It was almost winter and Bear was getting sleepy.
But first, Bear had a story to tell...
In the Newbery Medal and Coretta Scott King Award-winning Bud, Not Buddy, Bud met a girl named Deza Malone in a Hooverville. This is her story.
We are a family on a journey to a place called wonderful is the motto of Deza Malone's family. Deza is the smartest girl in her class in Gary, Indiana, singled out by teachers for a special path in life. But the Great Depression has hit Gary hard, and there are no jobs for black men. When her beloved father leaves to find work, Deza, Mother, and her older brother Jimmie go in search of him, and end up in a Hooverville outside Flint, Michigan. Jimmie's beautiful voice inspires him to leave the camp to be a performer, while Deza and Mother find a new home, and cling to the hope that they will find Father. The twists and turns of their story reveal the devastation of the Depression and prove that Deza truly is the Mighty Miss Malone. Witty and moving. --The Wall Street Journal The fluidity of the writing, the strong sense of place and time combined with well-drawn characters will captivate and delight. . . . a fitting literary companion to Bud Caldwell. --Kirkus Reviews, Starred Curtis threads important bits of African-American history throughout the narrative. . . . Some readers will feel they are due a bit of happiness; others will be struck by how little has changed in 75 years for the nation's have-nots. --Publishers Weekly, StarredAmerican Salvage is rich with local color and peopled with rural characters who love and hate extravagantly. They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Bonnie Jo Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind.
On November 1, 1957, traffic officially opened on the far-reaching Mackinac Bridge.
That was the culmination of 70 years of talking and dreaming about a bridge acrossthe Straits of Mackinac, of discouraging attempts for legislative and congressional approval, of efforts to raise the funds, and finally of a three-year construction program necessary for the world's longest and costliest (to date) suspension bridge.Michigan's greatest symbol is expertly maintained, fully funded, and amazingly resilient to the many forces and factors of man and nature that have failed to seriously affect its status as the lone highway link between Michigan's two main peninsulas. The miracle bridge at the Straits of Mackinac truly allows a view that epitomizes the state motto of Michigan, Si quaeris peninsulam amoenam, circumspice, or If you seek a pleasant peninsula, look about you.
When most people think of Detroit and music, they think of the Motown sound. But what many people forget is that Detroit has a remarkable jazz history, which became a major influence in what came to be known as the Motown sound.
Before Motown is the first book about the history of jazz in Detroit. It shows the significant impact Detroit has had on the development of jazz in America, with its own sound, distinct from that of the other jazz centers of Chicago, New Orleans, St. Louis, or Kansas City. Starting with the big bands in the 1920s, with groups like the McKinney's Cotton Pickers and Jean Goldkette's Orchestra, and continuing into the 1950s, Detroit experienced a golden age of modern jazz centered around clubs like the Blue Bird Inn. That jazz scene comes alive in interviews with musicians and club owners, combined with unique period photographs and advertisements. In addition, Detroit's vital jazz scene is placed in its social context, particularly within the changing relations between blacks and whites at the time.
Long overdue, Before Motown tells the story of Detroit jazz as it really happened, told by the people who lived it. More importantly, it shows how life can mirror art in the most pragmatic of American cities, Detroit.
Lars Bjorn is Professor of Sociology, University of Michigan, Dearborn, and the author of numerous articles and publications about jazz. Jim Gallert is Vice President of the Jazz Alliance of Michigan and a veteran jazz broadcaster. He has been involved with the Detroit jazz scene for over twenty-five years.
A compilation of personal photographs, historical images, and written excerpts illuminating Ernest Hemingway's significant ties to northern Michigan.
In the early 1900s, the Little Traverse Bay area in northern Michigan was transitioning from a sparsely populated lumber region to a hotspot for tourists. Looking to enhance dwindling freight business, the region's railroad and steamship companies mounted elaborate and effective marketing campaigns to lure tourists from as far away as St. Louis, Kansas City, and Louisville to experience the area's pristine natural beauty and abundant leisure activities. Ernest Hemingway's family was among those who vacationed up north in this era; his parents built a cottage on Walloon Lake near Petoskey to summer away from their home near Chicago.
In Picturing Hemingway's Michigan, author Michael R. Federspiel introduces readers to the Hemingway family, who were typical of many that vacationed in the area. He also paints a picture of life in northern Michigan between 1900 and 1920 and traces the many connections between the area and Hemingway's body of work. In chapters that incorporate candid family photographs from the Hemingways' own collection, historical images of the region, and archival excerpts from Hemingway's letters, journals, and stories, Federspiel shows that the region left an indelible mark on the young writer. To reveal the connections between northern Michigan and Hemingway's fiction, Federspiel examines not only Hemingway's famous Nick Adams stories, which were set in the area, but also later works like A Moveable Feast.
