The riotous, raucous and deeply resonant debut novel from one of the best story writers in the English language today (Financial Times) Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry

With his acclaimed and award-winning collections Young Skins and Homesickness Colin Barrett cemented his reputation as one of contemporary Irish literature's most daring stylists. Praised by the Oprah Daily as a doyen of the sentence, and by the Los Angeles Times as a writer of unique genius, Barrett now expands his canvas with a debut novel that contains as much grit, plot, and linguistic energy as any of his celebrated short stories.

As Ballina prepares for its biggest weekend of the year, introspective loner Dev answers his door on Friday night to find Doll English-- younger brother of small-time local dealer Cillian English--bruised and in the clutches of Gabe and Sketch Ferdia, County Mayo's fraternal enforcers and Dev's cousins. Dev's quiet homelife is upturned as he is quickly and unwillingly drawn headlong into the Ferdias' frenetic revenge plot against Cillian. Meanwhile, Doll's girlfriend, seventeen-year-old Nicky, reeling from a fractious Friday and plagued by ghosts and tragedy of her own, sets out on a feverish mission to save Doll, even as she questions her future in Ballina.

Set against Barrett's trademark depictions of small town Irish life, Wild Houses is thrillingly-told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence.

The riotous, raucous and deeply resonant debut novel from one of the best story writers in the English language today (Financial Times) Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry

With his acclaimed and award-winning collections Young Skins and Homesickness Colin Barrett cemented his reputation as one of contemporary Irish literature's most daring stylists. Praised by the Oprah Daily as a doyen of the sentence, and by the Los Angeles Times as a writer of unique genius, Barrett now expands his canvas with a debut novel that contains as much grit, plot, and linguistic energy as any of his celebrated short stories.

As Ballina prepares for its biggest weekend of the year, introspective loner Dev answers his door on Friday night to find Doll English-- younger brother of small-time local dealer Cillian English--bruised and in the clutches of Gabe and Sketch Ferdia, County Mayo's fraternal enforcers and Dev's cousins. Dev's quiet homelife is upturned as he is quickly and unwillingly drawn headlong into the Ferdias' frenetic revenge plot against Cillian. Meanwhile, Doll's girlfriend, seventeen-year-old Nicky, reeling from a fractious Friday and plagued by ghosts and tragedy of her own, sets out on a feverish mission to save Doll, even as she questions her future in Ballina.

Set against Barrett's trademark depictions of small town Irish life, Wild Houses is thrillingly-told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence.

A National Book Foundation 5 Under 35 Honoree

Winner of the Frank O'Connor International Short Story Award, the Guardian First Book Award, and the Rooney Prize for Irish Literature

Enter the small, rural town of Glanbeigh, a place whose fate took a downturn with the Celtic Tiger, a desolate spot where buffoonery and tension simmer and erupt, and booze-sodden boredom fills the corners of every pub and nightclub. Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there's jilted Jimmy, whose best friend Tug is the terror of the town and Jimmy's sole company in his search for the missing Clancy kid; Bat, a lovesick soul with a face like a bowl of mashed up spuds even before Nubbin Tansey's boot kicked it in; and Arm, a young and desperate criminal whose destiny is shaped when he and his partner, Dympna, fail to carry out a job. In each story, a local voice delineates the grittiness of post boom Irish society. These are unforgettable characters rendered through silence, humor, and violence.

Told in Barrett's vibrant, distinctive prose, Young Skins is an accomplished and irreverent debut from a singular new voice in contemporary fiction.

The second book from the exact and poetic (New York Times) author of critical smash Young Skins, winner of the Rooney Prize for Irish Literature and a National Book Foundation 5 Under 35, Homesickness  is an emotionally resonant and wonderfully wry collection that follows the lives of outcasts, misfits, and malcontents from County Mayo to Canada.

