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The author of Call Me by Your Name returns with a deeply romantic memoir of his time in Rome while on the cusp of adulthood.
In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman's family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment in Rome's Via Clelia. Though dejected, Aciman's mother and brother found their way into life in Rome, while Aciman, still unmoored, burrowed into his bedroom to read one book after the other. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City. Aciman's time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of the poetry of the place (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.
Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothée Chalamet, and Written by Three-Time Oscar(TM) Nominee James Ivory
The Basis of the Oscar-Winning Best Adapted Screenplay A New York Times Bestseller
From Andr Aciman, the author of Call Me by Your Name (now a major motion picture and the winner of the Oscar(TM) for Best Adapted Screenplay) comes a sensory masterclass, absorbing, intelligent, unforgettable (Times Literary Supplement).
Enigma Variations charts the life of a man named Paul, whose loves remain as consuming and as covetous throughout his adulthood as they were in his adolescence. Whether the setting is southern Italy, where as a boy he has a crush on his parents' cabinetmaker, or a snowbound campus in New England, where his enduring passion for a girl he'll meet again and again over the years is punctuated by anonymous encounters with men--whether he's on a tennis court in Central Park or on a New York sidewalk in early spring. Paul's attachments are ungraspable, transient, and forever underwritten by raw desire. Ahead of every step Paul takes, his hopes, denials, fears, and regrets are always ready to lay their traps. Yet the dream of love lingers. We may not always know what we want. We may remain enigmas to ourselves and to others. But sooner or later, we discover who we've always known we were.
A New York Times Bestseller
In this spellbinding exploration of the varieties of love, the author of the worldwide bestseller Call Me by Your Name revisits its complex and beguiling characters decades after their first meeting.
Three hypnotic novellas about obsessional love, missed connections, and enduring regret by the bestselling author of Call Me by Your Name.
The short fictions in Room on the Sea deal with the heart-wrenching vicissitudes of amorous ambivalence, in André Aciman's inimitably nostalgic, lyric style. The Gentleman from Peru tells the story of the life-changing encounter of a group of friends with an enigmatic solitary guest in a hotel on the Amalfi Coast. Room on the Sea is a dialogue between a man and a woman who meet on jury duty and embark on a complex relationship. Mariana is a modern retelling of a famous seventeenth-century novel about a love affair between a nun and a swashbuckling, unreliable aristocrat. No one writes about the ups and downs, the yeses and nos, of contemporary love like Aciman. As The Times (London) writes: You don't so much read André Aciman's novels as tumble breathlessly into them.
From the New York Times bestselling author of Call Me By Your Name, Out of Egypt is a richly colored memoir chronicling the exploits of a flamboyant Jewish family, from its bold arrival in cosmopolitan Alexandria to its defeated exodus three generations later.
In elegant and witty prose, André Aciman introduces us to the marvelous eccentrics who shaped his life--Uncle Vili, the strutting daredevil, soldier, salesman, and spy; the two grandmothers, the Princess and the Saint, who gossip in six languages; Aunt Flora, the German refugee who warns that Jews lose everything at least twice in their lives. And through it all, we come to know a boy who, even as he longs for a wider world, does not want to be led, forever, out of Egypt.
From André Aciman, the New York Times bestselling author of Call Me By Your Name, comes an eclectic collection of essays on memory and exile inspired by the quiet moments of an introspective traveler
A Boston Globe Best Nonfiction Book of the Year
The author of Call Me by Your Name returns with a deeply romantic memoir of his time in Rome while on the cusp of adulthood.
In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman's family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment in Rome's Via Clelia. Though dejected, Aciman's mother and brother found their way into life in Rome, while Aciman, still unmoored, burrowed into his bedroom to read one book after the other. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City.
Aciman's time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of the poetry of the place (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.
Harvard Square is the elegant and sexually charged story of a young émigré grad student, a Jew from Egypt, who meets a brash, magnetic Arab taxi driver--and how their friendship tests his loyalties and throws his life in America into doubt. André Aciman's writing has been hailed by Colm Tóibín as fiction at its most supremely interesting, and here Aciman delivers a powerful tale of identity and the wages of assimilation.
