A brilliant and stirring epic . . . Ms. Wilkerson does for the Great Migration what John Steinbeck did for the Okies in his fiction masterpiece, The Grapes of Wrath; she humanizes history, giving it emotional and psychological depth.--John Stauffer, The Wall Street Journal

What she's done with these oral histories is stow memory in amber.--Lynell George, Los Angeles Times

WINNER: The Mark Lynton History Prize - The Anisfield-Wolf Award for Nonfiction - The Chicago Tribune Heartland Prize - The Hurston-Wright Award for Nonfiction - The Hillman Prize for Book Journalism - NAACP Image Award for Best Literary Debut - Stephen Ambrose Oral History Prize

FINALIST: The PEN/John Kenneth Galbraith Award for Nonfiction - Dayton Literary Peace Prize

ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times - USA Today - Publishers Weekly - O: The Oprah Magazine - Salon - Newsday - The Daily Beast

ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker - The Washington Post - The Economist -Boston Globe - San Francisco Chronicle - Chicago Tribune - Entertainment Weekly - Philadelphia Inquirer - The Guardian - The Seattle Times - St. Louis Post-Dispatch - The Christian Science Monitor

In this beautifully written masterwork, Pulitzer Prize-winning author Isabel Wilkerson presents a definitive and dramatic account of one of the great untold stories of American history: the Great Migration of six million Black citizens who fled the South for the North and West in search of a better life, from World War I to 1970.

Wilkerson tells this interwoven story through the lives of three unforgettable protagonists: Ida Mae Gladney, a sharecropper's wife, who in 1937 fled Mississippi for Chicago; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, and Robert Foster, a surgeon who left Louisiana in 1953 in hopes of making it in California.

Wilkerson brilliantly captures their first treacherous cross-country journeys by car and train and their new lives in colonies in the New World. The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an unrecognized immigration within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is a modern classic.

Winner of the 2012 Pulitzer Prize

* Poet Laureate of the United States *
* A New York Times Notable Book of 2011 and New York Times Book Review Editors' Choice *
* A New Yorker, Library Journal and Publishers Weekly Best Book of the Year *

New poetry by the award-winning poet Tracy K. Smith, whose lyric brilliance and political impulses never falter (Publishers Weekly, starred review)

You lie there kicking like a baby, waiting for God himself
To lift you past the rungs of your crib. What
Would your life say if it could talk?
--from No Fly Zone

With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like love and illness now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation.

Paul Coates was an enigmatic god to his sons: a Vietnam vet who rolled with the Black Panthers, an old-school disciplinarian and new-age believer in free love, an autodidact who launched a publishing company in his basement dedicated to telling the true history of African civilization. Most of all, he was a wily tactician whose mission was to carry his sons across the shoals of inner-city adolescence--and through the collapsing civilization of Baltimore in the Age of Crack--and into the safe arms of Howard University, where he worked so his children could attend for free.

Among his brood of seven, his main challenges were Ta-Nehisi, spacey and sensitive and almost comically miscalibrated for his environment, and Big Bill, charismatic and all-too-ready for the challenges of the streets. The Beautiful Struggle follows their divergent paths through this turbulent period, and their father's steadfast efforts--assisted by mothers, teachers, and a body of myths, histories, and rituals conjured from the past to meet the needs of a troubled present--to keep them whole in a world that seemed bent on their destruction.

With a remarkable ability to reimagine both the lost world of his father's generation and the terrors and wonders of his own youth, Coates offers readers a small and beautiful epic about boys trying to become men in black America and beyond.

Praise for The Beautiful Struggle

I grew up in a Maryland that lay years, miles and worlds away from the one whose summers and sorrows Ta-Nehisi Coates evokes in this memoir with such tenderness and science; and the greatest proof of the power of this work is the way that, reading it, I felt that time, distance and barriers of race and class meant nothing. That in telling his story he was telling my own story, for me.--Michael Chabon, bestselling author of The Yiddish Policemen's Union and The Amazing Adventures of Kavalier & Clay

Ta-Nehisi Coates is the young James Joyce of the hip hop generation.--Walter Mosley

They are survivors of the Middle Passage and centuries of humiliation and deprivation, who have excelled against the odds, constantly making a way out of no way At this point in history, the idea of black inferiority should have had a Going-Out-of-Business Sale. After all, Barack Obama has reached the Promised Land.

Yet, as Brainwashed: Erasing the Myth of Black Inferiority testifies, too much of black America is still wandering in the wilderness. In this powerful examination of the greatest propaganda campaign of all time--the masterful marketing of black inferiority Burrell poses 10 provocative questions that will make black people look in the mirror and ask why, nearly 150 years after the Emancipation Proclamation, so many blacks still think like slaves.

