Take a Master Class from the Woman Who Taught America's Greatest Actors

Acting is stubborn work, necessitating constant attention and a rigorous schedule. It is not for geniuses. It is for people who work step-by-step. While there is no recipe for acting, it does follow a sequence of principles. The ideas and exercises that follow can work for you and give you the courage to fight for your development and craft. . . . More than anything, it is an actor's job to penetrate the playwright's creations-the subtleties and mysteries that the playwright's ideas contain.

-from Stella Adler's introduction to The Technique of Acting.

As a seminal American acting teacher of the 20th century, Stella Adler shaped the work of such acclaimed actors as Marlon Brando, Selma Hayek, Harvey Keitel, Melanie Griffith, Robert DeNiro, Benicio Del Toro, and Warren Beatty, as well as choreographers Alvin Ailey and Jerome Robbins, among others. As Brando states in his foreword, Ms Adler presents us with an analysis of the technique of acting that is incisive, intelligent, and long overdue.

The Technique of Acting is an introduction to Adler's unique approach to acting, addressing such key elements as imagination, circumstances, actions, working with text, and developing a character, and is replete with examples and exercises that concretely build skills. The book finishes with her compelling narrative of how she came to study intensively with Konstantin Stanislavski.

If you love theater and love acting, this work will provide you with invaluable insight and education to both.

This book is also available from Echo Point Books as a hardcover (ISBN 1648374417).

Take a Master Class from the Woman Who Taught America's Greatest Actors

Acting is stubborn work, necessitating constant attention and a rigorous schedule. It is not for geniuses. It is for people who work step-by-step. While there is no recipe for acting, it does follow a sequence of principles. The ideas and exercises that follow can work for you and give you the courage to fight for your development and craft. . . . More than anything, it is an actor's job to penetrate the playwright's creations-the subtleties and mysteries that the playwright's ideas contain.

-from Stella Adler's introduction to The Technique of Acting.

As a seminal American acting teacher of the 20th century, Stella Adler shaped the work of such acclaimed actors as Marlon Brando, Selma Hayek, Harvey Keitel, Melanie Griffith, Robert DeNiro, Benicio Del Toro, and Warren Beatty, as well as choreographers Alvin Ailey and Jerome Robbins, among others. As Brando states in his foreword, Ms Adler presents us with an analysis of the technique of acting that is incisive, intelligent, and long overdue.

The Technique of Acting is an introduction to Adler's unique approach to acting, addressing such key elements as imagination, circumstances, actions, working with text, and developing a character, and is replete with examples and exercises that concretely build skills. The book finishes with her compelling narrative of how she came to study intensively with Konstantin Stanislavski.

If you love theater and love acting, this work will provide you with invaluable insight and education to both.

This book is also available from Echo Point Books as a paperback (ISBN 1648374212).

An original member of the famed Group Theater, Stella Adler was one of the most influential artists to come out of the American theater. As a Stanislavsky disciple and founder of her own highly esteemed acting conservatory, the extravagant actress was also an eminent acting teacher, training her students--among them Marlon Brando, Al Pacino, and Robert DeNiro--in the art of script interpretation.

The classic lectures collected here, delivered over a period of forty years, bring to life the plays of the three fathers of modern drama: Henrik Ibsen, August Strindberg, and Anton Chekhov. With passionate conviction and shrewd insight, Adler explains how their plays forever changed the world of dramaturgy while offering enduring insights on society, class, culture, and the role of the actor. She explores the struggles of Ibsen's characters to free themselves from societal convention, the mortal conflicts that trap Strindberg's men and women, and the pain of loss and transition lyrically evoked by Chekhov. A majestic volume, Stella Adler on Ibsen, Strindberg, and Chekhov allows us to experience the work of these masters as if to see, hear and feel their genius for the first time. (William H. Gass)

Stella Adler was one of the most influential acting teachers of all time, a legendary force of nature whose generations of students include Marlon Brando, Karl Malden, Anthony Quinn, Diana Ross, Robert De Niro, Warren Beatty, Annette Benning, and Mark Ruffalo.

This long-awaited companion to her book on the master European playwrights brings to life America's most revered playwrights, whom she knew, loved, and worked with. Brilliantly edited by Barry Paris, Adler's lectures on the giants of twentieth-century theater feature her indispensable insights into such classic plays as Long Day's Journey into Night, The Skin of Our Teeth, A Streetcar Named Desire, Come Back, Little Sheba, The Glass Menagerie, and Death of a Salesman, while shedding new light on such lesser known gems as Tennessee Williams's The Lady of Larkspur Lotion and Arthur Miller's After the Fall. Illuminating, revelatory, inspiring--this is Stella Adler at her electrifying best.