A LUSHLY ROMANTIC NOVEL FROM THE AUTHOR OF CALL ME BY YOUR NAME
A young man goes to a Christmas party in upper Manhattan where a woman introduces herself with three simple words: I am Clara. Over the following seven days, they meet every evening at the cinema. Overwhelmed yet cautious, he treads softly. The tension between them builds gradually--marked by ambivalence, hope, and distrust--culminating in a final scene on New Year's Eve charged with magic and the passion. André Aciman yet again explores human emotion with uncompromising accuracy in this piercing new novel. Eight White Nights is a brilliant performance from a master prose stylist.
From the highly acclaimed author of Out of Egypt and Call Me by Your Name, a series of linked essays on memory by the poet of disappointed love--and of the city (New York Times Book Review).
In these fourteen essays Andre Aciman, one of the most poignant stylists of his generation, dissects the experience of loss, moving from his forced departure from Alexandria as a teenager, though his brief stay in Europe and finally to the home he's made (and half invented) on Manhattan's Upper West Side. From False Papers: We remember not because we have something we wish to go back to, nor because memories are all we have. We remember because memory is our most intimate, most familiar gesture. Most people are convinced I love Alexandria. In truth, I love remembering Alexandria. For it is not Alexandria that is beautiful. Remembering is beautiful.
The author of Call Me by Your Name returns with a deeply romantic memoir of his time in Rome while on the cusp of adulthood.
In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman's family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment in Rome's Via Clelia. Though dejected, Aciman's mother and brother found their way into life in Rome, while Aciman, still unmoored, burrowed into his bedroom to read one book after the other. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City. Aciman's time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of the poetry of the place (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.
The New York Times-bestselling author of Find Me and Call Me by Your Name returns to the essay form with his collection of thoughts on time, the creative mind, and great lives and works
Irrealis moods are a category of verbal moods that indicate that certain events have not happened, may never happen, or should or must or are indeed desired to happen, but for which there is no indication that they will ever happen. Irrealis moods are also known as counterfactual moods and include the conditional, the subjunctive, the optative, and the imperative--all best expressed in this book as the might-be and the might-have-been. One of the great prose stylists of his generation, Andr Aciman returns to the essay form in Homo Irrealis to explore what time means to artists who cannot grasp life in the present. Irrealis moods are not about the present or the past or the future; they are about what might have been but never was but could in theory still happen. From meditations on subway poetry and the temporal resonances of an empty Italian street to considerations of the lives and work of Sigmund Freud, C. P. Cavafy, W. G. Sebald, John Sloan, ric Rohmer, Marcel Proust, and Fernando Pessoa and portraits of cities such as Alexandria and St. Petersburg, Homo Irrealis is a deep reflection on the imagination's power to forge a zone outside of time's intractable hold.
The New York Times-bestselling author of Find Me and Call Me by Your Name returns to the essay form with his collection of thoughts on time, the creative mind, and great lives and works.
Irrealis moods are a category of verbal moods that indicate that certain events have not happened, may never happen, or should or must or are indeed desired to happen, but for which there is no indication that they will ever happen. Irrealis moods are also known as counterfactual moods and include the conditional, the subjunctive, the optative, and the imperative--all best expressed in this book as the might-be and the might-have-been. One of the great prose stylists of his generation, André Aciman returns to the essay form in Homo Irrealis to explore what time means to artists who cannot grasp life in the present. Irrealis moods are not about the present or the past or the future; they are about what might have been but never was but could in theory still happen. From meditations on subway poetry and the temporal resonances of an empty Italian street to considerations of the lives and work of Sigmund Freud, C. P. Cavafy, W. G. Sebald, John Sloan, Éric Rohmer, Marcel Proust, and Fernando Pessoa and portraits of cities such as Alexandria and St. Petersburg, Homo Irrealis is a deep reflection on the imagination's power to forge a zone outside of time's intractable hold.