Brainwashed is not a reprimand; it is a call to deprogram ourselves of self-defeating attitudes and actions. Racism is not the issue; how we respond to racism is the issue. We must undo negative brainwashing and claim a new state of race-based self-esteem and self-actualization. Provocative and powerful, Brainwashed dares to expose the wounds so that we, at last, can heal.

Winner of the 2013 Hurston/Wright Legacy Award for Poetry

The love readers feel for Lucille Clifton--both the woman and her poetry--is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness.--Toni Morrison, from the Foreword

If you only read one poetry book in 2012, The Collected Poems of Lucille Clifton ought to be it.--NPR

The 'Collected Clifton' is a gift, not just for her fans...but for all of us.--The Washington Post

The Collected Poems of Lucille Clifton 1965-2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965-1969, a collection-in-progress titled the book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize-winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career.

On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose lifetime accomplishments warrant extraordinary recognition, and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America.

mother-tongue: to man-kind (from the unpublished the book of days):

all that I am asking is
that you see me as something
more than a common occurrence,
more than a woman in her ordinary skin.

An enthralling debut collection from a singular Caribbean voice

For a leper, many things are impossible, and many other things are easily done. Babalao Chuck said he could fly to the other side of the island and peek at the nuns bathing. And when a man with no hands claims that he can fly, you listen.

The inhabitants of an island walk into the sea. A man passes a jail cell's window, shouldering a wooden cross. And in the international shop of coffins, a story repeats itself, pointing toward an inevitable tragedy. If the facts of these stories are sometimes fantastical, the situations they describe are complex and all too real.

Lyrical, lush, and haunting, the prose shimmers in this nuanced debut, set mostly in the U.S. Virgin Islands. Part oral history, part postcolonial narrative, How to Escape from a Leper Colony is ultimately a loving portrait of a wholly unique place. Like Gabriel García Márquez, Edwidge Danticat, and Maryse Condé before her, Tiphanie Yanique has crafted a book that is heartbreaking, hilarious, magical, and mesmerizing. An unforgettable collection.

Pulitzer Prize Board citation to Ida B. Wells, as an early pioneer of investigative journalism and civil rights icon

From a thinker who Maya Angelou has praised for shining a brilliant light on the lives of women left in the shadow of history, comes the definitive biography of Ida B. Wells--crusading journalist and pioneer in the fight for women's suffrage and against segregation and lynchings

Ida B. Wells was born into slavery and raised in the Victorian age yet emerged--through her fierce political battles and progressive thinking--as the first modern black women in the nation's history.

Wells began her activist career when she tried to segregate a first-class railway car in Memphis. After being thrown bodily off the car, she wrote about the incident for black Baptist newspapers, thus beginning her career as a journalist. But her most abiding fight would be the one against lynching, a crime in which she saw all the themes she held most dear coalesce: sexuality, race, and the law.

The poems in this highly anticipated second book are elegiac poems, as concerned with honoring our dead as they are with praising the living. Through Aracelis Girmay's lens, everything is animal: the sea, a jukebox, the desert. In these poems, everything possesses a system of desire, hunger, a set of teeth, and language. These are poems about what is both difficult and beautiful about our time here on earth.

Aracelis Girmay's debut collection won the Great Lakes Colleges Association New Writers Award. A Cave Canem Fellow, she is on the faculty at Drew University and Hampshire College. She lives in Brooklyn, New York.

Glorious is set against the backdrops of the Jim Crow South, the Harlem Renaissance, and the Civil Rights era. Blending fact and fiction, Glorious is the story of Easter Venetta Bartlett, a fictional Harlem Renaissance writer whose tumultuous path to success, ruin, and ultimately revival offers a candid and true portrait of the American experience in all its beauty and cruelty.

It is a novel informed by the question that is the title of Langston Hughes's famous poem: What happens to a dream deferred? Based on years of research, this heart-wrenching fictional account is given added resonance by factual events coupled with real and imagined larger-than-life characters. Glorious is an audacious exploration into the nature of self-hatred, love, possession, ego, betrayal, and, finally, redemption.

Infused with the wonder of a disquieting dream and laced with Victor LaValle's fiendish comic sensibility, Big Machine is a mind-rattling mystery about doubt, faith, and the monsters we carry within us.

