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On the morning of Eva McEwen's birth, six magpies congregate in the apple tree outside the window--a bad omen, according to Scottish legend. That night, Eva's mother dies, leaving her to be raised by her aunt and heartsick father in their small Scottish town. As a child, Eva is often visited by two companions--a woman and a girl--invisible to everyone else save her. As she grows, their intentions become increasingly unclear: Do they wish to protect or harm her? A magical novel about loneliness, love, and the profound connection between mother and daughter, Eva Moves the Furniture fuses the simplicity of a fairy tale with the complexity of adult passions.
Graham's poetry is among the most sensuously embodied and imaginative writing we have.--New York Times Book Review
A vibrantly focused and intense collection of verse from Jorie Graham, the Pulitzer Prize winning author of The Dream of the Unified Field.
...I am free to go.
I cannot of course come back. Not to this. Never.
It is a ghost posed on my lips. Here: never.
Deftly meditating on nature, spirit, and imagination, Never showcases one of America's most gifted and respected poets at the height of her creativity. These graceful, probing poems, distinguished by long, meticulously sculpted, almost muscular lines, are among the finest and most innovative compositions in the genre today.
Scientists estimate that, until 1900, the water level of the Chesapeake Bay rose at the rate of three feet every thousand years. Alarmingly enough, the bay rose by one foot in the twentieth century alone, and for evidence of this dramatic change one need only observe the effects of rising water on the islands of the Chesapeake Bay, which slowly are slipping from sight.
A retired oceanographer who first conducted research on the bay in the 1950s, William B. Cronin here supplies a survey of the changing fortunes of these forty-odd islands, from Garrett in the north to Gwynn and James islands to the south. Cronin's historical and scientific tour outlines their erosion, their loss of marshland, and the rich if changing human experience they have supported for generations. He draws on imagery that includes the work of celebrated local photographer A. Aubrey Bodine, colonial and state records, newspaper pieces, and his own personal and professional experience.
Historic nautical charts, compared to current data from the National Oceanographic and Atmospheric Administration, leave no doubt of the crisis many of the islands face. On one, Holland, rising water in the late 1910s forced townspeople to move their houses by barge to the mainland. On another, Barren, a sizable hunting lodge housed guests as late as the 1970s but by 1985 had become a wreck beneath the water. An appendix documents the many small islands that have dropped entirely from view since the seventeenth century.
A master craftsman who seamlessly combines vision and contemplation, Brendan Galvin is considered among the most powerful naturalist poets today. Habitat, Galvin's fourteenth poetry book, combines eighteen new works with lyric pieces from the past forty years -- including two book-length narratives, Wampanoag Traveler and Saints in Their Ox-Hide Boat. In a voice of quiet authority leavened with humor, Galvin intimately conveys his landscapes, birds and animals, people, and weather. By elevating the commonplace to the crucial, he takes his readers very far from the familiar.Habitat offers an opportunity to trace a remarkable poetic career. In their richly various shapes, colors, textures, and strategies, Galvin's poems bear witness to matters both joyful and intractable.Full of noose-around-the-neck wisecracks,
you'd have been an unwilling toiler,
envying the horse its stamina,
the hare its jagged speed over broken
fields, and bog cotton its deference to wind
on peatlands against blue mountains,
where it crowds white-headed
as ancient peasants herded off the best
grazing, enduring as if they'd do better
as plants hoarding minerals through winter,
hairy prodigals spinning existence from clouds,
from mistfall two days out of three, the odd
shoal of sun drifting across.
-- from A Neolithic Meditation
In this collection of poems, MartÃn Espada crosses the borderlands of epiphany and blasphemy: Ebbets Field, Brooklyn, in 1941, where his Puerto Rican father realizes, at the age of eleven, that dark-skinned players are not allowed on the field; the swimming pool for guards and their families at Villa Grimaldi, a center of interrogation, torture, and execution in Pinochet's Chile; the city park where the poet clumsily buries the ashes of a friend; the tomb of Frederick Douglass, now a place of pilgrimage. Espada also traces the footsteps of his own history, from his brawls in the schoolyard to his days selling encyclopedias door-to-door. He observes the tender gestures of worlds half in shadow, where an illegal immigrant gazes at the snapshots of her wedding to a stranger, or a high school wrestler helps to carry an evicted neighbor's couch back into her apartment. And he urges us to envision justice, to bury what we call / the impossible, the unthinkable, the unimaginable, now and forever.