With more than 250 images, Picturing Hemingway's Michigan leads readers on a tour of the people, places, and activities that deeply influenced one of America's most famous authors during his twenty-two summers in northern Michigan. Anyone interested in Michigan history, the life of Ernest Hemingway, or the culture of the early twentieth century will enjoy this beautiful volume.
An exciting trip below the surface of Michigan's rocks and fossils.
Most people recognize Michigan by its mitten-shaped Lower Peninsula and the Great Lakes embracing the state. Underneath the earth's surface, however, is equally distinctive evidence of an exciting history. Michigan rests on sedimentary rocks that reach down into the earth's crust more than fourteen thousand feet--a depth three-and-a-half times deeper than the Grand Canyon. Within these layers of rock rest all sorts of ancient fossils and minerals that date back to the eras when tropical seas spread across Michigan and hot volcanoes flung molten rock into its skies--long before mile-thick glaciers bulldozed over Michigan and plowed through ancient river valleys to form the Great Lakes.
Under Michigan is the first book for young readers about the geologic history of the state and the structure scientists call the Michigan Basin. A fun and educational journey, Under Michigan explores Earth's geological past, taking readers far below the familiar sights of Michigan and nearby places to explain the creation of minerals and fossils and show where they can be found in the varying layers of rock. Readers will learn about the hard rock formations surrounding Michigan and also discover the tall mountain ridges hidden at the bottom of the Great Lakes. With beautiful illustrations by author Charles Ferguson Barker, a glossary of scientific terms, and charming page to keep field notes, Under Michigan is a wonderful resource for young explorers to use at home, in school, or on a trip across Michigan.
A part of Belt's City Anthology Series, A Detroit Anthology offers a unique take on the Motor City told by longtime residents and newcomers, including activists, teachers, artists, and students--a 2015 Michigan Notable Book.
People have long told stories about Detroit, but too often those stories are from outsiders looking in, telling the city what it's all about. In A Detroit Anthology, Anna Clark, a Detroit-based journalist for ProPublica, collects the kinds of stories about the Motor City that people tell at the bar, waiting at the bus stop, sitting on their porch, or at church social hours. Featuring essays, photographs, art, and poetry by Tyehimba Jess, Grace Lee Boggs, Aaron Foley, John Carlisle, Desiree Cooper, Dream Hampton, Tracie McMillan, and many others. The Millions describes it as a book that gives voice to people who now live or once lived in this fascinating, tortured place, the survivors, good people who know what pain is, people who understand that the city exerts an undying pull on them. The Detroit stories here might not all be glowing or gloomy, but they're 100% real.
A wide-ranging and diverse portrait of a city, perfect for those who want to get to know Detroit for the first time or for those native Detroiters who want a more candid look at the city they call home.
Part memoir, part cultural study, Booking Passage is a brilliant, often comedic guidebook for those fellow travelers, fellow pilgrims making their way through the complexities of their own lives and times.
Explores the life, creative drive, and notable projects of modernist architect Minoru Yamasaki.
Although his best-known project was the World Trade Center in New York City, Japanese American architect Minoru Yamasaki (1912-1986) worked to create moments of surprise, serenity, and delight in distinctive buildings around the world. In his adopted home of Detroit, where he lived and worked for the last half of his life, Yamasaki produced many important designs that range from public buildings to offices and private residences. In Yamasaki in Detroit: A Search for Serenity, author John Gallagher presents both a biography of Yamasaki--or Yama as he was known--and an examination of his working practices, with an emphasis on the architect's search for a style that would express his artistic goals.
Gallagher explores Yamasaki's drive to craft tranquil spaces amid bustling cities while other modernists favored glass box designs. He connects Yamasaki's design philosophy to tumultuous personal experiences, including the architect's efforts to overcome poverty, racial discrimination, and his own inner demons. Yamasaki in Detroit surveys select projects spanning from the late 1940s to the end of Yamasaki's life, revealing the unique gardens, pools, plazas, skylight atriums, and other oases of respite in these buildings. Gallagher includes prominent works like the Michigan Consolidated Gas Building in downtown Detroit, Temple Beth-El in Bloomfield Township, and landmark buildings on the Wayne State University and College for Creative Studies campuses, as well as smaller medical clinics, office buildings, and private homes (including Yamasaki's own residence).
Gallagher consults Yamasaki's own autobiographical writings, architects who worked with Yamasaki in his firm, and photography from several historic archives to give a full picture of the architect's work and motivations. Both knowledgeable fans of modernist architecture and general readers will enjoy Yamasaki in Detroit.
Wayne State University Press gratefully acknowledges the organizations that generously supported the publication of this book: Friends of Modern and Contemporary Art, Detroit Institute of Arts, Yamasaki, Inc. and The Office of the Vice President of Research (OVPR) of Wayne State University.
