Funny, heartbreaking, sly and unblinking...The Flick may be the best argument anyone has yet made for the continued necessity and profound uniqueness of theater. --Jesse Green, New York

Hilarious and ineffably touching...Ms. Baker's peerless aptitude for exploring how people grope their way toward a sense of equanimity, even as they learn to accept disappointment, is among the things that make her such a gifted writer...This lovingly observed play will sink deep into your consciousness. --Charles Isherwood, New York Times

This hypnotic, heartbreaking micro-epic about movies and moving on is irreducibly theatrical. --David Cote, TimeOut New York

In a rundown movie theater in central Massachusetts, three underpaid employees sweep up popcorn in the empty aisles and tend to one of the last thirty-five-millimeter projectors in the state. With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

ANNIE BAKER'S works include The Aliens (Obie Award), Body Awareness, Circle Mirror Transformation (Obie Award), Nocturama, and an adaptation of Anton Chekhov's Uncle Vanya. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries. Recent honors include a Guggenheim Fellowship, the Steinberg Playwright Award and a New York Drama Critics Circle Award. She is a resident playwright at Signature Theatre.

Baker may just have the subtlest way with exposition of anyone writing for the theater today... There is something distinctly Chekhovian in the way her writing accrues weight and meaning simply through compassionate, truthful observation. --Charles Isherwood, New York Times

Baker has a soft spot for the abandoned, the discarded, the hard luck case... her heartbreaking works of staggering focus have actually rescued realism from the aesthetic scrap heap -- Helen Shaw, Time Out New York

Baker is a writer whose plays have a quiet, hypnotic charm, a grace and humor. She's able to take ordinary, low-key situations--a small-town acting class, guys wasting time in an alley behind a cafe--and fill them with gentle comedy, generosity of spirit and an eye (and ear) for the foibles that make us all so hopelessly human. --Village Voice

The debut play collection of Annie Baker includes The Aliens: an exploration of friendship and music in the lives of three misfits behind a coffee shop; Circle Mirror Transformation: a meditation on life within the rhythms of an adult drama class; Nocturama: A dark comedy in which a grown son returns home to live with his mother and stepfather; and Body Awareness: a close look at a nontraditional family dealing with an unexpected guest.

Annie Baker's other plays include The Flick and an adaptation of Uncle Vanya. She won an Obie Award for Best New American Play for The Aliens and Circle Mirror Transformation. She is a 2011 United States Artists Fellow and a resident playwright at the Signature Theatre.

A funny and profound meditation on the complexity of chronic illness and the ache of desire.

At a clinic in Northern California, five women recline on patio lounge chairs. They are fasting, drinking only water or juice in the hope that the deprivation will help their bodies begin to heal from a litany of afflictions--cancers and autoimmune disorders and thyroid conditions and mysterious infections. To distract themselves from the near-constant pain they are in, they philosophize and swap book recommendations, confide intimate family stories and share hopes for their future recoveries. Over the course of several days, the clinic becomes a purgatorial space, where prolonged hunger and suffering seem to warp time itself. The women's meandering discussions slowly accumulate a powerful emotional resonance, leading to deep and troubling questions: is there any meaning to be found in pain, or is it merely something to be endured? Can physical intimacy be an antidote to suffering, or is it only a brief distraction? An engrossing and compassionate play that resists easy answers to the problem of what it means to reside in a body that fails you.

A paradoxical, puzzling, compellingly hypnotic work. --Village Voice

In Annie Baker's The Antipodes, a group of people sit around a table telling, cataloging, and theorizing stories. Their purpose is never clear: are they brainstorming ideas for a TV show? A film? A mythology? This is a world where ghostly fables co-exist with mundane discussions of snacks and sexual exploits, where the vague instruction to tell stories about something monstrous though it might not be a literal monster becomes maddeningly impossible. Part satire, part sacred rite, The Antipodes asks what value stories have for a world in crisis.

John, like any great play, raises a lot of questions-not just about the human experience, but also about the state of contemporary theater, it doesn't provide many answers; it is not the playwright's responsibility to do so.... In John she co-opts the viewer for her own aesthetic use, heightening the tension onstage and deepening the quiet relationships between her characters. Through John, she displays an understanding that the audience is part of the theatrical experience, an inevitability as certain as a Chekhovian gun. - Slate

The week after Thanksgiving. A bed & breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching.