What if the history of the transatlantic slave trade had been reversed and Africans had enslaved Europeans? How would that have changed the ways that people justified their inhuman behavior? How would it inform our cultural attitudes and the insidious racism that still lingers today? We see this tragicomic world turned upside down through the eyes of Doris, an Englishwoman enslaved and taken to the New World, movingly recounting experiences of tremendous hardship and the dreams of the people she has left behind, all while journeying toward an escape into freedom.

A poignant and dramatic story grounded in provocative ideas, Blonde Roots is a genuinely original, profoundly imaginative novel.

A nuanced critique of the great American novel that mirrors the true story of countless slave women, My Jim is a haunting and inspiring story about freedom, longing, and the remarkable endurance of love.

The wisdom of saying goodbye

In this wise and provocative book, the renowned sociologist Sara Lawrence-Lightfoot trains her lens on the myriad exits we make in our lives: exits big and small, extraordinary and ordinary, quick and protracted, painful and liberating.
Exits are ubiquitous. Part of the historical narrative of our country, they mark the physical landscapes we inhabit; they're braided into the arc of our individual development, laced into our intergenerational relationships, shaped by economic crisis, global mobility, and technological innovations. But we tend to ignore them, often seeing them as signs of failure.
For two years Lawrence-Lightfoot traveled around the country listening to people tell their stories of leaving, witnessing rituals of goodbye, and producing the penetrating portraits that have become her signature. A gay man who finds home and wholeness after coming out of the closet; a sixteen-year-old-boy forced to leave Iran in the midst of a violent civil war; a Catholic priest who leaves the church; an anthropologist who carefully stages her departure from the field after years of research; and many more. Lawrence-Lightfoot shares their stories with sympathy and insight, finding the universal patterns that reframe our exit narratives.
Exit finds wisdom in the possibility of moving on. It marks the start of a new conversation: a chance to discover how to make our exits with dignity and grace.

The defining experience of Chinua Achebe's life was the Nigerian civil war, also known as the Biafran War, of 1967-1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe's people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war's full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa's most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.

Achebe masterfully relates his experience, bothas he lived it and how he has come to understand it. He begins his story with Nigeria's birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country's promise, which turned to horror when the hot winds of hatred began to stir. To read There Was a Country is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers--they should speak for their history, their beliefs, and their people.

Marrying history and memoir, poetry and prose, There Was a Country is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe's place as one of the most vital literary and moral voices of our age.

Chude-Sokei makes the crucial argument that Williams's minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the darky, he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating black with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American-dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the Negro in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.

When Keith moves in with her family, he triggers a series of events that will follow Avery throughout her life: to her studies at USC, to her burgeoning career as a painter and artist, and into her relationship with a wealthy Italian who sequesters her in his glass-walled house in the Hollywood Hills. The past will intrude upon Avery's first gallery show, proving her mother's adage: Every goodbye aint gone. The dual-narrative of Elsewhere, California illustrates the complicated history of African Americans across the rolling basin of Los Angeles.

In the tradition of the Langton Hughes classic Montage of a Dream Deferred, Mitchell L. H. Douglas uses persona poetry to explore the personal and professional struggles of soul legend Donny Hathaway in his debut collection Cooling Board: a Long-Playing Poem. Evoking the sense of listening to a concept album, Douglas presents a narrative in two sides: side one focusing on Hathaway's development as a young musician and subsequent rise to fame and side two bearing witness to the adversity that plagued his later years. Readers will see Hathaway as true to his family, true to his faith, and uncompromising in his quest for musical innovation.

In a nod to Hathaway's legacy as a musical trailblazer, Douglas implements a significant poetic innovation in the format of the book. By including alternate versions or takes of poems throughout Cooling Board, the reader hears an echo of ideas that can be likened to an album with previously unreleased versions of popular songs. When the poems are revisited in alternate takes, new information emerges, and the reader is forced to consider new interpretations. Along the way, poems resembling liner notes and pop charts enhance the experience, never letting the reader forget that the heart of this ride is the music.

Above all, Douglas' depiction of Hathaway gives readers the human side of a man who has remained a mystery in the 30 years since his death. Not only does the poet speak in the voices of Hathaway and his long-time collaborator Roberta Flack, the reader also hears the voices of those closest to Hathaway whom we are less familiar with: his mother, Drusella Huntley, his grandmother, Martha Crumwell-Hathaway's earliest music teacher-and his wife, Eulaulah.

As the book's first Liner Notes poem recognizes, Cooling Board is about life lessons, the difficult things you don't always get on the first take. With Douglas as a guide versed in the power of possessing many tongues, Cooling Board captures its reader like the best Hathaway song: passionately, honestly, and with an undeniable sense of purpose.