Vintage photographs profusely illustrate this step back in time, reliving the stirring saga of America's premier land-grant institution, long before it became Michigan State University. Discover how forward-looking legislators, scholars, and administrators found an oak clearing in the midst of central Michigan swampland and there laid the groundwork for what would become one of the world's great universities. From the school's founding in 1855, and for the next seventy years that are discussed in this volume, the institution struggled to find itself and, in the process, helped to invent the notion of what it means to be a university for the people, a land-grant university.
Widder demonstrates how, from the beginning, presidents, teachers, researchers, and students worked to carve out a place for the school called M.A.C. They always insisted that M.A.C. would be an institution of grand vision; it would be an ag school, to be sure, but it should be more than that. In the early 1860s, for instance, students threatened to leave the campus when they learned that the teaching of literature and other liberal arts classes might be suspended. Throughout these early years, M.A.C. grew, weathered financial crises, and endured three wars, all the time transforming itself as a kind of grand experiment to meet the educational needs of a nation on the move. M.A.C. matured; its alumni and its faculty soon began to make notable contributions to the world's scientific and intellectual development and to pose solutions to pressing social, economic, and political problems. What a time it must have been.
A magisterially written, well-researched, informative, and entertaining biography of a woman who helped throw open the doors to broader participation and power for women in the Republican Party and American politics.
---Dave Dempsey, author of William G. Milliken: Michigan's Passionate Moderate
Elly Peterson will be a text to which historians and researchers turn for insight into the yin and yang of mainstream politics in the mid-century.
---Patricia Sullivan, past president, Journalism and Women Symposium
This lively portrait of a leading woman in the Republican Party between 1952 and 1982 also charts the party's shift to the right after 1964, revealingly viewed through the eyes of liberal Republican women. Intensively researched with ethnographic attention to the subtleties of political culture, Fitzgerald's book is essential reading for anyone interested in how the Republican Party changed during the turbulent decades after 1960 and how women and women's issues shaped those changes.
---Kathryn Kish Sklar, Distinguished Professor of History, State University of New York, Binghamton
Sara Fitzgerald tells Peterson's story in this superb and timely biography. It carries a message that deserves the widest audience as the nation struggles to find needed consensus on critical issues amid poisonous political partisanship that has made it increasingly difficult for public officials to bridge their differences. I hope that every American reads it.
---Pulitzer Prize winner Haynes Johnson, from the Foreword
To understand the quest for equal rights in America you really need to meet those women who were active at the time of transition. In this gripping biography we meet one woman who entered a male dominated world and triumphed.
---Francis X. Blouin Jr., Director, Bentley Historical Library
Sara Fitzgerald's writing is as intelligent as it is entertaining.
---Best-selling novelist Diane Chamberlain
Elly Peterson was one of the highest ranking women in the Republican Party. In 1964 she ran for a Michigan seat in the U.S. Senate and became the first woman to serve as chair of the Michigan Republican Party. During the 1960s she grew disenchanted with the increasing conservatism of her party, united with other feminists to push for the Equal Rights Amendment and reproductive choice, battled Phyllis Schlafly to prevent her from gaining control of the National Federation of Republican Women, and became an independent.
Elly Peterson's story is a missing chapter in the political history of Michigan, as well as the United States. This new biography, written by Sara Fitzgerald (a Michigan native and former Washington Post editor), finally gives full credit to one of the first female political leaders in this country.
When Peterson resigned in 1970 as assistant chairman of the Republican National Committee, David Broder of the Washington Post wrote that her abilities would have earned her the national chairmanship, were it not for the unwritten sex barrier both parties have erected around that job.
Exhibition Schedule:
Detroit Institute of Arts
(03/15/15-07/12/15)
In a political culture infused with debates about personal liberties, the role of government, and even the definition of freedom itself, Haymaker tells the story of an isolated Michigan town that becomes the flashpoint for some of the principal ideological debates of our day. When a libertarian organization selects the town as its flagship community, hundreds of its members migrate and settle within the town's borders. The resulting clash with local townspeople is violent and impassioned, even as the line that divides the two sides increasingly blurs.
The story follows characters on both of these sides: an eccentric millionaire known as The Man in White, who is still viewed as an outsider even after living in Haymaker for thirty years; a policewoman trained in hostage and suicide negotiations who questions raising children in this new environment; a teenage girl devoted to basketball and her desire to leave home, who has a close but complicated relationship with her uncle, a local who fistfights outsiders in an annual challenge; a libertarian PR expert, just hoping to calm the storm; and the town's mayor, who owns a local diner and is raising a baby daughter as her husband becomes tragically unhinged. A town first settled by lumberjacks, prostitutes, and roughnecks, Haymaker's present becomes as volatile as its past.
Haymaker is a story about the failure of best intentions and the personal freedom of individuals to do good or to harm. This witty and politically charged novel will certainly appeal to Michiganders and Midwesterners, but will also interest those looking for an entertaining fictional account of a situation that could plausibly play out in one of the many small, remote towns in the country.