The description by the playwright of the setting is simple, but Annie Baker's compelling new work is revolutionary in theme and structure and challenges the boundaries of what theatre can be. A kind of magical super-realism permeates throughout this quietly evolving tale, with both the actors and the audience fully vested together in a mesmerizing exploration of the frailty and loneliness of human experience.

Annie Baker's John is so good on so many levels that it casts a unique and brilliant light . . . By not rushing things--by letting the characters develop as gradually and inevitably as rain or snowfall--Baker returns us to the naturalistic but soulful theatre that many of her contemporaries and near-contemporaries have disavowed in their rush to be postmodern.--The New Yorker

John, like any great play, raises a lot of questions-not just about the human experience, but also about the state of contemporary theater, it doesn't provide many answers; it is not the playwright's responsibility to do so... In John she co-opts the viewer for her own aesthetic use, heightening the tension onstage and deepening the quiet relationships between her characters. Through John, she displays an understanding that the audience is part of the theatrical experience, an inevitability as certain as a Chekhovian gun.--Slate

The week after Thanksgiving. A bed & breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching.

The description by the playwright of the setting is simple but Annie Baker's compelling new work is revolutionary in theme and structure and challenges the boundaries of what theatre can be. A kind of magical super-realism permeates throughout this quietly evolving tale with both the actors and the audience fully vested together in a mesmerizing exploration of the frailty and loneliness of human experience.

Annie Baker's works include The Flick (Pulitzer Prize), The Aliens (Obie Award), Body Awareness, Circle Mirror Transformation (Obie Award), Nocturama, and an adaptation of Anton Chekhov's Uncle Vanya. Her work has been produced at more than a hundred theaters in the United States and in more than a dozen countries. Recent honors include a Guggenheim Fellowship, the Steinberg Playwright Award and a New York Drama Critics Circle Award.

Funny, heartbreaking, sly and unblinking...The Flick may be the best argument anyone has yet made for the continued necessity and profound uniqueness of theater. --Jesse Green, New York

Hilarious and ineffably touching...Ms. Baker's peerless aptitude for exploring how people grope their way toward a sense of equanimity, even as they learn to accept disappointment, is among the things that make her such a gifted writer...This lovingly observed play will sink deep into your consciousness. --Charles Isherwood, New York Times

This hypnotic, heartbreaking micro-epic about movies and moving on is irreducibly theatrical. --David Cote, TimeOut New York

In a rundown movie theater in central Massachusetts, three underpaid employees sweep up popcorn in the empty aisles and tend to one of the last thirty-five-millimeter projectors in the state. With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

ANNIE BAKER'S works include The Aliens (Obie Award), Body Awareness, Circle Mirror Transformation (Obie Award), Nocturama, and an adaptation of Anton Chekhov's Uncle Vanya. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries. Recent honors include a Guggenheim Fellowship, the Steinberg Playwright Award and a New York Drama Critics Circle Award. She is a resident playwright at Signature Theatre.

This puzzle book contains different puzzle types that ensurekids or anyone who uses it do not get bored as they would if they were using abook that has just one type of puzzle. - Pat

This is an ideal book of puzzles for anyone who wants tostimulate their brain in a fun-loving way.

If you are looking for one book of puzzle that combinesMaze, Kakuro, Sudoku, Crossword and Word Search puzzles in a proportional way, then you will love to get this puzzle.

In this book, you will be able to play different games.Amazingly, it also allows you to take on different roles when you play themaze, where you will be given a mission that you have to perform. So, don't besurprised if you find yourself acting as a CIA agent or as a young girl havingto rescue a stranded dog.

This puzzle book is ideal for kids who find themselves athome during the lockdown, activity for kids during the holiday, for travelers, and is suitable as a gift for your loved ones.

6x9

Glossy

Cream or White

Echoes from the Soul, is an insightful collection of poetry

that speaks of experiences, which connects us all.

Themes of love, loss, hope and nature convey the universality of emotions

and the highs and lows in life we all face.

Beautiful illustrations resonate with the author's poignant themes,

making this book a meaningful keepsake and gift for all the beautiful and

receptive souls of the world.