◆ FINALIST (Religion Fiction) - National Indie Excellence Awards 2020
◆ FINALIST (Religion Fiction) - International Book Awards 2020
This fantasy novel featuring the delightful (though tormented) Prince Karhiad, was a pleasure to read. The author's voice and writing style is simply dazzling. When I climbed aboard this book and took the journey with the Prince, I felt transported to a new world. Really excellent writing here. - Judge, 6thAnnual Writer's Digest Self-Published eBook Award
Love and war are often the same thing.
Prince Karhiad is a humble king-in-waiting. His father, King Vilsig, rules the Kingdom of Merrhius with an iron fist. While the king dreams of endless conquests, his son only wants to conquer the hearts of his subjects through love instead of fear. Meanwhile, a dark and sinister force threatens every kingdom around. And if King Vilsig and Prince Karhiad can't put aside their differences, this ancient evil beast and his supernatural army will lay waste to the Kingdom of Merrhius. On the night of Prince Karhiad's 17th birthday, he is mesmerized by a radiant light and makes a decision to learn of its origin. That choice will force him towards answers he wasn't seeking, a woman he wasn't planning to fall in love with, and a destiny that will bring him great suffering and yet an even greater reward. But in this gripping tale of good vs. evil, the power of love isn't just a shield to ward off the darkness -- it's also the strongest weapon of all.
This fantasy novel featuring the delightful (though tormented) Prince Karhiad, was a pleasure to read. The author's voice and writing style is simply dazzling. When I climbed aboard this book and took the journey with the Prince, I felt transported to a new world. Really excellent writing here. - Judge, 6thAnnual Writer's Digest Self-Published eBook Award
This book offers approaches to the study of Byzantine dress of elites and non-elites, in sacred and secular modes, from the beginning of the Empire in the fourth century until the fifteenth century. Byzantine dress is considered from within and outside of the Empire and examines both artifactual remains as well as emphasizing studies that elucidate Byzantine dress when few or no artifacts exist.
Byzantine Dress: A Guide tackles current conceptual frameworks in the first three chapters and considers identity and sartorial signaling among Byzantines as well as foreigners in images as well as actual items of dress. A second section addresses material considerations, reflecting on construction and its effect on value. The interpretation of archaeological material is analyzed, along with reconstruction and context. Dress as part of rituals--at court, church, and in various ceremonies--is the focus of the third section. The final two chapters bring Byzantine dress into conversation with dress studies more broadly. A discursive chapter argues for a fashion system within the Byzantine Empire, which has been largely seen as pre-dating the notion of fashion. The final chapter concerns the display, interpretation, and conservation of fragmentary material in a museum context.
This book aims toward a general audience new to the subject of Byzantine dress. Specialists in Byzantine studies and dress studies more generally will find the attention to current scholarship and archaeological interpretation invaluable for research, and the book will also appeal to an audience new to the subject of Byzantine dress.
This book explores and reflects on peacebuilding, which emerges from the experiences and realities of women's lives in East Africa, specifically, in Uganda. The author argues that often these community based peacebuilding efforts are responses to women's struggles for survival -- both individually and for their families and communities. Carefully analyzing education, women's roles, human rights, conflicts, disability and immigration, this book helps to understand African women's roles in development and peacebuilding in the region. The project will interest development studies and African politics scholars, graduate students, researchers and policy makers.
This book explores and reflects on peacebuilding, which emerges from the experiences and realities of women's lives in East Africa, specifically, in Uganda. The author argues that often these community based peacebuilding efforts are responses to women's struggles for survival -- both individually and for their families and communities. Carefully analyzing education, women's roles, human rights, conflicts, disability and immigration, this book helps to understand African women's roles in development and peacebuilding in the region. The project will interest development studies and African politics scholars, graduate students, researchers and policy makers.
This book offers approaches to the study of Byzantine dress of elites and non-elites, in sacred and secular modes, from the beginning of the Empire in the fourth century until the fifteenth century. Byzantine dress is considered from within and outside of the Empire and examines both artifactual remains as well as emphasizing studies that elucidate Byzantine dress when few or no artifacts exist.
Byzantine Dress: A Guide tackles current conceptual frameworks in the first three chapters and considers identity and sartorial signaling among Byzantines as well as foreigners in images as well as actual items of dress. A second section addresses material considerations, reflecting on construction and its effect on value. The interpretation of archaeological material is analyzed, along with reconstruction and context. Dress as part of rituals--at court, church, and in various ceremonies--is the focus of the third section. The final two chapters bring Byzantine dress into conversation with dress studies more broadly. A discursive chapter argues for a fashion system within the Byzantine Empire, which has been largely seen as pre-dating the notion of fashion. The final chapter concerns the display, interpretation, and conservation of fragmentary material in a museum context.
This book aims toward a general audience new to the subject of Byzantine dress. Specialists in Byzantine studies and dress studies more generally will find the attention to current scholarship and archaeological interpretation invaluable for research, and the book will also appeal to an audience new to the subject of Byzantine dress.