What if a boring lesson about the food chain becomes a sing-aloud celebration about predators and prey? A twinkle-twinkle little star transforms into a twinkle-less, sunshine-eating-and rhyming Black Hole? What if amoebas, combustion, metamorphosis, viruses, the creation of the universe are all irresistible, laugh-out-loud poetry? Well, you're thinking in science verse, that's what. And if you can't stop the rhymes . . . the atomic joke is on you. Only the amazing talents of Jon Scieszka and Lane Smith, the team who created Math Curse, could make science so much fun.

In a recent double fiction issue, The New Yorker devoted the entire back page to a single poem, The Clerk's Tale, by Spencer Reece. The poet who drew such unusual attention has a surprising background: for many years he has worked for Brooks Brothers, a fact that lends particular nuance to the title of his collection. The Clerk's Tale pays homage not only to Chaucer but to the clerks' brotherhood of service in the mall, where the light is bright and artificial, / yet not dissimilar to that found in a Gothic cathedral. The fifty poems in The Clerk's Tale are exquisitely restrained, shot through with a longing for permanence, from the quasi-monastic life of two salesmen at Brooks Brothers to the poignant lingering light of a Miami dusk to the weight of geography on an empty Minnesota farm. Gluck describes them as having an effect I have never quite seen before, half cocktail party, half passion play . . . We do not expect virtuosity as the outward form of soul-making, nor do we associate generosity and humanity with such sophistication of means, such polished intelligence . . . Much life has gone into the making of this art, much patient craft.

The Second Gilded Age has been staggering enough in its concentration of wealth to dwarf the original Gilded Age a hundred years earlier. However, the tech crash and then the horrible events of September 11, 2001, pointed out that great riches are as vulnerable as they have ever been. In Wealth and Democracy, Kevin Phillips charts the ongoing American saga of great wealth-how it has been accumulated, its shifting sources, and its ups and downs over more than two centuries. He explores how the rich and politically powerful have frequently worked together to create or perpetuate privilege, often at the expense of the national interest and usually at the expense of the middle and lower classes.

With intriguing chapters on history and bold analysis of present-day America, Phillips illuminates the dangerous politics that go with excessive concentration of wealth. Profiling wealthy Americans-from Astor to Carnegie and Rockefeller to contemporary wealth holders-Phillips provides fascinating details about the peculiarly American ways of becoming and staying a multimillionaire. He exposes the subtle corruption spawned by a money culture and financial power, evident in economic philosophy, tax favoritism, and selective bailouts in the name of free enterprise, economic stimulus, and national security.

Finally, Wealth and Democracy turns to the history of Britain and other leading world economic powers to examine the symptoms that signaled their declines-speculative finance, mounting international debt, record wealth, income polarization, and disgruntled politics-signs that we recognize in America at the start of the twenty-first century. In a time of national crisis, Phillips worries that the growing parallels suggest the tide may already be turning for us all.

In a monastery in the mountains of Mourne during the Middle Ages, one young monk struggled to focus on his task: copying the Bible and other scholarly books with plain brown ink made from wood bark in plain brown books in his plain brown robe at his plain brown desk. Brother Theophane was soon transferred from the scribe's room and assigned to make the ink that the brothers used. With his natural curiosity, Theophane discovered that inks could be made from other plants besides the wood bark. Berries and leaves produced other beautiful colors. And soon, the books the monks made were illuminated with colors and drawings.

C.M. Millen's charming story of a young monk who defied the discipline of the monastery and found his own way to express the beauty of the world will inspire young readers to explore their own world and find their own voices.

Andrea Wisnewski's illustrations, inspired by the illuminated letters that the medieval monks created in books like the Book of Kells, bring to life the colors and beauty that surrounded Brother Theophane amidst the plain world of the monastery.

From critically acclaimed author Alice Mattison, a charmer (New York Times) whose voice is like that of no one else writing today (Kirkus)--comes a profoundly moving meditation on love, friendship, and the unforgotten past

One quiet spring day in 1989, Constance Tepper arrives from Philadelphia to watch over her mother's Brooklyn apartment and her orange cat. Con's mother, Gert, has left town to visit her old friend Marlene Silverman in Rochester. Marlene has always seemed alluring and powerful to Con, and ever since Con was a little girl, the long-standing bond between Gert and Marlene has piqued her curiosity. Now she finds herself wondering again what keeps them together.

Con's week in Brooklyn will take a surprising turn when she wakes to find that someone has entered her mother's apartment and her own purse is missing. Stranded, with no money, she begins to phone family and friends. By the end of that week, she will experience a series of troubling discoveries about her marriage, her job, and her family's history, and much of her life will be changed forever.

In the fall of 2003, now living in Brooklyn and working as a lawyer, Con has almost forgotten that strange and shattering week. But a series of unsettling reminders and surprising discoveries--including traces of a lost elevated train line through Brooklyn--will lead to grief, love, and more questions. At last, a confrontation between Marlene and Con's daughter will unravel some of the mysteries of the past.

Once there were four lads . . . John [Hancock], Paul [Revere], George [Washington], and Ben [Franklin]. Oh yes, there was also Tom [Jefferson], but he was annoyingly independent and hardly ever around. These lads were always getting into trouble for one reason or another. In other words, they took a few . . . liberties. And to be honest, they were not always appreciated. Until one day, they all played a part in securing America's freedom.

Deftly drawn, witty, and instantly appealing, the illustrations creatively blend period elements such as wood-grain and crackle-glaze texturing, woodcut lines, and formal compositions typical of the era, with gaping mouths and stylized, spiraling eyes typical of modern cartoons. --Booklist

Exercise your freedom to scoop up this one. --​School Library Journal

Don't miss these other books by Lane Smith: Madam President
The Big Elephant in the Room

What do the pyramids of Egypt really represent? What could have driven so many to so great, and often so dangerous, an effort? Was the motivation religious or practical?

