* Finalist for the National Book Award in Poetry *
* Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award *

ONE OF THE BEST BOOKS OF THE YEAR:
The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . .

A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.

Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named post-race society.

Near to the Wild Heart, published in Rio de Janeiro in 1943, introduced Brazil to what one writer called Hurricane Clarice a twenty-three-year-old girl who wrote her first book in a tiny rented room and then baptized it with a title taken from Joyce: He was alone, unheeded, near to the wild heart of life.

The book was an unprecedented sensation -- the discovery of a genius. Narrative epiphanies and interior monologue frame the life of Joana, from her middle-class childhood through her unhappy marriage and its dissolution to transcendence, when she proclaims: I shall arise as strong and comely as a young colt.

A brilliant and stirring epic . . . Ms. Wilkerson does for the Great Migration what John Steinbeck did for the Okies in his fiction masterpiece, The Grapes of Wrath; she humanizes history, giving it emotional and psychological depth.--John Stauffer, The Wall Street Journal

What she's done with these oral histories is stow memory in amber.--Lynell George, Los Angeles Times

WINNER: The Mark Lynton History Prize - The Anisfield-Wolf Award for Nonfiction - The Chicago Tribune Heartland Prize - The Hurston-Wright Award for Nonfiction - The Hillman Prize for Book Journalism - NAACP Image Award for Best Literary Debut - Stephen Ambrose Oral History Prize

FINALIST: The PEN/John Kenneth Galbraith Award for Nonfiction - Dayton Literary Peace Prize

ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times - USA Today - Publishers Weekly - O: The Oprah Magazine - Salon - Newsday - The Daily Beast

ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker - The Washington Post - The Economist -Boston Globe - San Francisco Chronicle - Chicago Tribune - Entertainment Weekly - Philadelphia Inquirer - The Guardian - The Seattle Times - St. Louis Post-Dispatch - The Christian Science Monitor

In this beautifully written masterwork, Pulitzer Prize-winning author Isabel Wilkerson presents a definitive and dramatic account of one of the great untold stories of American history: the Great Migration of six million Black citizens who fled the South for the North and West in search of a better life, from World War I to 1970.

Wilkerson tells this interwoven story through the lives of three unforgettable protagonists: Ida Mae Gladney, a sharecropper's wife, who in 1937 fled Mississippi for Chicago; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, and Robert Foster, a surgeon who left Louisiana in 1953 in hopes of making it in California.

Wilkerson brilliantly captures their first treacherous cross-country journeys by car and train and their new lives in colonies in the New World. The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an unrecognized immigration within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is a modern classic.

Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all.

Few artists' letters are as self-revelatory as Vincent Van Gogh's, and the selection included here, spanning the whole of his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his intense relationship with his brother Theo and his attacks of mental illness, the letters contradict the popular image of Van Gogh as an anti-social madman and a martyr to art, showing instead that he was capable of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.
The letters are linked by explanatory biographical passages, revealing Van Gogh's inner journey as well as the outer facts of his life. This edition includes the drawings that originally illustrated the letters.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Winner of the Pulitzer Prize, adapted as a documentary from Ken Burns on PBS, this New York Times bestseller is an extraordinary achievement (The New Yorker)--a magnificent, profoundly humane biography of cancer.

Physician, researcher, and award-winning science writer, Siddhartha Mukherjee examines cancer with a cellular biologist's precision, a historian's perspective, and a biographer's passion. The result is an astonishingly lucid and eloquent chronicle of a disease humans have lived with--and perished from--for more than five thousand years.

The story of cancer is a story of human ingenuity, resilience, and perseverance, but also of hubris, paternalism, and misperception. Mukherjee recounts centuries of discoveries, setbacks, victories, and deaths, told through the eyes of his predecessors and peers, training their wits against an infinitely resourceful adversary that, just three decades ago, was thought to be easily vanquished in an all-out war against cancer. The book reads like a literary thriller with cancer as the protagonist.

