of Subtext: Beyond Plot discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted. Using an array of examples from Melville and Dostoyevsky to contemporary writers Paula Fox, Edward P. Jones, and Lorrie Moore, Baxter explains how fiction writers create those visible and invisible details, how what is displayed evokes what is not displayed. The Art of Subtext is part of The Art of series, a new line of books by important authors on the craft of writing, edited by Charles Baxter. Each book examines a singular, but often assumed or neglected, issue facing the contemporary writer of fiction, nonfiction, or poetry. The Art of series means to restore the art of criticism while illuminating the art of writing.A New York Times Notable Book from the winner of the PEN/Malamud Award for Excellence in the Short Story and one of our most gifted writers (Chicago Tribune)
By turns compassionate, gently humorous, and haunting, this collection--sixteen classics with seven new stories--proves William Maxwell's assertion that nobody can touch Charles Baxter in the field that he has carved out for himself. Whether friends or strangers, the characters in these stories share a desire--sometimes muted and sometimes fierce--to break through the fragile glass of convention. In the title story, a substitute teacher walks into a new classroom, draws an outsized tree on the blackboard on a whim, and rewards her students by reading their fortunes using a Tarot deck. In each of the stories we see the delicate tension between what we want to believe and what we need to believe. A warmly disposed yet unsentimental chronicler of American lives ... Some [stories are] poignant and disturbing, and all of them highly readable. --The New York Times Book ReviewThere's something I want you to do. This request--sometimes simple, sometimes not--forms the basis for the ten interrelated short stories that comprise this latest penetrating and prophetic collection from the winner of the PEN/Malamud Award and one of our most gifted writers (Chicago Tribune).
As we follow a diverse group of Minnesota citizens, each grappling with their own heightened fears, responsibilities, and obsessions, Baxter unveils the remarkable in what might otherwise be the seemingly inconsequential moments of everyday life.Graywolf reissues one of its most successful essay collections with two new essays and a new foreword by Charles Baxter
As much a rumination on the state of literature as a technical manual for aspiring writers, Burning Down the House has been enjoyed by readers and taught in classrooms for more than a decade. Readers are rewarded with thoughtful analysis, humorous one-liners, and plenty of brushfires that continue burning long after the book is closed.In this extraordinary novel of mischief and menace, we see a young man's very self vanishing before his eyes--from the winner of the PEN/Malamud Award and one of our most gifted writers (Chicago Tribune)
Entirely original.... So craftily construcyed that to appreciate how liberally Baxter plants creepy hints of what's to come a reader should really savor this book twice. --The Washington Post As a graduate student in upstate New York, Nathaniel Mason is drawn into a tangle of relationships with people who seem to hover just beyond his grasp. There's Theresa, alluring but elusive, and Jamie, who is fickle if not wholly unavailable. But Jerome Coolberg is the most mysterious and compelling. Not only cryptic about himself, he seems also to have appropriated parts of Nathaniel's past that Nathaniel cannot remember having told him about.Searching and erudite new essays on writing from the author of Burning Down the House.
Charles Baxter's new collection of essays, Wonderlands, joins his other works of nonfiction, Burning Down the House and The Art of Subtext. In the mold of those books, Baxter shares years of wisdom and reflection on what makes fiction work, including essays that were first given as craft talks at the Bread Loaf Writers' Conference. The essays here range from brilliant thinking on the nature of wonderlands in the fiction of Haruki Murakami and other fabulist writers, to how request moments function in a story. Baxter is equally at home tackling a thorny matter such as charisma (which intersects with political figures like the disastrous forty-fifth US president) as he is bringing new interest to subjects such as list-making in fiction. Amid these craft essays, an interlude of two personal essays--the story of a horrifying car crash and an introspective letter to a young poet--add to the intimate nature of the book. The final essay reflects on a lifetime of writing, and closes with a memorable image of Baxter as a boy, waiting at the window for a parent who never arrives and filling that absence with stories. Wonderlands will stand alongside his prior work as an insightful and lasting work of criticism.