The Riddle of the Sphinx, a new collection of essays, illuminates an aspect of Owen Barfield rarely before seen. He writes as directly as he ever did about the nature of humanity's spiritual need in our time. Our capacities of imagination and inspiration are shown in their true dimensions.
At the same time, scholarly and wise, Barfield enables readers to appreciate these insights. He writes about how poetry begins, about language as an archive of consciousness, and about philosophy as a path to understanding how different ways of perceiving are possible.
Barfield guides us on an episodic trip through history - from ancient Israel and Greece to early Christian times, onward to medieval England, and the eras of the Renaissance and Romanticism, right up to the present day. He does not just demonstrate that there has been an evolution of consciousness; he reveals how thrilling it is when recognized.
The Sphinx's deepest riddle, Barfield knew, was: What, after all, is the human being? The evolution of consciousness, Barfield's great subject, has given many answers to that question. In the essays collected here, Owen Barfield challenges us, beyond the ready-made responses given to us, to answer the question anew, for ourselves.
Owen Barfield is one of the twentieth century's most significant writers and philosophers. Widely renowned for his insight and literary artistry, Barfield addresses key concerns of the sciences, humanities, social sciences, and arts in our time. His fellow Inklings, C.S. Lewis and J.R.R. Tolkien, are among the leading figures influenced by Barfield's work.
Barfield draws on sources from mythology, philosophy, history, literature, theology, and science to chronicle the evolution of human thought from Moses and Aristotle to Galileo and Keats.
Saving the Appearances is about the world as we see it and the world as it is; it is about God, human nature, and consciousness. The best known of numerous books by the British sage whom C.S. Lewis called the wisest and best of my unofficial teachers, it draws on sources from mythology, philosophy, history, literature, theology, and science to chronicle the evolution of human thought from Moses and Aristotle to Galileo and Keats. Barfield urges his readers to do away with the assumption that the relationship between people and their environment is static. He dares us to end our exploitation of the natural world and to acknowledge, even revel in, our participation in the diurnal creative process.
For more than three-quarters of a century, Owen Barfield produced original and thought-provoking works that made him a legendary cult figure. History in English Words is his classic excursion into history through the English language.
This popular book provides a brief, brilliant history of the various peoples who have spoken the Indo-European tongues. It is illustrated throughout by current English words whose derivation from other languages, and whose history in use and changes of meaning, record and unlock the larger history.
Barfield discusses poetry's meaning in terms of both his personal experience and objective standards of criticism.
Poetic Diction, first published in 1928, begins by asking why we call a given grouping of words poetry and why these arouse aesthetic imagination and produce pleasure in a receptive reader. Returning always to this personal experience of poetry, Owen Barfield at the same time seeks objective standards of criticism and a theory of poetic diction in broader philosophical considerations on the relation of world and thought. His profound musings explore concerns fundamental to the understanding and appreciation of poetry, including the nature of metaphor, poetic effect, the difference between verse and prose, and the essence of meaning.
CONTRIBUTOR: Howard Nemerov.
The Riddle of the Sphinx, a new collection of essays, illuminates an aspect of Owen Barfield rarely before seen. He writes as directly as he ever did about the nature of humanity's spiritual need in our time. Our capacities of imagination and inspiration are shown in their true dimensions.
At the same time, scholarly and wise, Barfield enables readers to appreciate these insights. He writes about how poetry begins, about language as an archive of consciousness, and about philosophy as a path to understanding how different ways of perceiving are possible.
Barfield guides us on an episodic trip through history - from ancient Israel and Greece to early Christian times, onward to medieval England, and the eras of the Renaissance and Romanticism, right up to the present day. He does not just demonstrate that there has been an evolution of consciousness; he reveals how thrilling it is when recognized.
The Sphinx's deepest riddle, Barfield knew, was: What, after all, is the human being? The evolution of consciousness, Barfield's great subject, has given many answers to that question. In the essays collected here, Owen Barfield challenges us, beyond the ready-made responses given to us, to answer the question anew, for ourselves.
Owen Barfield is one of the twentieth century's most significant writers and philosophers. Widely renowned for his insight and literary artistry, Barfield addresses key concerns of the sciences, humanities, social sciences, and arts in our time. His fellow Inklings, C.S. Lewis and J.R.R. Tolkien, are among the leading figures influenced by Barfield's work.
Owen Barfield is known primarily for his many publications on the evolution of consciousness and the essential reframing of cultural history that results from this theory. At the center of his philosophy is a deep analysis of mythology and poetics that draws from Coleridge, Steiner, and others to reveal the noetic role of the poetic principle and its salient shifts that map the evolution of conscious experience. A member of the Oxford Inklings group, Barfield's first published book, The Silver Trumpet (1925), is the first märchen, or fantasy story, published by any of them.
Despite the influence Barfield exerted on contemporary authors such as Howard Nemerov and Saul Bellow, the biggest gaps in the published corpus of the Philosopher of Poetry are most of the major poems and poetic dramas he wrote according to his theories that place poetics at the core of conscious experience itself. This current publication remedies this absence by presenting five striking literary pieces composed throughout Barfield's lifetime. The Tower, an introspective narrative poem, is the 'great work' of Barfield's youth; Medea, a mythopoeic drama, is seemingly his last major poetic and dramatic work. Between these two are the mythopoeic narrative poem Riders on Pegasus, a trilogy of Anthroposophical mystery plays Angels at Bay, and the light-hearted extended poem The Unicorn. Readers of Barfield's philosophical works and Inklings enthusiasts will find much to admire and enjoy in this volume.
About the Author
Owen Barfield (1898-1997) is one of the twentieth century's most original and influential literary figures.
As an author and philosopher, he rallied against 'positivism' and was instrumental in bringing about a new awareness of the spiritual world that would eventually result in the New Age movement. He lived to see with satisfaction how alternative ways of thinking have begun to transform the limited positivist mindset.
Early on, Barfield developed his theory of 'The Evolution of Consciousness', based on an understanding of imagination as the highest human ability, as a vessel by which divinity passes down into humanity.
His fellow Inklings C.S. Lewis and J.R.R. Tolkien are among the leading figures influenced by Barfield's work. Tolkien's linguistic and literary philosophy were influenced by Barfield's theories. For Lewis, he was a life-long friend and creative partner. Indeed, Owen Barfield was 'Romanticism' personified.
About the Editors
Leslie A. Taylor (PhD, Southern Illinois University, 1997) is an independent scholar who specializes in Classical and Renaissance Literature. She has published on the Greek and Hebrew translations of Boethius's De consolatione philosophiae and has co-authored with Jefferey H. Taylor a book on the influence of Boethius on Milton's Paradise Lost.