LONGLISTED FOR THE NATIONAL BOOK AWARD - #1 NATIONAL BESTSELLER - A powerful (The Guardian) reflection on basketball, life, and home--from the author of the National Book Award finalist A Little Devil in America

Mesmerizing . . . not only the most original sports book I've ever read but one of the most moving books I've ever read, period.--Steve James, director of Hoop Dreams

ONE OF THE TEN BEST BOOKS OF THE YEAR: Vulture, Chicago Public Library, BookPage

A BEST BOOK OF THE YEAR: The New York Times Book Review, Time, The Washington Post, NPR, The Boston Globe, The New York Public Library, Chicago Public Library, Publishers Weekly, Kirkus Reviews, Book Riot, Electric Lit

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD

Growing up in Columbus, Ohio, in the 1990s, Hanif Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron James were forged and countless others weren't. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tension between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with intimate, personal storytelling. Here is where I would like to tell you about the form on my father's jump shot, Abdurraqib writes. The truth, though, is that I saw my father shoot a basketball only one time.

There's Always This Year is a triumph, brimming with joy, pain, solidarity, comfort, outrage, and hope. No matter the subject of his keen focus--whether it's basketball, or music, or performance--Hanif Abdurraqib's exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, our country, and ourselves.

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION

When first published in 2017, They Can't Kill Us Until They Kill Us became an instant cultural sensation, appearing in music videos, B-sides to singles by The National's Matt Berninger and Julien Baker, as an essay prompt on standardized tests, and led critics at NPR to herald Hanif Abdurraqib as one of the most essential voices of his generation. This expanded paperback edition includes three additional essays by the author and an original afterword by Jason Reynolds.

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

LONGLISTED FOR THE NATIONAL BOOK AWARD - #1 NATIONAL BESTSELLER - A powerful (The Guardian) reflection on basketball, life, and home--from the author of the National Book Award finalist A Little Devil in America

Mesmerizing . . . not only the most original sports book I've ever read but one of the most moving books I've ever read, period.--Steve James, director of Hoop Dreams

ONE OF THE TEN BEST BOOKS OF THE YEAR: Vulture, Chicago Public Library, BookPage

A BEST BOOK OF THE YEAR: The New York Times Book Review, Time, The Washington Post, NPR, The Boston Globe, The New York Public Library, Chicago Public Library, Publishers Weekly, Kirkus Reviews, Book Riot, Electric Lit

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD

Growing up in Columbus, Ohio, in the 1990s, Hanif Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron James were forged and countless others weren't. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tension between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with intimate, personal storytelling. Here is where I would like to tell you about the form on my father's jump shot, Abdurraqib writes. The truth, though, is that I saw my father shoot a basketball only one time.

There's Always This Year is a triumph, brimming with joy, pain, solidarity, comfort, outrage, and hope. No matter the subject of his keen focus--whether it's basketball, or music, or performance--Hanif Abdurraqib's exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, our country, and ourselves.

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION

NATIONAL BOOK AWARD FINALIST - A sweeping, genre-bending masterpiece (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity--from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé

ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly

Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.--Brit Bennett, #1 New York Times bestselling author of The Vanishing Half

I was a devil in other countries, and I was a little devil in America, too. Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur Genius Grant Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines--whether it's the twenty-seven seconds in Gimme Shelter in which Merry Clayton wails the words rape, murder, a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt--has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib's own personal history of love, grief, and performance.

Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space--from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.

WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE - FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist

In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to Don't Stop Believin'. It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside--from Marvin Gaye to Nikola Tesla to his neighbor's dogs--to create a mirror, inside of which every angle presents a new possibility.

2017 Eric Hoffer Book Award - Poetry Honorable Mention
2017 Eric Hoffer Book Award - Grand Prize Short List
2017 Hurston/Wright Legacy Award Nominee

The Crown Ain't Worth Much, Hanif Abdurraqib's first full-length collection, is a sharp and vulnerable portrayal of city life in the United States. A regular columnist for MTV.com, Abdurraqib brings his interest in pop culture to these poems, analyzing race, gender, family, and the love that finally holds us together even as it threatens to break us. Terrance Hayes writes that Abdurraqib bridges the bravado and bling of praise with the blood and tears of elegy. The poems in this collection are challenging and accessible at once, as they seek to render real human voices in moments of tragedy and celebration.

* 2018 12 best books to give this holiday season --TODAY (Elizabeth Acevedo)
* A Best Book of 2017 --Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily
* American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
* Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

NATIONAL BOOK AWARD FINALIST - A sweeping, genre-bending masterpiece (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity--from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé

ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly

Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.--Brit Bennett, #1 New York Times bestselling author of The Vanishing Half

I was a devil in other countries, and I was a little devil in America, too. Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur Genius Grant Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines--whether it's the twenty-seven seconds in Gimme Shelter in which Merry Clayton wails the words rape, murder, a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt--has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib's own personal history of love, grief, and performance.

Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space--from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.

WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE - FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist

A young Aretha Franklin captivates her community with the song Respect during the height of the Civil Rights Movement, in this striking picture book biography that will embolden today's young readers to sing their own truth.

When Aretha Franklin sang, she didn't just sing...she sparked a movement. As a performer and a civil rights activist, the Queen of Soul used her voice to uplift freedom fighters and the Black community during the height of the 1960s Civil Rights Movement. Her song Respect was an anthem of identity, survival, and joy. It gave hope to people trying to make change. And when Aretha sang, the world sang along.

With Hanif Abdurraqib's poetic voice and Ashley Evans's dynamic illustrations, Sing, Aretha, Sing demonstrates how one brave voice can give new power to a nation, and how the legacy of Aretha Franklin lives on in a world still fighting for freedom.

A must-read collection featuring the best in sports journalism

Editor Hanif Abdurraqib has curated an essential anthology showcasing incredible feats and diverse perspectives across the world of sports.

Selected from a wide range of newspapers, magazines, and digital publications during the previous year, these stories capture enduring moments while celebrating the craft of writing at its most sublime.

This extraordinary collection reveals the fascinating stories behind the sports we love, the competitors who push their boundaries, and the cultures they are ultimately embedded in.

I was a devil in other countries, and I was a little devil in America, too. Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur Genius Grant Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines--whether it's the twenty-seven seconds in Gimme Shelter in which Merry Clayton wails the words rape, murder, a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt--has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib's own personal history of love, grief, and performance.

Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space--from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.