Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by a longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into a wealthy and insular art community.

As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love -- and at the center of a narrowing, ever more dangerous circle.

The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention. From the streets of New York to the dark corners of the art underworld, this soaring masterpiece examines the devastating impact of grief and the ruthless machinations of fate (Ron Charles, Washington Post).

ONE OF THE TEN BEST BOOKS OF THE YEAR: Janet Maslin, The New York Times, People, Entertainment Weekly, O: The Oprah Magazine, Slate, Kansas City Star, USA Today, Christian Science Monitor

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne's fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick's clever and beautiful wife disappears. Husband-of-the-Year Nick isn't doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife's head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media--as well as Amy's fiercely doting parents--the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he's definitely bitter--but is he really a killer?

ONE OF THE BEST BOOKS OF THE YEAR: San Francisco Chronicle, St. Louis Post-Dispatch, Chicago Tribune, HuffPost, Newsday

From the bestselling author of The Dutch House, a secretive magician's death becomes the catalyst for his partner's journey of self-discovery in this enchanting book (San Francisco Chronicle) that is something of a magic trick in itself. (Newsweek)

When Parsifal, a handsome and charming magician, dies suddenly, his widow Sabine--who was also his faithful assistant for twenty years--learns that the family he claimed to have lost in a tragic accident is very much alive and well. Sabine is left to unravel his secrets, and the journey she takes, from sunny Los Angeles to the bitter windswept plains of Nebraska, will work its own magic on her.

Sabine's extraordinary tale, with its big dreams, vast spaces, and disparate realities lying side by side captures the hearts of its readers and proves to be the perfect place for miraculous transformations. (The New Yorker)

Heather O Neill s critically acclaimed debut novel, with a new introduction from the author to celebrate its ten-year anniversary

Baby, all of thirteen years old, is lost in the gangly, coltish moment between childhood and the strange pulls and temptations of the adult world. Her mother is dead; her father, Jules, is scarcely more than a child himself and is always on the lookout for his next score. Baby knows that chocolate milk is Jules slang for heroin and sees a lot more of that in her house than the real thing. But she takes vivid delight in the scrappy bits of happiness and beauty that find their way to her, and moves through the threat of the streets as if she s been choreographed in a dance.

Soon, though, a hazard emerges that is bigger than even her hard-won survival skills can handle. Alphonse, the local pimp, has his eye on her for his new girl and what the johns don t take he covets for himself. If Baby cannot learn to become her own salvation, his dark world threatens to claim her, body and soul.

Channeling the artlessly affecting voice of her thirteen-year-old heroine with extraordinary accuracy and power, Heather O Neill s debut novel blew readers away when it was first published ten years ago. Now it s sure to capture its next decade of readers as Baby picks her pathway along the edge of the abyss to arrive at a place of redemption, and of love.

Featuring a new introduction from the author

CBC Canada reads winner, Paragraphe Hugh MacLennan Prize for Fiction winner, Orange Prize for Fiction finalist, Governor General s Literary Award finalist, International Impac Dublin Literary Award finalist

Praise for Lullabies for Little Criminals

A vivid portrait of life on skid row. People

A nuanced, endearing coming-of-age novel you won t want to miss. Quill And Quire

Vivid and poignant. . . . A deeply moving and troubling novel. The Independent (London)

O Neill is a tragicomedienne par excellence. . . . You will not want to miss this tender depiction of some very mean streets. Montreal Review of Books

One of the New York Times's 100 Best Books of the 21st Century - One of The Atlantic's Great American Novels of the Past 100 Years

Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be Black for the first time. Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London.

At once powerful and tender, Americanah is a remarkable novel that is dazzling...funny and defiant, and simultaneously so wise. --San Francisco Chronicle

Kamila Shamsie's Burnt Shadows is a story for our time by a writer of immense ambition and strength. . . . This is an absorbing novel that commands in the reader a powerful emotional and intellectual response -Salman Rushdie.

Winner of the Anisfield-Wolf Book Award
An Orange Prize Finalist

Nagasaki, August 9, 1945. Hiroko Tanaka watches her lover from the veranda as he leaves. Sunlight streams across Urakami Valley, and then the world goes white.

In the devastating aftermath of the atomic bomb, Hiroko leaves Japan in search of new beginnings. From Delhi, amid India's cry for independence from British colonial rule, to New York City in the immediate wake of 9/11, to the novel's astonishing climax in Afghanistan, a violent history casts its shadow the entire world over. Sweeping in its scope and mesmerizing in its evocation of time and place, this is a tale of love and war, of three generations, and three world-changing historic events.

Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.

Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle -- and people in general -- has made her so agoraphobic that a virtual assistant in India now runs her most basic errands. A trip to the end of the earth is problematic.

To find her mother, Bee compiles email messages, official documents, and secret correspondence -- creating a compulsively readable and surprisingly touching novel about misplaced genius and a mother and daughter's role in an absurd world.

No Bones is a book about feelings, family, sex, and Ireland--but don't tell Amelia that. She's the one growing up in the mad family, in the mad society, who doesn't want to know what's going on. But things are going on: eight-year-olds collecting very peculiar treasure; babies who might be, or might not be, bombs; schoolgirls bringing guns into schoolyards; and, of course, lots of food and bad, bad sex.

If Amelia is to live she needs to change. Can she, though, in a place where people don't know how to look after themselves, and so wouldn't know how to look after one another?

