Barker's vision of a world shaped by violence, a key theme in all her fiction, is equal to the tragic grandeur of ancient myth....More brilliant work from one of world literature's greatest writers. --Kirkus Reviews *starred review*

I never saw Cassandra as a victim. I saw a woman as focused on a single aim as any raptor stooping to its prey; but then, I had more opportunities to observe her ruthlessness than most. I was in her power, you see. I was her slave.

Pat Barker has crafted the latest in a brilliant reimagining of Greek mythology, and The Voyage Home is the work of a writer at the height of her powers. In this third outing, she follows the young Ritsa and the unpredictable Cassandra on their perilous return journey to Mycenae. Cassandra has acquired the powers of prophecy from the kiss of Apollo, but the very same god has taken away the people's belief in her abilities. Though she warns of the carnage that awaits the Greek warrior king Agamemnon--who numbs himself with alcohol on the storm-plagued trip home--her shipmates disregard her.

While Cassandra's prophecies fall on deaf ears, Ritsa instead remains focused on surviving once they make land. When a mysterious young girl begins to shadow them, and Agamemnon's cruelty takes a new turn, Ritsa must find a safe place for Cassandra, whose mood alternates between cruelty and frenzy. But it's the ongoing ire between Queen Clytemnestra and Agamemnon that could prove fatal for everyone.

In The Voyage Home, Barker elevates myth and legend and asks us to examine the stories we hold dear through a feminist lens, and in doing so she has crafted a tale that upholds her legacy as one of our finest contemporary novelists.

Shortlisted for the Costa Novel Award
Finalist for the Women's Prize for Fiction

Here is the story of the Iliad as we've never heard it before: in the words of Briseis, Trojan queen and captive of Achilles. Given only a few words in Homer's epic and largely erased by history, she is nonetheless a pivotal figure in the Trojan War. In these pages she comes fully to life: wry, watchful, forging connections among her fellow female prisoners even as she is caught between Greece's two most powerful warriors. Her story pulls back the veil on the thousands of women who lived behind the scenes of the Greek army camp--concubines, nurses, prostitutes, the women who lay out the dead--as gods and mortals spar, and as a legendary war hurtles toward its inevitable conclusion. Brilliantly written, filled with moments of terror and beauty, The Silence of the Girls gives voice to an extraordinary woman--and makes an ancient story new again.

Troy has fallen and the victorious Greeks are eager to return home with the spoils of an endless war--including the women of Troy themselves. They await a fair wind for the Aegean.

It does not come, because the gods are offended. The body of King Priam lies unburied and desecrated, and so the victors remain in suspension, camped in the shadows of the city they destroyed as the coalition that held them together begins to unravel. Old feuds resurface and new suspicions and rivalries begin to fester.

Largely unnoticed by her captors, the one time Trojan queen Briseis, formerly Achilles's slave, now belonging to his companion Alcimus, quietly takes in these developments. She forges alliances when she can, with Priam's aged wife the defiant Hecuba and with the disgraced soothsayer Calchas, all the while shrewdly seeking her path to revenge.

In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified mentally unsound and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon's sanity and sending him back to the trenches. This novel tells what happened as only a novel can. It is a war saga in which not a shot is fired. It is a story of a battle for a man's mind in which only the reader can decide who is the victor, who the vanquished, and who the victim.

One of the most amazing feats of fiction of our time, Regeneration has been hailed by critics across the globe. More than one hundred years since World War I, this book is as timely and relevant as ever.

Barker's vision of a world shaped by violence, a key theme in all her fiction, is equal to the tragic grandeur of ancient myth....More brilliant work from one of world literature's greatest writers. --Kirkus Reviews *starred review*

I never saw Cassandra as a victim. I saw a woman as focused on a single aim as any raptor stooping to its prey; but then, I had more opportunities to observe her ruthlessness than most. I was in her power, you see. I was her slave.

Pat Barker has crafted the latest in a brilliant reimagining of Greek mythology, and The Voyage Home is the work of a writer at the height of her powers. In this third outing, she follows the young Ritsa and the unpredictable Cassandra on their perilous return journey to Mycenae. Cassandra has acquired the powers of prophecy from the kiss of Apollo, but the very same god has taken away the people's belief in her abilities. Though she warns of the carnage that awaits the Greek warrior king Agamemnon--who numbs himself with alcohol on the storm-plagued trip home--her shipmates disregard her.

While Cassandra's prophecies fall on deaf ears, Ritsa instead remains focused on surviving once they make land. When a mysterious young girl begins to shadow them, and Agamemnon's cruelty takes a new turn, Ritsa must find a safe place for Cassandra, whose mood alternates between cruelty and frenzy. But it's the ongoing ire between Queen Clytemnestra and Agamemnon that could prove fatal for everyone.

In The Voyage Home, Barker elevates myth and legend and asks us to examine the stories we hold dear through a feminist lens, and in doing so she has crafted a tale that upholds her legacy as one of our finest contemporary novelists.

Set in the closing months of World War I, this towering novel combines poetic intensity with gritty realism as it brings Pat Barker's Regeneration trilogy to its stunning conclusion.

In France, millions of men engaged in brutal trench warfare are all ghosts in the making. In England, psychologist William Rivers, with severe pangs of conscience, treats the mental casualties of the war to make them whole enough to fight again. One of these, Billy Prior, risen to the officer class from the working class, both courageous and sardonic, decides to return to France with his fellow officer, poet Wilfred Owen, to fight a war he no longer believes in. Meanwhile, Rivers, enfevered by influenza returns in memory to his experience studying a South Pacific tribe whose ethos amounted to a culture of death. Across the gulf between his society and theirs, Rivers begins to form connections that cast new light on his--and our--understanding of war.

