Powerful. . . impressive. . . [an] epic of the 1840s frontier. --Dallas Morning News
With soaring and masterful prose, James Carlos Blake brings to life an enthralling historical time and place--and a cast of memorable characters--in a stunning tale of dark instinct, blood reckoning, and fates forged in the zeal of America's Manifest Destiny.
The offspring of a mother of ill repute and a homicidal father, Edward and John Little are driven from their home in the Florida swamplands by a scheming parent's treacheries, and by a shameful, horrific act that will haunt their dreams for the rest of their days. Joining the swelling ranks of the rootless--wandering across an almost surreal bloodland populated by the sorrowfully lost and defiantly damned--two brothers are separated by death and circumstance in the lawless Dixie City of New Orleans, and dispatched by destiny to opposing sides in a fierce and desperate territorial struggled between Mexico and the United States. And a family bond tempered in hot blood is tested in the cruel, all-consuming fires of war and conscience.
Ancient Rome was an imposing city even by modern standards, a sprawling imperial metropolis of more than a million inhabitants, a mixture of luxury and filth, liberty and exploitation, civic pride and murderous civil war that served as the seat of power for an empire that spanned from Spain to Syria. Yet how did all this emerge from what was once an insignificant village in central Italy? In S.P.Q.R., world-renowned classicist Mary Beard narrates the unprecedented rise of a civilization that even two thousand years later still shapes many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury, and beauty.
From the foundational myth of Romulus and Remus to 212 ce--nearly a thousand years later--when the emperor Caracalla gave Roman citizenship to every free inhabitant of the empire, S.P.Q.R. (the abbreviation of The Senate and People of Rome) examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries by exploring how the Romans thought of themselves: how they challenged the idea of imperial rule, how they responded to terrorism and revolution, and how they invented a new idea of citizenship and nation.
Opening the book in 63 bce with the famous clash between the populist aristocrat Catiline and Cicero, the renowned politician and orator, Beard animates this terrorist conspiracy, which was aimed at the very heart of the Republic, demonstrating how this singular event would presage the struggle between democracy and autocracy that would come to define much of Rome's subsequent history. Illustrating how a classical democracy yielded to a self-confident and self-critical empire, S.P.Q.R. reintroduces us, though in a wholly different way, to famous and familiar characters--Hannibal, Julius Caesar, Cleopatra, Augustus, and Nero, among others--while expanding the historical aperture to include those overlooked in traditional histories: the women, the slaves and ex-slaves, conspirators, and those on the losing side of Rome's glorious conquests.
Like the best detectives, Beard sifts fact from fiction, myth and propaganda from historical record, refusing either simple admiration or blanket condemnation. Far from being frozen in marble, Roman history, she shows, is constantly being revised and rewritten as our knowledge expands. Indeed, our perceptions of ancient Rome have changed dramatically over the last fifty years, and S.P.Q.R., with its nuanced attention to class inequality, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, promises to shape our view of Roman history for decades to come.
The award-winning, genre-defining debut from John Green, the #1 international bestselling author of Turtles All the Way Down and The Fault in Our Stars
Winner of the Michael L. Printz Award - A Los Angeles Times Book Prize Finalist - A New York Times Bestseller - A USA Today Bestseller - NPR's Top Ten Best-Ever Teen Novels - TIME magazine's 100 Best Young Adult Novels of All Time - A PBS Great American Read Selection - Millions of copies sold
Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's research becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?
In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt M nster f r Internationale Poesie. Leaving the Atocha Station is his first novel.
Luiselli follows in the imaginative tradition of writers like Borges and Márquez, but her style and concerns are unmistakably her own. This deeply playful novel is about the passion and obsession of collecting, the nature of storytelling, the value of objects, and the complicated bonds of family. . . Luiselli has become a writer to watch, in part because it's truly hard to know (but exciting to wonder about) where she will go next.--The New York Times
I was born in Pachuca, the Beautiful Windy City, with four premature teeth and my body completely covered in a very fine coat of fuzz. But I'm grateful for that inauspicious start because ugliness, as my other uncle, Eurípides López Sánchez, was given to saying, is character forming.
Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the notorious infamous like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, Teeth is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences.
Valeria Luiselli was born in Mexico City in 1983 and grew up in South Africa. Her work has been translated into many languages and has appeared in publications including the New York Times, Granta, and McSweeney's. Her novel, The Story of My Teeth is the Winner of the LA Times Book Prize in Fiction.
The Boxers & Saints Boxed Set from Gene Luen Yang, one of the greatest comics storytellers alive, brings all his formidable talents to bear in this astonishing work.
In two volumes, Boxers & Saints tells two parallel stories. The first is of Little Bao, a Chinese peasant boy whose village is abused and plundered by Westerners claiming the role of missionaries. Little Bao, inspired by visions of the Chinese gods, joins a violent uprising against the Western interlopers. Against all odds, their grass-roots rebellion is successful. But in the second volume, Yang lays out the opposite side of the conflict. A girl whose village has no place for her is taken in by Christian missionaries and finds, for the first time, a home with them. As the Boxer Rebellion gains momentum, Vibiana must decide whether to abandon her Christian friends or to commit herself fully to Christianity. Boxers & Saints is one of the most ambitious graphic novels First Second has ever published. It offers a penetrating insight into not only one of the most controversial episodes of modern Chinese history, but into the very core of our human nature. Gene Luen Yang is rightly called a master of the comics form, and this book will cement that reputation. This boxed set includes the trade paperback Boxers as well as the trade paperback Saints, packaged together in one slipcase. A New York Times bestsellerAn extraordinary new literary talent.--The Daily Telegraph
In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it--has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer.--Francisco Goldman
In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction.
Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition. --Publishers Weekly