In August 2017, over a thousand neo-Nazis, fascists, Klan members, and neo-Confederates descended on a small southern city to protest the pending removal of a statue of Robert E. Lee. Within an hour of their arrival, the city's historic downtown was a scene of bedlam as armored far right cadres battled activists in the streets. Before the weekend was over, a neo-Nazi had driven a car into a throng of counterprotesters, killing a young woman and injuring dozens.

Pulitzer Prize finalist Deborah Baker has written a riveting and panoptic account of what unfolded that weekend, focusing less on the rally's far right leaders than on the story of the city itself. University, local, and state officials, including law enforcement, were unable or unwilling to grasp the gathering threat. Clergy, activists, and organizers from all walks of life saw more clearly what was coming and, at great personal risk, worked to warn and defend their city.

To understand why their warnings fell on deaf ears, Baker does a deep dive into American history. In her research she discovers an uncannily similar event that took place decades before when an emissary of the poet and fascist Ezra Pound arrived in Charlottesville intending to start a race war. In Charlottesville, Baker shows how a city more associated with Thomas Jefferson than civil unrest became a flashpoint in a continuing struggle over our nation's founding myths.

A sumptuous biographical saga, both intimate and epic, about the waning of the British Empire in India

John Auden was a pioneering geologist of the Himalaya. Michael Spender was the first to draw a detailed map of the North Face of Mount Everest. While their younger brothers--W. H. Auden and Stephen Spender--achieved literary fame, they vied to be included on an expedition that would deliver Everest's summit to an Englishman, a quest that had become a metaphor for Britain's struggle to maintain power over India. To this rivalry was added another: in the summer of 1938 both men fell in love with a painter named Nancy Sharp. Her choice would determine where each man's wartime loyalties would lie.

Set in Calcutta, London, the glacier-locked wilds of the Karakoram, and on Everest itself, The Last Englishmen is also the story of a generation. The cast of this exhilarating drama includes Indian and English writers and artists, explorers and Communist spies, Die Hards and Indian nationalists, political rogues and police informers. Key among them is a highborn Bengali poet named Sudhin Datta, a melancholy soul torn, like many of his generation, between hatred of the British Empire and a deep love of European literature, whose life would be upended by the arrival of war on his Calcutta doorstep.

Dense with romance and intrigue, and of startling relevance for the great power games of our own day, Deborah Baker's The Last Englishmen is an engrossing story that traces the end of empire and the stirring of a new world order.

*A 2011 National Book Award Finalist*

A spellbinding story of renunciation, conversion, and radicalism from Pulitzer Prize-finalist biographer Deborah Baker

What drives a young woman raised in a postwar New York City suburb to convert to Islam, abandon her country and Jewish faith, and embrace a life of exile in Pakistan? The Convert tells the story of how Margaret Marcus of Larchmont became Maryam Jameelah of Lahore, one of the most trenchant and celebrated voices of Islam's argument with the West.

A cache of Maryam's letters to her parents in the archives of the New York Public Library sends the acclaimed biographer Deborah Baker on her own odyssey into the labyrinthine heart of twentieth-century Islam. Casting a shadow over these letters is the mysterious figure of Mawlana Abul Ala Mawdudi, both Maryam's adoptive father and the man who laid the intellectual foundations for militant Islam.

As she assembles the pieces of a singularly perplexing life, Baker finds herself captive to questions raised by Maryam's journey. Is her story just another bleak chapter in a so-called clash of civilizations? Or does it signify something else entirely? And then there's this: Is the life depicted in Maryam's letters home and in her books an honest reflection of the one she lived? Like many compelling and true tales, The Convert is stranger than fiction. It is a gripping account of a life lived on the radical edge and a profound meditation on the cultural conflicts that frustrate mutual understanding.

*A 2011 National Book Award Finalist*

A spellbinding story of renunciation, conversion, and radicalism from Pulitzer Prize-finalist biographer Deborah Baker

What drives a woman raised in a postwar New York City suburb to convert to Islam, abandon her country and Jewish faith, and embrace a life of permanent exile in Pakistan? The Convert, a finalist for the National Book Award and a Publishers Weekly Best Book of 2011, tells the gripping story of how Margaret Marcus of Larchmont became Maryam Jameelah of Lahore.

A sumptuous biographical saga, both intimate and epic, about the waning of the British Empire in India

John Auden was a pioneering geologist of the Himalaya. Michael Spender was the first to draw a detailed map of the North Face of Mount Everest. While their younger brothers--W. H. Auden and Stephen Spender--achieved literary fame, they vied to be included on an expedition that would deliver Everest's summit to an Englishman, a quest that had become a metaphor for Britain's struggle to maintain power over India. To this rivalry was added another: in the summer of 1938 both men fell in love with a painter named Nancy Sharp. Her choice would determine where each man's wartime loyalties would lie.

Set in Calcutta, London, the glacier-locked wilds of the Karakoram, and on Everest itself, The Last Englishmen is also the story of a generation. The cast of this exhilarating drama includes Indian and English writers and artists, explorers and Communist spies, Die Hards and Indian nationalists, political rogues and police informers. Key among them is a highborn Bengali poet named Sudhin Datta, a melancholy soul torn, like many of his generation, between hatred of the British Empire and a deep love of European literature, whose life would be upended by the arrival of war on his Calcutta doorstep.

Dense with romance and intrigue, and of startling relevance for the great power games of our own day, Deborah Baker's The Last Englishmen is an engrossing story that traces the end of empire and the stirring of a new world order.