Pat Barker's writing is so sure, and her characters so vital, that a powerful story emerges, honest, grim but often funny, and always engrossing. -Newsday

In Liza's England, Liza Garrett is the first child in town born in the twentieth century--whose life in many ways mirrors the turmoil of England itself. The tough, severe, but very real and recognizable world of women is put to the most strenuous tests, and Liza, at eighty-four, is proof that loyalty, fortitude and humor survive.

With her novels, she adds dignity to this century's often bleak and undignified human record. -Los Angeles Times Book Review

In Pat Barker's The Man Who Wasn't There, twelve-year-old Colin knows little about his father except that he must have fought in the war. His mother, totally absorbed by the nightclub where she works, says nothing about him, and Colin turns to films for images of what his father might have been. Weaving in and out of Colin's real life, his imagined film explores issues of loyalty and betrayal and searches for the answer to the question 'What is a man?'

It is the spring of 1918, and Britain is faced with the possibility of defeat by Germany. A beleaguered government and a vengeful public target two groups as scapegoats: pacifists and homosexuals. Many are jailed, others lead dangerous double lives, the the eye in the door becomes a symbol of the paranoia that threatens to destroy the very fabric of British society.

Central to this novel are such compelling, richly imagined characters as the brilliant and compassionate Dr. William Rivers; his most famous patient, the poet Siegfried Sassoon; and Lieutenant Billy Prior, who plays a central role as a domestic intelligence agent. With compelling, realistic dialogue and a keen eye for the social issues that have gone overlooked in mainstream media, The Eye in the Door is a triumph that equals Regeneration and the third novel in the trilogy, the 1995 Booker Prize-winning The Ghost Road, establishing Pat Barker's place in the very forefront of contemporary novelists.

The first and second novels by the bestselling, Booker Prize-winning author of the Ghost Road trilogy, now in one book.

Union Street, Pat Barker's first novel, concerns seven neighboring women near a factory in northeast England. Life for these women is trying: some of them are married to alcoholics, some are victims of abuse; one is old and near death, another is still a child but has the experience of an adult; all are struggling to survive. First published in 1982, it was made into the film Stanley & Iris by MGM in 1989, starring Robert DeNiro and Jane Fonda

Blow Your House Down, Barker's second novel, also portrays the lives of women in industrial England--but these women are prostitutes, living in a northern England city that is stalked by a vicious, Jack the Ripper-style serial killer who is singling out women with nowhere else to go.

Craiglockhart War Hospital, Scotland 1917. Poet and soldier Siegfried Sassoon has been institutionalised in an attempt to undermine his public disapproval of the war. His Army Psychiatrist, Dr William Rivers, has been tasked with returning shell-shocked officers to the trenches, yet under Sassoon's influence, has become tormented by the morality of what is being done in the name of medicine.

Produced to mark the centenary of the outbreak of WWI, Regeneration opened at the Royal & Derngate, Northampton, in August 2014, before embarking on a national tour co-produced by Touring Consortium.

Nicholas Wright's plays include the acclaimed National Theatre adaptation of Philip Pullman's His Dark Materials, Mrs Klein, Travelling Light and Vincent In Brixton, which won the Olivier Award for Best New Play in 2003. His writing about the theatre includes Changing Stages: A View of British Theatre in the Twentieth Century, co-written with Richard Eyre.

' a] superb stage version of a work of genius... gutting and unmissable' - Independent

'shocking, tender and grimly funny... gently breaks your heart' - The Times

'deeply moving... a] humane and enriching play' - Guardian

As the bombing intensifies, into their midst comes the spirit medium Bertha Mason, grotesque and unforgettable, whose ability to make contact with the deceased finds vastly increased demands as death rains down from the skies. Old loves and obsessions resurface until Elinor is brought face to face with an almost impossible choice. Concluding the story begun in Life Class and continued in Toby's Room, Noonday is both a gripping standalone novel and the culmination of an extraordinary trilogy.

A masterfully written World War I-era novel about the secrets between a brother and sister, from the Booker Prize-winning author of the Regeneration Trilogy.

It is 1917, and Elinor Brooke, a young painter, is studying art in London while her beloved brother Toby serves on the front as a medical officer. When Toby goes missing and is presumed dead, the devastated Elinor refuses to accept it. Then she finds a letter hidden among his belongings; it reveals that Toby knew he wasn't coming back and implies that his friend, medic Kit Neville, knows why. But Kit has been horribly disfigured and is reeling from shell shock. While Elinor tries to piece together the mystery of what happened to her brother, she uses her drawing skills to aid in the surgical reconstruction of those who have suffered unspeakable losses--of their faces, their memories, their very minds.

Double Vision from Pat Barker, a gripping novel about the effects of violence on the journalists and artists who have dedicated themselves to representing it

In the aftermath of September 11, 2001, reeling from the effects of reporting from New York City, two British journalists, a writer, Stephen Sharkey, and a photographer, Ben Frobisher, part ways. Stephen, facing the almost simultaneous discovery that his wife is having an affair, returns to England shattered; he divorces and quits his job. Ben returns to his vocation. He follows the war on terror to Afghanistan and is killed.

Stephen retreats to a cottage in the country to write a book about violence, and what he sees as the reporting journalist's or photographer's complicity in it; it is a book that will build in large part on Ben's writing and photography. Ben's widow, Kate, a sculptor, lives nearby, and as she and Stephen learn about each other their world speedily shrinks, in pleasing but also disturbing ways; Stephen's maid, with whom he has begun an affair, was once lovers with Kate's new studio assistant, an odd local man named Peter. As these connections become clear, Peter's strange behavior around Stephen and Kate begins to take on threatening implications. The sinister events that take place in this small town, so far from the theaters of war Stephen has retreated from, will force him to act instinctively, violently, and to face his most painful revelations about himself.