When Colin Barrett's debut Young Skins published, it swept up several major literary awards, and, in both its linguistic originality and sharply drawn portraits of working-class Ireland, earned Barrett comparisons to Faulkner, Hardy, and Musil. Now, in a blistering follow-up collection, Barrett brings together eight character-driven stories, each showcasing his inimitably observant eye and darkly funny style.

A quiet night in a local pub is shattered by the arrival of a sword-wielding fugitive; a funeral party teeters on the edge of this world and the next, as ghosts simply won't lay in wake; a shooting sees a veteran policewoman confront the banality of her own existence; and an aspiring writer grapples with his father's cancer diagnosis and in his despair wreaks havoc on his mentor's life.

The second piece of fiction from a lyrical and tough and smart (Anne Enright) voice in contemporary Irish literature, Homesickness  marks Colin Barrett out as our most brilliantly original and captivating storyteller.

The second book from the exact and poetic (New York Times) author of critical smash Young Skins, winner of the Rooney Prize for Irish Literature and a National Book Foundation 5 Under 35, Homesickness  is an emotionally resonant and wonderfully wry collection that follows the lives of outcasts, misfits, and malcontents from County Mayo to Canada.

When Colin Barrett's debut Young Skins published, it swept up several major literary awards, and, in both its linguistic originality and sharply drawn portraits of working-class Ireland, earned Barrett comparisons to Faulkner, Hardy, and Musil. Now, in a blistering follow-up collection, Barrett brings together eight character-driven stories, each showcasing his inimitably observant eye and darkly funny style.

A quiet night in a local pub is shattered by the arrival of a sword-wielding fugitive; a funeral party teeters on the edge of this world and the next, as ghosts simply won't lay in wake; a shooting sees a veteran policewoman confront the banality of her own existence; and an aspiring writer grapples with his father's cancer diagnosis and in his despair wreaks havoc on his mentor's life.

The second piece of fiction from a lyrical and tough and smart (Anne Enright) voice in contemporary Irish literature, Homesickness  marks Colin Barrett out as our most brilliantly original and captivating storyteller.

In the time-worn traditions of the transportation industry, ship- pers and carriers regard one another as enemies. There is, to be sure, a certain degree of validity to such a viewpoint. An element of conflict will naturally be present in any vendor-purchaser relationship. The two, after all, are seeking distinctly different things from that relationship; and to a con- siderable extent each party's success in realizing its own goals must be achieved at the expense of the other. At the same time, however, viewing that relationship as strictly zero-sum-a gain by one side always resulting in an equal and offsetting loss by the other-is a gross misconception. It overlooks the key reality that, no matter which party comes closest to its own objectives, the relationship, and the business transactions that flow from it, must ultimately benefit both. Without that level of mutual benefit the relationship will simply not exist (or will soon founder if it somehow does come into being); for it is only the self-interest of the two parties that impels them to establish and continue that relationship at all. In transportation, however, this element of mutuality-the attitude that the parties share a common interest in nurturing their relationship-is often forgotten. Instead of working to- gether as, fundamentally, partners in a business transaction from which both expect to derive gains, they dedicate the bulk of their energies to fighting, rather than cooperating, with one another.

Back in 1983 I was chatting with Dick Coleman, publisher of Traffic World magazine, when he unexpectedly proposed that I write a column for the magazine on computer applications in the transportation/physical distribution industry. But, Dick, I don't know all that much about computers, I protested. You use one, don't you? he asked logically. Yes, I did; I'd been running my consulting business with it for two years. But that didn't, I explained, make me an expert. Think about it, he said. That's typical Coleman; he drops these studiedly casual ideas and just lets them lay there until you pick them up and wind up doing just what he wanted you to do all along. Sure enough, the longer I pondered the notion the more it appealed to me. OK, I wasn't a computer expert (I'm still not). But I was a computer user, in the transportation/distribution field; maybe from that perspective I might have some useful things to say to other transportation/distribution users and would-be users of computers. Thus was born the Computer Software for Transportation column. The first one appeared in the April 11, 1983, issue of Traffic World, and it's been a once-a-month schedule ever since. And thus, too, was ultimately born this book.