Richly illustrated with more than 300 photographs and drawings, Sticks, Stones, and Shadows presents an entirely original approach to the subject of pyramid building. Unlike other books discussing these majestic structures, this book reveals the connection between devices that served both a practical need for survival and a spiritual belief in gods and goddesses. Few have closely examined Egyptian technologies and techniques from the origins of pyramid development to the step-by-step details of how the ground was leveled, how the site was oriented, and how the stone was raised and placed to meet at a distant point in the sky.

Nevertheless, this is much more than a how-to-do-it book. Martin Isler also asks and answers questions virtually ignored for the last century. He discloses, for example, the ancient use of shadows--now denigrated to the ornamental back-yard sundial--but once an important tool for telling the height of an object, geographical directions, the seasons of the year, and the time of day. Isler also reinterprets the ancient stretching of the cord ceremony, which once was thought to have only religious significance but here is shown as the means of establishing the sides of a pyramid.

Stay With Me accomplishes all we might ask of a novel....It reminds readers what great pleasures and surprises are to be found inside such rare, fine, and atmospheric novels when we're lucky enough to find them.
--Laura Kasischke, author of In a Perfect World

For young readers comes a poetic commemoration of the life of an 18th-century slave, from a past poet laureate and three-time National Book Award finalist

For over 200 years, the Mattatuck Museum in Connecticut has housed a mysterious skeleton. In 1996, community members decided to find out what they could about it. Historians discovered that the bones were those of an enslaved man named Fortune, who was owned by a local doctor. After Fortune's death, the doctor rendered the bones.

Further research revealed that Fortune had married, had fathered four children, and had been baptized later in life. His bones suggest that after a life of arduous labor, he died in 1798 at about the age of 60. The Manumission Requiem is Marilyn Nelson's poetic commemoration of Fortune's life. Detailed notes and archival photographs enhance the reader's appreciation of the poem.

Most readers know Noah Webster for his dictionary masterpieces and his promotion of a living American Language that embraces words and idioms from all its immigrant peoples. But he was also the driving force behind universal education for all citizens, including slaves, females, and adult learners. Speaker of twenty languages, he developed the new country's curriculum, writing and publishing American literature, American history, and American geography. He published New York City's first daily newspaper. As editor, Webster conducted a study and linked disease with poor sanitation. He created the country's first insurance company, established America's first copyright law, and became America's first best-selling author.

2009 Outstanding Academic Title, Choice

This groundbreaking new translation of Horace's most widely read collection of poetry is rendered in modern, metrical English verse rather than the more common free verse found in many other translations. Jeffrey H. Kaimowitz adapts the Roman poet's rich and metrically varied poetry to English formal verse, reproducing the works in a way that maintains fidelity to the tone, timbre, and style of the originals while conforming to the rules of English prosody. Each poem is true to the sense and aesthetic pleasure of the Latin and carries with it the dignity, concision, and movement characteristic of Horace's writing.

Kaimowitz presents each translation with annotations, providing the context necessary for understanding and enjoying Horace's work. He also comments on textual instability and explains how he constructed his verse renditions to mirror Horatian Latin.

Horace and The Odes are introduced in lively fashion by noted classicist Ronnie Ancona.

Discover what it was like before there was a pitching mound or players had numbers on their jerseys. Learn how Babe Ruth got his nickname, why Brooklyn's team was called the Dodgers, and what Roger Clemens gave to keep his lucky number 21 when he switched teams. See what clever ways players have found to win -- even ways to cheat Sprinkled throughout are definitions of baseball's weird and wacky vocabulary, from a meatball to Uncle Charlie.

Find out which player was traded for a bag of prunes, but don't trade this book for anything Ross MacDonald's lively pictures bring fans close to the action with plenty of mischievous fun in this free-swinging tribute to the boys of summer.

Exploring the many facets of Connecticut's unique geology

In a series of entertaining essays, geoscientist Jelle Zeilinga de Boer describes how early settlers discovered and exploited Connecticut's natural resources. Their successes as well as failures form the very basis of the state's history: Chatham's gold played a role in the acquisition of its Charter, and Middletown's lead helped the colony gain its freedom during the Revolution. Fertile soils in the Central Valley fueled the state's development into an agricultural power house, and iron ores discovered in the western highlands helped trigger its manufacturing eminence. The Statue of Liberty, a quintessential symbol of America, rests on Connecticut's Stony Creek granite. Geology not only shaped the state's physical landscape, but also provided an economic base and played a cultural role by inspiring folklore, paintings, and poems. Illuminated by 50 illustrations and 12 color plates, Stories in Stone describes the marvel of Connecticut's geologic diversity and also recounts the impact of past climates, earthquakes, and meteorites on the lives of the people who made Connecticut their home.

Beautiful verse explores agricultural scientist George Washington Carver's life and many achievements, from his work as a botanist and inventor to his unsung gifts as a painter, musician, and teacher.

George Washington Carver was determined to help the people he loved. Born a slave in Missouri, he left home in search of an education, eventually earning his master's degree. When Booker T. Washington invited Carver to start the agricultural department at the all-black-staffed Tuskegee Institute, Carver truly found his calling. He spent the rest of his life seeking solutions to the poverty among landless Black farmers by developing new uses for soil-replenishing crops such as peanuts, cowpeas, and sweet potatoes. This STEAM biography reveals Carver's complex and profoundly devout life.