The Designer's Dictionary of Color by award-winning educator Sean Adams offers an in-depth exploration of 30 essential colors in art and graphic design.

​Designed for graphic designers, interior designers, artists, and anyone who uses color to express themselves, this book is both a practical resource and an inspirational tool. With astute descriptions and ideas for pitching colors to clients, The Designer's Dictionary of Color opens up the world of color for all who seek to harness its incredible power.

Organized by spectrum, this comprehensive guide provides detailed charts showing color ranges and palette variations, making it easy to navigate and reference during creative projects.

Each chapter delves into the creative history and cultural associations of a specific color, from the artistic to the utilitarian. Whether it's the turquoise on a Reid Miles album cover or the avocado paint on a 1970s Dodge station wagon, Adams provides insightful context and practical applications for each hue.

The descriptions are astute and succinct and even offer ideas for pitching particular colors to clients. . . . Edges are lined in the color of each chapter, so you can flip to the right chapter for quick reference during a meeting and while doing research. --Communication Arts

... thought provoking, beautiful, and superbly created. --Paula Scher, Partner, Pentagram

Insightful and accessible, Sean Adams tackles design from every angle and every medium.--Jennifer Morla, President and Creative Director, Morla Design

AIGA medalist and former AIGA National President Sean Adams visually explores design principles and theory that affect the way we think and how we behave.

Design is everywhere. It's visceral. It's intellectual. It's emotional. While we often discuss the aesthetics of design, we don't always dig deeper into the ways design can overtly, or covertly, influence how we feel and act.

In How Design Makes Us Think, AIGA award-winning graphic designer Sean Adams walks us through the power of design to attract attention and convey meaning. Through hundreds of examples across design principles, from graphic design to industrial design to architecture, Adams illustrates how design can inspire, provoke, amuse, anger, or reassure us, or subtly or consciously influence our thoughts and behavior.

The book also delves into the sociological, psychological, and historical reasons for our responses to design, offering practitioners and clients alike a new appreciation of their responsibility to create design with the best intentions. How Design Makes Us Think is an essential read for designers, educators, advertisers, psychology enthusiasts, marketing professionals, and anyone who wants to understand how the design around us makes us think, feel, and do things.

From the critically acclaimed author of The Heap, a thought-provoking and wryly funny novel--equal parts satire and psychological thriller--that holds a funhouse mirror to the isolated workplace and an age of endless distraction.

At the far reaches of the world, the Northern Institute sits in a vast expanse of ice and snow. Once a thriving research facility, its operations were abruptly shut down after an unspecified incident, and its research teams promptly evacuated. Now it's home to a team of three caretakers--Gibbs, Cline, and their supervisor, Hart--and a single remaining researcher named Gilroy, who is feverishly studying the sensation of coldness.

Their objective is simple: occupy the space, complete their weekly tasks, and keep the building in working order in case research ever resumes. (Also: never touch the thermostat. Also: never, ever go outside.) The work isn't thrilling--test every door for excessive creaking, sit on every chair to ensure its structural integrity--but for Hart, it's the opportunity of a lifetime, a chance to hone his leadership skills and become the beacon of efficiency he always knew he could be.

There's just one obstacle standing in his way: a mysterious object that has appeared out in the snow. Gibbs and Cline are mesmerized. They can't discern its exact shape and color, nor if it's moving or fixed in place. But it is there. Isn't it?

Whatever it might be, Hart thinks the thing in the snow is an unwelcome distraction, and probably a huge waste of time. Though, come to think of it, time itself has been a bit wonky lately. Weekends pass in a blur, and he can hardly tell day from night. Gravity seems less-than-reliable. The lights have been flickering weirdly, and he feels an odd thrumming sensation in his beard. Gibbs might be plotting to unseat him as supervisor, and Gilroy--well, what is he really doing anyway?

Perplexed and isolated--but most certainly not alone--Hart wrestles for control of his own psyche as the thing in the snow beguiles his team, upends their work, and challenges their every notion of what is normal.