Shortlisted for the Women's Prize for Fiction.

ONE OF THE MOST LOVED NOVELS OF THE DECADE

A long-lost book reappears, mysteriously connecting an old man searching for his son and a girl seeking a cure for her widowed mother's loneliness.

New York Times Bestseller Winner of the William Saroyan International Prize for Writin Winner of the Borders Original Voices Awar Finalist for the Orange Priz #1 Booksense Pic Winner of the Edward Lewis Wallant Awar Winner of France's Prix du Meilleur Livre Etranger Awar

To five-year-old-Jack, Room is the world. It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.

Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.

Room is a tale at once shocking, riveting, exhilarating -- a story of unconquerable love in harrowing circumstances, and of the diamond-hard bond between a mother and her child.

A WISE, SPIRITED NOVEL . . . IN WHICH] SMILEY PLUMBS THE WONDROUSLY
STRANGE WORLD OF HORSE RACING. --People

ONE OF THE PREMIER NOVELISTS OF HER GENERATION, possessed of a mastery
of craft and an uncompromising vision that grow more powerful with each
book . . . Racing's eclectic mix of classes and personalities provides
Smiley with fertile soil . . . Expertly juggling storylines, she
investigates the sexual, social, psychological, and spiritual problems
of wealthy owners, working-class bettors, trainers on the edge of
financial ruin, and, in a typically bold move, horses.
--The Washington Post

A NOVEL OF PASSION IN EVERY SENSE . . . SHE DOES] IT ALL WITH APLOMB .
. . WITH A DEMON NARRATIVE INTELLIGENCE.
--The Boston Sunday Globe

WITTY, ENERGETIC . . . It's deeply satisfying to read a work of fiction
so informed about its subject and so alive to every nuance and detail .
. . Smiley's] final chapters have a wonderful restorative quality.
--The New York Times Book Review

RICHLY DETAILED, INGENIOUSLY CONSTRUCTED . . . YOU WILL REVEL IN JANE
SMILEY'S HORSE HEAVEN.
--San Diego Union-Tribune

Chosen by the Los Angeles Times as One of the Best Books of the Year

E. Annie Proulx's Accordion Crimes is a masterpiece of storytelling that spans a century and a continent. Proulx brings the immigrant experience in America to life through the eyes of the descendants of Mexicans, Poles, Africans, Irish-Scots, Franco-Canadians and many others, all linked by their successive ownership of a simple green accordion. The music they make is their last link with the past--voice for their fantasies, sorrows and exuberance. Proulx's prodigious knowledge, unforgettable characters and radiant language make Accordion Crimes a stunning novel, exhilarating in its scope and originality.

Five people: four are living; three are strangers; two are sisters; one, a teenage hotel chambermaid, has fallen to her death in a dumbwaiter. But her spirit lingers in the world, straining to recall things she never knew. And one night all five women find themselves in the smooth plush environs of the Global Hotel, where the intersection of their very different fates make for this playful, defiant, and richly inventive novel.

Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.

Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tv=ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard.

Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?

Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.

An instant classic.--The Guardian

It's hard to imagine another narrative that would justify this way of telling, but perhaps McBride can build another style from scratch for another style of story. That's a project for another day, when this little book is famous.--London Review of Books

In edgy, hazy, stream-of-consciousness prose, Eimear McBride transports you directly into her narrator's mind and heart, making this experimental, award-winning novel totally unforgettable.--Bustle

A Girl is a Half-formed Thing is simply a brilliant book--entirely emotionally raw and at the same time technically astounding. Her prose is as haunting and moving as music, and the love story at the heart of the novel--between a sister and brother--as true and wrenching as any in literature. This is a book about everything: family, faith, sex, home, transcendence, violence, and love. I can't recommend it highly enough.--Elizabeth McCracken

McBride's A Girl is a Half-formed Thing is a game-changer, a disruptor, a grenade of a novel, and we all agreed this had to win.--Isabel Berwick

My discovery of the year was Eimear McBride's debut novel A Girl Is a Half-formed Thing.--Eleanor Catton

Eimear McBride's acclaimed debut tells the story of a young woman's relationship with her brother, and the long shadow cast by his childhood brain tumor, touching on everything from family violence to sexuality and the personal struggle to remain intact in times of intense trauma.

Eimear McBride was born in 1976 and grew up in Ireland. At twenty-seven she wrote A Girl is a Half-formed Thing and spent the next nine years trying to have it published.

Perhaps no debut has been more thrilling than Eimear McBride's Girl is a Half-formed Thing.-- SF Weekly

Undoubtedly my standout read of the year, A Girl is A Half-formed Thing is an exciting and innovative debut.-- Glasgow Review of Books

Irish author Eimear McBride earned hosannas for her first novel with the very evocative 'A Girl is a Half Formed Thing'.-- Indian Express

[McBride] reframes our expectations of prose and clarifies an urgent reality: we are all half-formed, to some degree. --The Colorado Review

In her utterly original novel about mothers, daughters, and love, Judy Budnitz gives the traditional folktale an electrifying twist as she follows four generations of women from an Eastern European village to the tenements of an American city. Elena, born into a family ruled by a formidable mother, embarks on an epic journey to the New World, met along the way by evil, magic, and good fortune. The daughter, grand-daughter, and great-granddaughter who follow each share her special powers of observation and, often, destruction. The result is a family saga unlike any other: a hilarious, heartbreaking story of family ties that bind.