Enter the dark, magical world of the House of Night series by bestselling authors P.C. Cast and Kristin Cast, a world very much like our own, except here vampyres have always existed.
One minute, sixteen-year-old Zoey Redbird is a normal teenager dealing with everyday high school stress: her cute boyfriend Heath, the school's star quarterback who suddenly seems more interested in partying than playing ball; her nosy frenemy Kayla, who's way too concerned with how things are going with Heath; her uber-tough geometry test tomorrow. The next, she's Marked as a fledgling vampyre, forcing her to leave her ordinary life behind and join the House of Night, a boarding school where she will train to become an adult vampyre. That is, if she makes it through the Change--and not all of those who are Marked do. It sucks to begin a new life, especially away from her friends, and on top of that, Zoey is no average fledgling. She has been chosen as special by the vampyre Goddess, Nyx. Zoey discovers she has amazing powers, but along with her powers come bloodlust and an unfortunate ability to Imprint with Heath, who just doesn't know how to take no for an answer. To add to her stress, she is not the only fledgling at the House of Night with special powers: when she discovers that the leader of the Dark Daughters, the school's most elite group, is misusing her Goddess-given gifts, Zoey must look deep within herself for the courage to embrace her destiny--with a little help from her new vampyre friends.Winner of the 2002 American Book Award
Why was Red Shoes, the most formidable Choctaw warrior of the 18th century, assassinated by his own people? Why does his death haunt Auda Billy, an Oklahoma Choctaw woman, accused in 1991 of murdering Choctaw Chief Redford McAlester? Moving between the known details of Red Shoes' life and the riddle of McAlester's death, this novel traces the history of the Billy women whose destiny it is to solve both murders--with the help of a powerful spirit known as the Shell Shaker.
Very few writers can shift a narrative skillfully between centuries and negotiate an enemy language, tribal governments and a slew of spirits while doing so. Very few can translate the soul of such a legacy into words, and allow the shape of such a story to weave itself, like stomp dancers around the fire, naturally. LeAnne Howe has done it. Shell Shaker is an elegant, powerful and knock out story. I'm blown away. -- Joy Harjo, Mvskoke poet and musician
LeAnne Howe has written a gripping and magical tale of ancient Choctaw blood lust and unbreakable family love in modern-day Oklahoma. Shell Shaker is a delicious read, a powerful journey into the hearts of some incredibly strong Indian women. -- Adrian C. Louis, author of Skins
A brilliant, surprising, hilarious, heartbreaking work that layers vision upon vision and cracks America wide open. LeAnne Howe has created a literary landscape you have never seen before and will never forget. -- Susan Power, author of The Grass Dancer
In this affectionate and unvarnished recollection of his past, Tony Hillerman looks at seventy-six years spent getting from hard-times farm boy to bestselling author. Using the gifts of a talented novelist and reporter, Hillerman draws brilliant portrait not just of his life, but of the world around him.
In the Presence of the Sun presents 30 years of selected works by [N. Scott] Momaday, the well-known Southwest Native American novelist. His unadorned poetry, which recounts fables and rituals of the Kiowa nation, conveys the deep sense of place of the Native American oral tradition. Here are dream-songs about animals (bear, bison, terrapin) and life away from urban alienation, an imagined re-creation based on Billy the Kid, prose poems about Plains Shields (and a fascinating discussion of their background), and new poems that utilize primary colors ('forms of the earth') to express instinctive continuities of a pre-Columbian vision.--Library Journal
The strong, spare beauty of In the Presence of the Sun is compelling evidence that Scott Momaday is one of the most versatile and distinguished artists in America today.--Peter Matthiessen
. . . the images, the voices, the people are shadowy, elusive, burning with invention, like flames against a dark sky. For behind them is always the artist-author himself . . . a man with a sacred investiture. Strong medicine, strong art indeed.--The New York Times Book Review
1926. Gas is 17[ a gallon. Haircuts are 25 cents. And U.S. Route 66--two thousand miles of road and concrete--connects Chicago with Los Angeles, making long-distance travel a reality for millions of Americans.