A New York Times Book Review Editors' Choice

Featured on recommended reading lists by the New York Times - New York Post - Library Journal - Thrillist - Locus - USA TODAY

The first great science fiction novel of 2020. --NPR

As intellectually playful as the best of Thomas Pynchon and as sardonically warm as the best of Kurt Vonnegut. . . A masterful and humane gem of a novel. --Shaun Hamill, author of A Cosmology of Monsters

Blending the piercing humor of Alexandra Kleeman and the jagged satire of Black Mirror, an audacious, eerily prescient debut novel that chronicles the rise and fall of a massive high-rise housing complex, and the lives it affected before - and after - its demise.

Standing nearly five hundred stories tall, Los Verticalés once bustled with life and excitement. Now this marvel of modern architecture and nontraditional urban planning has collapsed into a pile of rubble known as the Heap. In exchange for digging gear, a rehabilitated bicycle, and a small living stipend, a vast community of Dig Hands removes debris, trash, and bodies from the building's mountainous remains, which span twenty acres of unincorporated desert land.

Orville Anders burrows into the bowels of the Heap to find his brother Bernard, the beloved radio DJ of Los Verticalés, who is alive and miraculously broadcasting somewhere under the massive rubble. For months, Orville has lived in a sea of campers that surrounds the Heap, working tirelessly to free Bernard--the only known survivor of the imploded city--whom he speaks to every evening, calling into his radio show.

The brothers' conversations are a ratings bonanza, and the station's parent company, Sundial Media, wants to boost its profits by having Orville slyly drop brand names into his nightly talks with Bernard. When Orville refuses, his access to Bernard is suddenly cut off, but strangely, he continues to hear his own voice over the airwaves, casually shilling products as he converses with Bernard.

What follows is an imaginative and darkly hilarious story of conspiracy, revenge, and the strange life and death of Los Verticalés that both captures the wonderful weirdness of community and the bonds that tie us together.

This is not your typical self-help book with airy-fairy, unpractical ideas that won't help you succeed.
No, this is all about helping you make the RIGHT decisions The decisions that are best for YOU
Soon, you'll easily be making decisions that are in alignment with who you are at your most basic and core self.
Coin of Indecision will help you: -Get to know yourself better -Get rid of the worry and stress of decision making -Put yourself first in the decision making process -Learn to live your passion -Be okay with where you are currently -Learn to take action-any action -Stop letting fear rule your decision making process -Create the reality you know you want and deserve
When you use the tools included in the Coin of Indecision, you'll make choices faster, easier and in alignment with what is most important to you.

John Hardy was just a man trying to provide for his family until he is caught in a desperate, multi-dimensional struggle to get back to them. Finding himself overwhelmed in a world far more advanced than his own, John's journey will lead him through the many worlds, forcing a choice between himself and everything he's ever known. Roads is a work that questions everything from philosophy to economics, sexuality to personal liberty, mercy in violence, power and irony. Journey with John as he is forced into the very roots of our existence.

... thought provoking, beautiful, and superbly created. --Paula Scher, Partner, Pentagram

Insightful and accessible, Sean Adams tackles design from every angle and every medium.--Jennifer Morla, President and Creative Director, Morla Design

AIGA medalist and former AIGA National President Sean Adams visually explores design principles and theory that affect the way we think and how we behave.

Design is everywhere. It's visceral. It's intellectual. It's emotional. While we often discuss the aesthetics of design, we don't always dig deeper into the ways design can overtly, or covertly, influence how we feel and act.

In How Design Makes Us Think, AIGA award-winning graphic designer Sean Adams walks us through the power of design to attract attention and convey meaning. Through hundreds of examples across design principles, from graphic design to industrial design to architecture, Adams illustrates how design can inspire, provoke, amuse, anger, or reassure us, or subtly or consciously influence our thoughts and behavior.

The book also delves into the sociological, psychological, and historical reasons for our responses to design, offering practitioners and clients alike a new appreciation of their responsibility to create design with the best intentions. How Design Makes Us Think is an essential read for designers, educators, advertisers, psychology enthusiasts, marketing professionals, and anyone who wants to understand how the design around us makes us think, feel, and do things.