Riveting, urgent, and surprising, The Emperor of All Maladies provides a fascinating glimpse into the future of cancer treatments. It is an illuminating book that provides hope and clarity to those seeking to demystify cancer.

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's research becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?

In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt M nster f r Internationale Poesie. Leaving the Atocha Station is his first novel.

One of The Economist's 2011 Books of the Year

From the author of Either/Or and The Idiot, Elif Batuman's The Possessed presents the true but unlikely stories of lives devoted--Absurdly! Melancholically! Beautifully!--to the Russian Classics.

No one who read Batuman's first article (in the journal n+1) will ever forget it. Babel in California told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel's last living relatives at the San Francisco airport, uncover Babel's secret influence on the making of King Kong, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature.

Batuman's subsequent pieces--for The New Yorker, Harper's Magazine, and the London Review of Books-- have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. In The Possessed we watch her investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva.

Love and the novel, the individual in history, the existential plight of the graduate student: all find their place in The Possessed. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence--including her own.

A brief and majestic debut. --Matías Néspolo, El Mundo

Tochtli lives in a palace. He loves hats, samurai, guillotines, and dictionaries, and what he wants more than anything right now is a new pet for his private zoo: a pygmy hippopotamus from Liberia. But Tochtli is a child whose father is a drug baron on the verge of taking over a powerful cartel, and Tochtli is growing up in a luxury hideout that he shares with hit men, prostitutes, dealers, servants, and the odd corrupt politician or two. Long-listed for The Guardian First Book Award, Down the Rabbit Hole, a masterful and darkly comic first novel, is the chronicle of a delirious journey to grant a child's wish.

A NEW YORK REVIEW BOOKS ORIGINAL

The nameless narrator of The Moon and the Bonfires, Cesare Pavese's last and greatest novel, returns to Italy from California after the Second World War. He has done well in America, but success hasn't taken the edge off his memories of childhood, when he was an orphan living at the mercy of a bitterly poor farmer. He wants to learn what happened in his native village over the long, terrible years of Fascism; perhaps, he even thinks, he will settle down. And yet as he uncovers a secret and savage history from the war--a tale of betrayal and reprisal, sex and death--he finds that the past still haunts the present. The Moon and the Bonfires is a novel of intense lyricism and tragic import, a masterpiece of twentieth-century literature that has been unavailable to American readers for close to fifty years. Here it appears in a vigorous new English version by R. W. Flint, whose earlier translations of Pavese's fiction were acclaimed by Leslie Fiedler as absolutely lucid and completely incantatory.

Inspiring . . . extraordinary . . . [Katherine Boo] shows us how people in the most desperate circumstances can find the resilience to hang on to their humanity. Just as important, she makes us care.--People

A tour de force of social justice reportage and a literary masterpiece.--Judges, PEN/John Kenneth Galbraith Award

ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times - The Washington Post - O: The Oprah Magazine - USA Today - New York - The Miami Herald - San Francisco Chronicle - Newsday

In this breathtaking book by Pulitzer Prize winner Katherine Boo, a bewildering age of global change and inequality is made human through the dramatic story of families striving toward a better life in Annawadi, a makeshift settlement in the shadow of luxury hotels near the Mumbai airport.

As India starts to prosper, the residents of Annawadi are electric with hope. Abdul, an enterprising teenager, sees a fortune beyond counting in the recyclable garbage that richer people throw away. Meanwhile Asha, a woman of formidable ambition, has identified a shadier route to the middle class. With a little luck, her beautiful daughter, Annawadi's most-everything girl, might become its first female college graduate. And even the poorest children, like the young thief Kalu, feel themselves inching closer to their dreams. But then Abdul is falsely accused in a shocking tragedy; terror and global recession rock the city; and suppressed tensions over religion, caste, sex, power, and economic envy turn brutal.

