Marx Brothers authority Bader has done a remarkable job successfully uncovering the story of the unknown brother, revealing a genuinely complex character. This book is revelatory not just about Zeppo but also about the rest of the Marx Brothers. - Library Journal

Zeppo was the Marx Brother who didn't want to go into the family business. A juvenile delinquent in his teen years, before joining his brothers on stage, Zeppo balanced two careers: auto mechanic and petty criminal. Even after getting dragged into the world of entertainment--for sixteen years, he did his familial duty as a vaudeville, Broadway, and movie star--he finally made his escape from the Four Marx Brothers. After failed attempts to find steady work in real estate, screenwriting, and the restaurant business, Zeppo finally hit it big as a Hollywood talent agent, representing stars like Barbara Stanwyck, Fred MacMurray, and Lana Turner. From there, he bred racehorses, owned a manufacturing plant, tried out citrus ranching and commercial fishing, and patented several new inventions. He was, in short, a complex character, and his own family never quite figured him out.

Zeppo: The Reluctant Marx Brother gives a lively account of this checkered life and career. As Robert Bader recounts, Zeppo's lifelong addiction to gambling led him into relationships with several notorious organized crime figures, and he would ultimately appear before grand juries more frequently than movie cameras. (He was certainly the only Marx Brother who saw the corpse of a friend in a newspaper crime scene photo.) Socially, he mixed as easily with mobsters like Mickey Cohen as he did with movie stars like Clark Gable. Comprehensively researched with the full cooperation of Zeppo's estate, including the first-ever interviews with his two sons, this is a remarkable look at the many lives of Zeppo Marx--even the ones he did his best to keep secret.

Groucho Marx was a comic genius who starred on stage and in film, radio, and television. But he was also a gifted writer - the author of a play, two screenplays, seven books, and over 100 articles and essays. This newly expanded collection presents the best of Groucho's short comic pieces, written over a period of more than fifty years between 1919 and 1973 for the New York Times, the New Yorker, the Saturday Evening Post, Variety, the Hollywood Reporter, and other newspapers and magazines.

Here is the one and only Groucho on his family, his days in vaudeville, his career, World War II, taxes, and other topics from his love of a good cigar to his chronic insomnia, from Why Harpo Doesn't Talk to The Truth About Captain Spalding. The familiar irreverence, wordplay, and a dash of self-deprecation bring Groucho's wisecracking voice to life in these pages, firmly establishing him as one of the world's great humorists.

Groucho Marx and Other Short Stories and Tall Tales (a title of Groucho's own choosing) is essential reading for Marx Brothers fans, and a hilarious and nostalgic trip through the twentieth century.

An updated paperback version of the book heralded as a new benchmark in Marx scholarship by the Los Angeles Times

Before film made them international comedy legends, the Marx Brothers developed their comic skills on stage for twenty-five years. In Four of the Three Musketeers: The Marx Brothers on Stage, Robert S. Bader offers the first comprehensive history of the foursome's hardscrabble early years honing their act in front of live audiences.

From Groucho's debut in 1905 to their final live performances of scenes from A Night in Casablanca in 1945, the brothers' stage career shows how their characters and routines evolved before their arrival in Hollywood. Four of the Three Musketeers draws on an unmatched array of sources, many not referenced elsewhere. Bader's detailed portrait of the struggling young actors both brings to vivid life a typical night on the road for the Marx Brothers and illuminates the inner workings of the vaudeville business, especially during its peak in the 1920s.

As Bader traces the origins of the characters that would later come to be beloved by filmgoers, he also skillfully scrapes away the accretion of rumors and mythology perpetuated not only by fans and writers but by the Marx Brothers themselves. Revealing, vital, and entertaining, Four of the Three Musketeers has taken its place as an essential reference for this legendary American act. Now, the updated edition adds newly discovered performances--some submitted by readers--and additional information provided by descendants of long-departed vaudevillians mentioned in the book.

An updated paperback version of the book heralded as a new benchmark in Marx scholarship by the Los Angeles Times

Before film made them international comedy legends, the Marx Brothers developed their comic skills on stage for twenty-five years. In Four of the Three Musketeers: The Marx Brothers on Stage, Robert S. Bader offers the first comprehensive history of the foursome's hardscrabble early years honing their act in front of live audiences.

From Groucho's debut in 1905 to their final live performances of scenes from A Night in Casablanca in 1945, the brothers' stage career shows how their characters and routines evolved before their arrival in Hollywood. Four of the Three Musketeers draws on an unmatched array of sources, many not referenced elsewhere. Bader's detailed portrait of the struggling young actors both brings to vivid life a typical night on the road for the Marx Brothers and illuminates the inner workings of the vaudeville business, especially during its peak in the 1920s.

As Bader traces the origins of the characters that would later come to be beloved by filmgoers, he also skillfully scrapes away the accretion of rumors and mythology perpetuated not only by fans and writers but by the Marx Brothers themselves. Revealing, vital, and entertaining, Four of the Three Musketeers has taken its place as an essential reference for this legendary American act. Now, the updated edition adds newly discovered performances--some submitted by readers--and additional information provided by descendants of long-departed vaudevillians mentioned in the book.