Often called America's Main Street, this famous highway played a key role in the development of U.S. industry and commerce. It offered the prospect of a better life in the West for families trapped in rural poverty along its path. And, by the early 1940s, it was a lifeline in the U.S. war effort. Route 66 quickly became part of the American Dream, generating its own myths and romance and inspiring scores of novelists, poets, artists, moviemakers, and songwriters to weave its image into their work.
This compact book follows the path of the Mother Road, reveals its importance, and captures its special magic. More than 240 full-color illustrations reveal the unique culture along the road, from neon signs and historic landmarks to favorite cars and recipes popular along the highway.
Don't be fooled by this small package--within its pages is a colorful, illustrated history of the fabled road and its landmarks.--Paul Taylor, from the Introduction
How many of us really know every side to Oklahoma's past and present?
In this companion to his previous volume, An Oklahoma I Had Never Seen Before, Davis D. Joyce presents fourteen essays that interpret Oklahoma's unique populist past and address current political and social issues. Joyce invited scholars and political activists to speak their minds on subjects ranging from gender, race, and religion to popular music, the energy industry, and economics.
These decidedly contrarian Sooner voices reflect the progressive, libertarian, and even radical viewpoints that influenced the state's creation. Contributors talk of growing up Okie and radical, of the legacy of Woody Guthrie in the Red Dirt music scene, and of the Sunbelt Alliance that helped to stop the building of the Black Fox nuclear power plant. They look back at Oklahoma City's role in the early civil rights sit-in movement and at an Oklahoman's experience with Vietnam Veterans Against the War. They consider religion outside the mainstream--and everyday women squarely within these unique expressions of faith.
In assembling these engaging essays about Oklahoma and its past, Joyce calls on the alternative approach to history championed by Howard Zinn and also invokes Oklahoman Paul Harvey in offering us the rest of the story.
Alternative Oklahoma urges an honest alternative exploration of the state's diverse past. It's an Oklahoma history that takes into account the overlooked and the left behind and contributes to a more open political dialogue in a state too often dismissed as unquestionably red.
When the Animals of the southeastern woodlands challenge the Birds to a game of stickball, two of the smallest Animals are not allowed to play. The Bear, the Deer, and the other big animals think they are too small to compete. In this ancient Cherokee story the little animals find a way to play in the Great Ball Game.
This is a story about courage in the face of adversity, the thrill of the game, and the joy of victory. Teaching the virtues of creativity and determination, it takes us to a magical time when the animals talked and wonderful things happened in our world.
Murv Jacob's beautiful drawings bring the characters of Cherokee legend to life, and Deborah Duvall's dialogue explains the ceremonial preparations and the rules of stickball, a game integral to Cherokee culture that is played enthusiastically to this day.
Visit the authors' website at www.jacobandduvall.com
In her first book of poetry since 1993's groundbreaking The Book of Medicines, Linda Hogan locates the intimate connections between all living things and uncovers the layers that both protect and disguise our affinities.
like the tree I can lose myself
layer after layer
all the way down to infinity
and that's when the world has eyes and sees.
The whole world
loves the unlayered human.
Hogan's wisdom, gleaned from a lifelong commitment to caring for wildlife and the environment, has been deepened by the hard-won, humbling revelations of illness. With soaring imagery, clear lyrics, and entrancing rhythm, her poetry becomes a visionary instrument singing to and for humanity. From the microscopic creatures of the sea to the powerful beauty of horses, from the beating heart of her unborn grandson to the vast, uncovered expanses of the universe, Hogan reminds us that, Between the human and all the rest / lies only an eyelid.
A Chickasaw poet, novelist, essayist, playwright, teacher, and activist, Linda Hogan has spent most of her life in Oklahoma and Colorado. A volunteer and consultant for wildlife rehabilitation and endangered species programs, Hogan has published essays for the Nature Conservancy and the Sierra Club, and her books have received numerous awards, including nominations from the Pulitzer Prize Board and National Book Critics Circle.
Gripping, heartwarming.-Dorothy Garlock
On Wings of the Morning
Will set your heart to soaring -Debbie Macomber