With intelligence, humor, and deep insight into what connects people to one another in an era of tumultuous change, Behind the Beautiful Forevers, based on years of uncompromising reporting, carries the reader headlong into one of the twenty-first century's hidden worlds--and into the hearts of families impossible to forget.

WINNER OF: The PEN Nonfiction Award - The Los Angeles Times Book Prize - The American Academy of Arts and Letters Award - The New York Public Library's Helen Bernstein Book Award

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker - People - Entertainment Weekly - The Wall Street Journal - The Boston Globe - The Economist - Financial Times - Foreign Policy - The Seattle Times - The Nation - St. Louis Post-Dispatch - The Denver Post - Minneapolis Star Tribune - The Week - Kansas City Star - Slate - Publishers Weekly

Weather is the very air we breathe--it shapes our daily lives and alters the course of history. In Thunder & Lightning, Lauren Redniss tells the story of weather and humankind through the ages.

This wide-ranging work roams from the driest desert on earth to a frigid island in the Arctic, from the Biblical flood to the defeat of the Spanish Armada. Redniss visits the headquarters of the National Weather Service, recounts top-secret rainmaking operations during the Vietnam War, and examines the economic impact of disasters like Hurricane Katrina. Drawing on extensive research and countless interviews, she examines our own day and age, from our most personal decisions--Do I need an umbrella today?--to the awesome challenges we face with global climate change.

Redniss produced each element of Thunder & Lightning the text, the artwork, the covers, and every page in between. She created many of the images using the antiquated printmaking technique copper plate photogravure etching. She even designed the book's typeface.

The result is a book unlike any other: a spellbinding combination of storytelling, art, and science.

Praise for Thunder & Lightning

An] aesthetically charged and deeply researched account . . . a wild rainstorm of a book, pelting the reader with ideas and inspiration.--Nature

A gorgeous and illuminating illustrated study of weather in all its tempestuous variety . . . Redniss's combo of fact, folklore, and vibrant etched copperplate prints enthralls.--O: The Oprah Magazine

Eerily beautiful . . . Contains plenty of scientific explanation (including more than a few nods toward global warming), but also far-flung personal stories that illuminate the beauty, wonder and chaos inherent in the elements.--The New York Times

Magical . . . Redniss has . . . shown us how human beings live with nature--fighting, coexisting, taming, predicting via leech barometer and radar and intuition.--The New York Times Book Review

A] twenty-first-century genius . . . Redniss is inventing a new literary genre. . . . The reader willing to put herself fully in Redniss's hands will be rewarded with a delicious feeling of being enveloped by a phenomenon that eclipses the chiming trivialities of daily life.--Elle

Lends a graphic-novel-like allure to some of nature's most curious paradoxes.--Vogue

Redniss is one of the most creative science writers of our time--her combination of beautiful artwork, reporting, and poetic prose brings science to life in ways that words alone simply cannot.--Rebecca Skloot

Redniss combines her own dual punch of expressive art and impressive erudition to give an entirely new take on all that happens above our heads. This is an illuminated book that is also an illuminating one.--Adam Gopnik

A strange and wonderful thing, the work of a first-class mind that refuses to submit to any categories or precedent.--Dave Eggers

Beautiful and totally original.--Elizabeth Kolbert

Acclaimed for her visionary, incantatory verse and her experimental ethos, Anne Waldman's newest book-length poem is an allegory of a radical spirit in lockdown, dominated by Deciders and Imposters who threaten the future of poetry and its archive. A doppelganger nightmare ensues: the imposter Anne is a succubus, and the original Anne has to break free from a metaphorical castle of torture and psychological domination. There are travels through Vedic cosmology and ancient Japan before resolution on a treeless tundra, where fragile life forms struggle to survive. Waldman's oracular poem is a witty meditation on identity theft and a searing plea for the primacy of imagination and for collective sanity in our provocative yet precarious time.

The Nether, a daring examination of moral responsibility in virtual worlds, opens with a familiar interrogation scene given a technological twist. As Detective Morris, an online investigator, questions Mr. Sims about his activities in a role-playing realm so realistic it could be life, she finds herself on slippery ethical ground. Sims argues for the freedom to explore even the most deviant corners of our imagination. Morris holds that we cannot flesh out our malign fantasies without consequence. Their clash of wills leads to a consequence neither could have imagined. Suspenseful, ingeniously constructed, and fiercely intelligent, Haley's play forces us to confront deeply disturbing questions about the boundaries of reality.

Wang An-shih (1021-1086 C.E.) was a remarkable figure--not only one of the great Sung Dynasty poets, but also the most influential and controversial statesman of his time. Although Wang had little interest in the grandeur of high office and political power, he took the responsibility of serving the people seriously. He rose to become prime minister, and in this position he instituted a controversial system of radically egalitarian social reforms to improve the lives of China's peasants. Once those reforms were securely in place, Wang retired to a reclusive life of artistic and spiritual self-cultivation.

It was after his retirement, practicing Ch'an (Zen) Buddhism and wandering the mountains around his home, that Wang An-shih wrote the poems that made his reputation. Short and plainspoken, these late poems contain profound multitudes-the passing of time, rivers and mountains, silence and Buddhist emptiness. They won him wide acclaim in China and beyond across the centuries. And in Hinton's breathtaking translations, Wang feels like a major contemporary poet with deep ecological insight and a questioning spirit.

Marosa di Giorgio has one of the most distinct and recognizable voices in Latin American poetry. Her surreal and fable-like prose poems invite comparison to Franz Kafka, Julio Cortázar, or even contemporary American poets Russell Edson and Charles Simic. But di Giorgio's voice, imagery, and themes--childhood, the Uruguayan countryside, a perception of the sacred--are her own. Previously written off as the mad woman of Uruguayan letters, di Giorgio's reputation has blossomed in recent years. Translator Adam Giannelli's careful selection of poems spans the enormous output of di Giorgio's career to help further introduce English-language readers to this vibrant and original voice.

Marosa di Giorgio was born in Salto, Uruguay, in 1932. Her first book Poemas was published in 1953. Also a theater actress, she moved to Montevideo in 1978, where she lived until her death in 2004.

Kittens, however, are notoriously curious creatures. And one kitten's one moment of curiosity sets off a chain of events that is astonishing, remarkable, and enormous in its meaning. For everyone who loves Sounder, Shiloh, and The Yearling, for everyone who loves the haunting beauty of writers such as Marjorie Kinnan Rawlings, Flannery O'Connor, and Carson McCullers, Kathi Appelt spins a harrowing yet keenly sweet tale about the power of love -- and its opposite, hate -- the fragility of happiness and the importance of making good on your promises.

Bill Minutaglio and Steven L. Davis ingeniously explore the swirling forces that led many people to warn President Kennedy to avoid Dallas on his fateful trip to Texas. Breathtakingly paced, Dallas 1963 presents a clear, cinematic, and revelatory look at the shocking tragedy that transformed America. Countless authors have attempted to explain the assassination, but no one has ever bothered to explain Dallas-until now.

With spellbinding storytelling, Minutaglio and Davis lead us through intimate glimpses of the Kennedy family and the machinations of the Kennedy White House, to the obsessed men in Dallas who concocted the climate of hatred that led many to blame the city for the president's death. Here at long last is an accurate understanding of what happened in the weeks and months leading to John F. Kennedy's assassination. Dallas 1963 is not only a fresh look at a momentous national tragedy but a sobering reminder of how radical, polarizing ideologies can poison a city-and a nation.

Winner of the PEN Center USA Literary Award for Research Nonfiction
Named one of the Top 3 JFK Books by Parade Magazine.
Named 1 of The 5 Essential Kennedy assassination books ever written by The Daily Beast.
Named one of the Top Nonfiction Books of 2013 by Kirkus Reviews.